Mainlining Christmas

Let me start by saying that we went into this not expecting much. We knew it was a Vince Vaughn vehicle about Santa’s brother, and that much made us wince. But it was time, so we put in the DVD, and were amazed at what we found. This movie is actually good. Not just good: in the scale of Christmas comedies it’s kinda…. great. But let me give you a few more caveats: There are bad, distracting, “zany” sound effects. They are a terrible choice. But except for a few scenes, they’re easy to ignore. Similarly: slapstick. The movie could have done with about 50% less slapstick. There are a few aspects that would be annoying if we had certain meta-knowledge. Who is playing this or that small role, for example. But we didn’t know, so it was just a small, somewhat amusing role. This movie is not exactly kind to its women. The female characters are almost entirely eye candy or shrewish or both. It could have been much worse, and it is possible to look past the jokes to see that there

This is an hour-long Peanuts Christmas special from a decade ago. I wasn't expecting much, on account of the fact it's fairly recent, but I was pleasantly surprised. The special focuses almost entirely on Rerun van Pelt, Linus and Lucy's younger brother. I know that sounds like a recipe for disaster, but it actually had a pretty neat effect, particularly on Charlie Brown. For once, he's not a martyr: in fact, Rerun envies the fact he has a dog. It has the effect of making the Peanuts' world less one-dimensional, while providing some sense that these characters are starting to grow up. There's not a lot of plot here, but Rerun's desire for a pet holds this together. There's a sort of kid-friendly existentialism at play here, as Rerun ponders the unfairness of the universe. The whole thing has a very melancholy tone you wouldn't expect, either. There are a lot of jokes - most of which are genuinely funny - but at it's core, this is about alie

Unlike the first two installments of The Santa Clause, part three is consistent. I'm referring, of course, to the fact the others each had a solid 15 minutes that weren't entirely horrible. You may be tempted to dismiss this as a flaw, but I encourage you to look at it as a boon. At no point does this movie give you hope and wrench it away. Besides sucking consistently, I'll say one other positive thing about The Santa Clause 3 : it doesn't abandon the character of Mrs. Clause from part 2. She's still here and she's still a major part of the plot. It's a common trope to introduce a love interest then relegate her to a cameo in the next installment, so... kudos to the no-talent hacks who made this for not falling victim to that particular awful cliche. I'm pretty sure they checked off all the others. The movie takes place as Christmas approaches. Mrs. Clause is about to have a baby, and she's missing human companionship. Tim Allen flies he

Love Actually is to romantic comedies what absinthe is to spirits. It represents the essence of a genre distilled to a point where it no longer tastes likes a romantic comedy, but even in small doses will still mess with your head. For better and for worse, Love Actually does not come packaged in small doses. This clocks in at around two hours and fifteen minutes. While I did enjoy the movie on this viewing, I would have thanked its editor for amputating forty-five minutes of that. I say "this viewing," because this is the second time I saw the film. I didn't care for it much after the first, though I slid it into that rare category of movies I didn't like but thought were quite good. I was actually someone distressed to find myself enjoying it this time, as I like having a handful of movies fitting that description I can whip out in conversation. Love Actually is about love. The theme is "love." The plot is "love." The characters are a

If you were reading the blog last year, it's conceivable you may remember my review of the ABC Family made-for-TV movie, Snow . But seeing as Lindsay and I barely remember it, it's not too likely. So, let's start this out with a quick recap: Snow is a movie about Nick Snowden, the new Santa Claus. He's trying to find a lost reindeer, and on the way he meets the girl of his dreams, Sandy. They rescue the reindeer from Sandy's ex-boyfriend and get married. Also, the first movie was essentially a worthless pile of crap. I want you to pay special attention to the "pile of crap" part. That's going to come up again. Snow 2: Brain Freeze takes place the next year. Snowden and Sandy are having difficulties, mainly due to him being a jackass. He teleports to the city to get some time away, hits his head, and promptly gets amnesia. One commercial break later, and he's in the hospital with a convenient news crew there to broadcast his conditio

