Mainlining Christmas

It's time for another full-length episode! Why are Christmas spy movies abnormally good? Mainlining Christmas investigates. References: Movies/Shows: On Her Majesty's Secret Service (1969)   The World is Not Enough (1999) Three Days of the Condor (1975) The Long Kiss Goodnight (1996) Ronin (1998) Tinker Tailor Soldier Spy (2011) The Avengers: Too Many Christmas Trees (1965) Get Smart: Our Man in Toyland (1965) Kim Possible: A Very Possible Christmas (2003) Codename: Kids Next Door: Operation: N.A.U.G.H.T.Y. (2005) Danger Mouse: The Snowman Cometh (2015) Prep and Landing (2009) Research: Sydney Pollack on abandoned Bond tone for Three Days of the Condor .  Shane Black on Christmas Sam Jackson on his all-time favorite role (Long Kiss Goodnight). Great article on Long Kiss Goodnight, including some details of earlier drafts. Geena Davis’s Wikipedia page , mostly because it highlights the fact that her incredible acting career is still somehow the

First, let's get this out of the way: I'm not really convinced this qualifies as a Christmas movie. We have a fairly convoluted series of litmus tests we use to determine whether or not a movie is fair game , and the only one Curse of the Cat People doesn't fail is the most subjective of the bunch - Christmas arguably plays a pivotal role in the story. If this were a less interesting movie, I'd probably set it aside, but - frankly - it's unique enough that I'm willing to give it the benefit of the yuletide doubt. Besides, while I can't claim more than half the movie was set at or around Christmas, a solid third absolutely was, so it's not that much of a stretch. The movie itself is somewhat complicated. It's fundamentally a story about imaginary friends and the value they can have for children. But it's also the sequel to a 1942 movie about a were-panther fighting against her past and ultimately losing her life. Incidentally, the first film

As a CG show aimed at children, this was not even close to the best of the crop. However, it's not completely egregiously offensive to the eyes, ears, or brain, either. Pablum is a good word. These two episodes didn’t air anywhere close to each other, but the second literally takes place the next day. Holiday Hics For a 22-minute episode in which very little happened, this dragged a surprisingly small number of times. As a Christmas episode, this was actually quite interesting, as it’s a fairly significant outlier. It’s a fantasy version of Christmas that isn’t explicitly set in the winter. I don’t know whether there are seasons in Care-a-Lot in this series, but this episode was not wintry in any way. However, “Great Giving Day” is still clearly Christmas. Not just because it’s a holiday with an “Eve” that involves caring and giving gifts. Nope, we have a genuine magical gift-giver. The Great Giving Bear has red fur, a kindly-sounding, older voice actor, a present sy

Hey, it's a fantasy analog Christmas episode! I love those! Where to start, though. Star vs. the Forces of Evil is an animated show that I quite enjoy. The eponymous Star Butterfly is a princess from a fantasy-esque dimension. Her primary traits are recklessness, enthusiasm, and immense magical power channeled through the wand she received from her mother (Queen Moon Butterfly) on her 14th birthday. At the beginning of the series, she's sent to Earth as a sort of exchange student so she can practice her magic without burning down the kingdom. On Earth, she lives with the Diaz family and meets her best friend, worrywart/practical guy and karate enthusiast, Marco Diaz. In season three, by the time this episode takes place, Star and Marco are living in her parents' castle in the kingdom of Mewni. And it's Stump Day! Stump Day Stump Day is obviously Christmas; it's a winter holiday with all the decorations and carols and forced good cheer. According to the e

I'm only marginally familiar with the original Danger Mouse series, but I've been enjoying the 2015 reboot. It's not one of my favorite shows or anything, but the series's willingness to embrace surrealism and cartoon physics makes it a lot of fun. Both in tone and style, it feels a lot like Powerpuff Girls, albeit with less drama. The show is ultimately a farce, through and through - there's no real character development or emotional stakes (at least not in the first season). While most installments are only half-episode length (i.e.: 15 minutes minus commercial breaks), the season one Christmas episode runs for the full half-hour (again, exempting those meddlesome advertisements). This isn't the Snowman's first appearance in the reboot - the character shows up periodically to be soundly humiliated by Danger Mouse - but it's the first in which he's the main villain or in which he poses any kind of meaningful threat. This is remarked on in-wo

We watched the Trolls Holiday Special and walked away with one big question: Is Trolls a Christmas Movie? After we got around to watching the movie itself, we decided the answer is ehhh... not really? Probably not? However, its one holiday element is unique enough that we wanted to catalog it. The movie Trolls (based somehow on the plastic dolls from back in the day) is a surreal confabulation of light, color, and pop music. The trolls are small and brightly colored, and the favorite snack of a larger creature that looks much more like your stereotypical common troll. These "Bergens" believe that the only way to be happy is to essentially steal the trolls' happiness (by eating them). However, (and this is where the holidays come in) they only eat trolls once a year, on a holiday called Trollstice. Other than being a pun on solstice, Trollstice has very little in common with Christmas though. There is one very early scene in which the bergen prince wakes his father

Okay, okay. I know we've already reviewed a holiday episode of this show, and it seems a little odd to spend the time writing up another installment of a cooking show: these aren't exactly driven by characters or plot, after all. We watch these on Hulu, incidentally, which is why we're a few years behind. They're basically our dinner entertainment during the non-holiday-rush portion of the year, when we're not forced to binge every Christmas special we can come across for fear of awakening the Old Gods should we stop. When I saw a couple "new" holiday installments popped up, I was originally going to leave them be. But then I saw this one, and... ...It's interesting. Not just in itself - the series is a lot of fun to watch, thanks to the sabotage gimmick that brilliantly upsets the level playing field most cooking competitions obsessively cultivate. Sure, that's interesting enough on its own, but Lindsay covered that when she reviewed th

I put this on mostly out of curiosity. I actually do have some nostalgic connection to the lasagna-loving cat (I was just the right age to be suckered into finding the character's antics amusing during his heyday), but I've long since come to terms with the fact that - with the exception of a few decent specials - no version of Garfield holds up all that well. I wasn't expecting this to be any different, but it turns out I was mistaken. This computer-generated Garfield series was far, far worse. The writing's bad, but honestly that barely even registers. You could put Aaron Sorkin on this, and it wouldn't improve. The real issue is the animation - I sincerely doubt words can convey just how abysmal this looks. Imagine an uncanny valley trying to mirror a comic strip instead of a photograph. They lifted the character designs directly from the page but didn't adjust for the added dimension. Mouths aren't shaped - as a result, they just kind of warp like

I knew going into this movie that despite the title, it wouldn't exactly be a straight adaptation of the book. However, I was surprised how many elements of the well-researched biography  made it into this somewhat fantastical film. Plus the heart of the work, the enthusiasm for the subject, definitely transferred. The movie is a dramatization of the writing of A Christmas Carol with a large dollop of artistic license. I think the liberties taken with the truth are mostly reasonable for the sake of drama, but they are certainly present. For example, it's true that Charles Dickens' father always had trouble with money, that he was always asking for loans and sometimes selling Charles' correspondence, etc. without his knowledge. They did not, to my knowledge, reconcile over the same Christmas when A Christmas Carol was written. A Christmas Carol, along with much of Dickens' other work, was influenced by the times he had worked as a boy when his father was in debto