This is the first and only episode of The Fairly OddParents I've seen. The premise of the series is that the main character has a pair of fairy god-parents who grant his wishes, leading to mayhem. I have a hard time imagining how the producers have been able to wring nine seasons out of this premise, but I have to admit I found this special inventive and fun. The episode starts right before Christmas, Timmy's favorite day of the year. There's some generic toon chaos involving his babysitter (apparently, she was the regular villain at this point, so they shoehorned her into the episode), followed by Christmas itself. At the end of the day, Timmy makes the classic wish: for every day to be Christmas. The next few minutes are pretty predictable: the quality of each successive Christmas diminishes, and the world grows more and more irritated at the now seemingly eternal holiday. It takes Timmy a while to catch on, and by that time things are really bad. The military'

How I Met Your Mother is one of those shows that I’ve seen a few minutes of here and there, and I know it’s decent, and I know people who really enjoy it. It seems like exactly the kind of show that I would watch if it were on, but I wouldn’t seek it out. You know the show I mean, you turn on the TV and flip around, and say “Hey, it’s How I Met Your Mother/The Simpsons/Seinfeld/Scrubs/Good Eats/NewsRadio That’s usually okay, let’s watch the rest of that.” The problem with that is I never turn on ‘actual’ TV these days unless I know exactly what show I’m tuning in for, so shows that I would watch haphazardly like that aren’t shows I end up seeing at all. I really enjoyed the chance to get a sampling from across the seasons by watching just the Christmas episodes. Sure, I’m missing some running gags, but I’m also getting a crash course in how the show changed over time. How I Met Your Mother: How Lily Stole Christmas (2006) This is almost really great. The big (BIG) problem fo

This was the last episode on the "Nick Picks Holiday" DVD we picked up. Overall, that DVD was one of the better compilations of its kind we've seen. But maybe they should have shoved this in the middle as padding instead of leaving it for last. This wasn't really bad, but it certainly wasn't good, either. The premise of the show, is a kid has a piece of magic chalk (or something) that lets him travel to the "ChalkZone," a pocket dimension inhabited by everything kids draw. The premise actually had promise: in the right hands, it could conceivably have turned into something cool. These were clearly not the right hands. The setting is utterly vapid, as are the characters. Both the real world and "ChalkZone" inhabitants are idiotic and cloying. This special Christmas episode takes up the whole half hour block (usually, the time is broken into segments). There are two plots occurring simultaneously: one in the real world and the oth

That's right: we're not done with this thing yet. There are three extras on this DVD, and we just sat through all of them. One is the music video, which we'd already seen several times. I've got to say, having seen the movie and now having context for the clips interspersed between close ups of the creepy lead singer, the video is even more idiotic than before. Didn't think that'd be possible. The other two are mini-documentaries; one about the writing of the song and book, and the other about the making of the movie. They're both equal parts hilarious and painful. Here are a few highlights: The director actually compared "The Christmas Shoes" to "It's a Wonderful Life." He wasn't joking, either: he talked about how neither was afraid to explore the dark side of the subject matter, how the ending was earned. Upon hearing the 2-sentence premise of the song, the writer immediately thought it would make a great book. The

Erin and I are on the same page with this one, I mainly want to add two small observations to Erin’s excellent write up. Patton Oswalt was right If you’ve ever heard the horror that is the Christmas Shoes song, hopefully you’ve also seen Patton Oswalt’s hilarious take-down (NSFW!!) . One thing that I noticed watching this extended version of the story is Patton Oswalt's complaint about the moral of the song is even more pronounced here. The poor woman’s death is there, primarily, to benefit the rich couple. If what’s-her-name hadn’t been sick, would Kate ever have found her true calling taking the poor woman’s place as the volunteer music teacher? Would she ever have been truly fulfilled? And of course the whole kid+shoes scene causes Robert (Rob Lowe) to reevaluate what’s important in life, and fix the incredibly minor made-for-TV-style problems with his marriage. I mean, for their part, I guess the widower learns that he should let his son have a puppy. Those are some

The Christmas Shoes: the legendary song by NewSong which has topped numerous lists for the all-time worst Christmas song ever recorded. As we all know, nothing this bad can go unadapted. Even before the song was finished being written, it was being turned into a book, which in turn became a televised movie in 2002. And now, eleven years later, we sat down to watch it. This movie is manipulative. It is not subtle about being manipulative, either: it's quite up-front about its intent. It wants you to empathize with its characters. It wants you to cry. It probably did not want us to laugh our asses off for most of the movie. Oh, well: you can't get everything you want. The Christmas Shoes starts out so bad it's good, then gets aggressively worse as the TV-movie goes on. I can't imagine watching this alone: you need someone with you, to help you retain your sanity. It's incredibly, amazingly - almost impressively - stupid. Written without a shred of nuance or

This is the first Spongebob Christmas episode made, but the second we’ve seen . It features a bizarre framing device and a plot about bringing Christmas to the inhabitants of Bikini Bottom. It’s actually hilarious. The episode opens with a holiday-ized version of the theme song, and then launches into a live action framing sequence with a “pirate”, similar to classic children’s TV. This guy recurs throughout the episode with a terrible puppet and commentary on the episode. It’s surreal, and ludicrous. We laughed a lot. The main plot follows Spongebob himself. After Sandy the squirrel explains about Christmas and Santa, Spongebob spreads the word to the other people of the town, and helps everyone decorate and write letters to Santa (via bottle-messages). There’s a funny musical number as they prepare for Santa’s imminent arrival. Squidward, of course, doesn’t believe Spongebob, and says that everyone will be angry when Santa doesn’t arrive after all. The resolution of the

This is the second episode of Danny Phantom I've seen, the first being the pilot. Had the pilot been more interesting, I might have watched a few more. The series is about a kid who winds up with ghost powers (flight, phasing, the ability to shoot blasts from his hands for some reason, and a handful of others) in a lab accident. He uses these abilities to battle actual ghosts, like you do. From what I've seen, the show's biggest problem is its uneven tone: the premise leans towards superhero, but the style is aiming for Hanna-Barbara. It's a mix that can work in the right hands (Powerpuff Girls being the obvious example), but this lacks a distinct voice and interesting characters. That's a critique of the series, not the episode. Actually, thanks to a cool premise, "The Fright Before Christmas" sidesteps these pitfalls and delivers something that's actually pretty cool. The episode opens the day before Christmas. Everyone's in the holiday

"O Christmas Tree" is a PBS documentary made in 2005 (or 2006 - it's seems to be a little difficult to get the date clarified). Lindsay and I found it at the local library and picked it up on a whim. The description claims it "traces the history of the Christmas through the ages - from its origins as a pagan symbol of fertility to a Christian symbol of rebirth." Technically, there is a section of the DVD devoted to that, but it's about as in depth and comprehensive as the sentence above: there's very little meat to that or anything else the documentary touches on. It's slightly less educational than the Frosty sequels with a fraction of the production values. But that's not important. All you need to know is that this thing is the Plan 9 of Christmas documentaries. It's completely fucking hilarious. First of all, it's narrated by Richard Karn. Don't bother with IMDB: he's Al from Home Improvement. And he just phones this in

This was one of several holiday episodes and specials we got when we picked up a DVD titled "Nick Picks Holiday." I've heard of most of the series represented on the disc, but this is an exception. Apparently, this is a sequel to Rugrats, picking up ten years after the original series left off. Wikipedia informs me it lasted fifty-five episodes over five seasons, which is pretty impressive for an animated spin-off. I can't help but wonder if this would have made more sense if I'd ever actually seen an episode of Rugrats. I guess I'll find out soon enough - there's a special later on the disc. The first word I'd use for this is bizarre. And that applies to every level of the episode. The animation is extremely weird, likely a side-effect of being based on a show about toddlers and committed to making the characters identifiable ten years later. The writing might be even stranger. Note I didn't say "bad": just... strange. The comedy

Much like It’s Christmas Time Again, Charlie Brown , this is a compilation of shorts. It’s an odd length though - 17 minutes - because it was initially produced to fill out an hour along with the original Charlie Brown Christmas . That just means it’s short and sweet. The vignettes start slow, each focusing on a different character, and I think the best one is Sally, who’s in the middle. They’re overall cute, but nothing amazing, and not as clever as the other collection. Not much more to say about this, really. If you’ve a hankering for more short Peanuts tales after It’s Christmas Time Again , you can probably find this one on Youtube or Netflix.

Rudolph the Red-Nosed Reindeer & the Island of Misfit Toys was a direct-to-video CG sequel to the original stop-motion special . Before we go on, I'd like you to stop for one moment, close your eyes, and count in your head all of the direct-to-video CG movies made in a five year period around the year 2000 that didn't utterly and completely suck. Take your time: make sure you're not forgetting any. I'm going to go out on a limb and say you were able to think of zero examples. Once you add  Rudolph the Red-Nosed Reindeer & the Island of Misfit Toys to the potential pool, you'll find the final tally hasn't changed. Let's start with the animation. I appreciate this was a different era and CG animation was still new. But this was just pathetic. The characters were lifeless, the movement was constricted, and even elements you'd expect to be easy - camera movement and crowds - were lacking. I'd be extremely surprised if this thing

Once you’ve seen one Christmas dramedy with a side of romance, you’ve seen… well, you’ve probably seen a horrible movie, but isn’t that why we’re here? To come together, in this joyous season, over the wonders and horrors that Christmas inspires in us all. Mostly horrors. Crazy for Christmas is a tv-movie about a single-mom limo-driver who gets a last-minute job on Christmas to drive an old rich guy around while he gives copious amounts of money to strangers and acts suspiciously excited about getting to know her. You already know he’s her dad, right? I mean, I knew from the first scene they had together. Erin thought maybe the guy was Santa. No such luck. Shannon (limo-driver) spends an hour and a half trying not to take the guy’s money and pitching awkwardly written emotional fits. I mean, they could have built a structure here where her reactions made sense, but no. She doesn’t trust him from the start, and then when he finally levels with her, she freaks out over something

The Ice Harvest Scott Phillips, 2000 Crossposted from The Blue Fairy’s Bookshelf Premise: Charlie Arglist is making the rounds on Christmas Eve, 1979: the bars he likes, the strip joint he runs and the one that he patronizes. He’s not telling anyone that he’s leaving town in the morning. Charlie’s not having a good night. I didn’t like the movie of this as much as Erin did, but I did really enjoy the book. It’s got a bleak humor that places it firmly in the best noir tradition. Charlie’s a lawyer, and he works in the machinery of the mob that runs much of the town, managing businesses like porn shops and the Tease-O-Rama. He’s skipping town in the morning. That’s all you know at the start of the book, and I really liked the slow build. The movie hits you right at the start with Charlie’s partnership with Vic, and why and how they plan to leave town, but for fully half of the book, all you know is that Charlie’s leaving, and he has to meet Vic at two. The book takes place ov

For a sub-genre that's not widely discussed, there is a hell of a lot of Christmas noir out there. The Ice Harvest is a long way from the best of the bunch, but it's an interesting flick. The movie stars John Cusack as a lawyer who makes lawyers look good. I haven't seen a lot of movies which make Cusack seem unlikable, but this manages. Fortunately, the movie doesn't hinge on his likability: he's a desperate and pitiful man in a desperate and pitiful world. The whole thing is set on Christmas Eve, right after Cusack's character (along with his partner, played by Billy Bob Thornton) steals two million dollars from his boss, a mobster who owns several strip clubs. He's played by Randy Quaid, who - along with Thornton - are fairly iconic Christmas movie actors at this point. The movie does several things right and a few wrong. I liked the visuals - the world depicted here is a pale blue; you almost get cold just watching the movie. The actors do a dece