Mainlining Christmas

Let's start with the disclaimer: The Best Man Holiday is the sequel to The Best Man, a 1999 dramedy I haven't seen, meaning thematic and story connections between the films almost certainly went over my head. As such, I'm only able to review this as a standalone installment, rather than a piece of a longer story. There's a popular perspective that this shouldn't be a shortcoming in my ability to review a work, as movies supposedly need to be able to stand on their own. I do not share that ideology - I believe that presumed context isn't an unreasonable assumption on behalf of filmmakers and that those of us lacking that context should at the very least be upfront about it. Hence this paragraph. I don't feel quite as bad about this as I sometimes do, because the bulk of what I have to say is going to be positive and most of my complaints relate to story beats and character choices wholly contained within the narrative of this film. On top of that, I found eve

This should be a short write-up, as the movie in question isn't actually a movie. Instead, this is a recorded performance of a concert version of A Christmas Carol. To be clear "concert" means this is written for a chorus, symphony, and a handful of actors playing multiple parts. The recorded version is from a 2013 staging recorded in Illinois. There are a few props and a minimalist set, but the focus is on the music.  So let's start there. Fortunately, the score is quite good overall. The concert involves a number of different styles, though the bulk feels like a blend of rock opera and classical music. That's an interesting approach to the material, and it works well. The last song is less successful: it changes direction and goes for southern gospel. I understand the logic here, but it feels too different tonally to work with the rest of the music. I also think it clashes with the story in a way the rest of the music doesn't. Note everything above reference

These days, we watch almost everything on streaming services, but early in the life of this site, we frequently picked up holiday-themed DVDs from clearance bins. That's how we ended up with a few of the more unusual selections we're planning to cover this year.  Prior to watching these episodes, I was only vaguely aware of the existence of this show and I knew nothing about it. My first impression after a few minutes was confusion that it didn't seem to be dubbed. There's something hard to define about the writing, some mix of absurdism and quirky word rhythm, plus physical comedy that feels a little like commedia dell'arte pantomime, that immediately said to me "not made in the U.S." Sure enough, LazyTown is an Icelandic production. It was intended to combat childhood obesity, although very little in the two holiday episodes we watched is directly about that. There are three characters played by humans: Stephanie, a young chipper audience stand-in, Robbi

Of all the movies we've discussed on this blog, Fruitvale Station's relationship with the holidays (specifically New Year's Eve) is by far the most tragic. The film takes place almost entirely over the course of that day and the following morning, when Oscar Grant was killed by police on his way home from celebrating. The movie is less concerned with plot than with painting a picture of the 22-year-old victim, showcasing his relationships with his mother, daughter, and girlfriend. That's not to say there isn't a story - the events are absolutely structured into a narrative - but the real takeaway isn't how or why this occurred so much as the implications they have for the characters. Oscar, played by Michael B. Jordan, lost his job a few weeks before the movie started and has been keeping this from his girlfriend Sophina (played by Melanie Diaz) and his mother (Octavia Spencer). Sophina is already upset with him after catching him having an affair, so he's r

White Reindeer is a Christmas dramedy written and directed by indie filmmaker Zach Clark and largely financed through Kickstarter. The only famous actor in this is Joe Swanberg, who directed  Happy Christmas , which was made with a similar focus on realism over conventional narrative. That said, White Reindeer occasionally drifts into the surreal - maybe even the supernatural, though that's ambiguous. As I often do with movies I like, I'm going to cut to the chase and let you know this is absolutely a movie I recommend. By design, it's a tad light on payoff, and it's certainly not a feel-good movie, but it's a fascinating, honest look at how alienating and difficult the Christmas season can be for anyone who isn't in a position to appreciate cheer and goodwill. A few caveats before anyone starts streaming, though: this movie should have a warning upfront for flashing lights, and I don't remember seeing one. I don't think I've ever seen the kind of fu

I'll try and keep the context brief, because... there's a lot. The Legend of Korra is an animated series that's a sequel to Avatar: The Last Airbender, which is... it's great. Like, astonishingly great. If you've never seen The Last Airbender, go watch it now (just don't bother with the abysmal live-action movie). It's a fantasy inspired heavily by martial arts movies and the films of Miyazaki. The series is funny, dramatic, and beautiful. Korra is set decades after The Last Airbender, when the main characters of that show are either old or, in some cases, dead (Korra herself is the reincarnation of the titular character of the preceding show). Technology has evolved, allowing the showrunners to remake the world with a steampunk aesthetic. As a whole, The Legend of Korra doesn't live up to its predecessor. To be fair, virtually nothing compares with The Last Airbender, so that's less an indictment of Korra than an acknowledgment of how good Airbender

Saving Santa is a 2013 direct-to-DVD computer animated movie that's something of a paradox. I suppose that's appropriate, since the movie is about "a time-traveling elf," but that's not the kind of paradox I'm referring to - I'm talking about the writing, which is at once utter crap and impressively nuanced. More on that in a moment. First, the plot. Bernard D. Elf, astonishingly only the second-worst-named character in this movie, wakes up late for an appointment showing off his new invention to the North Pole's tech company. He races across town and gets them to watch, but in the process momentarily blacks out the elf city's power. The time the grid's down is just enough for Neville Baddington (and that'd be #1) and his evil package delivery company to determine the cloaked location of Santa's operation. Unaware they're on their way, Bernard heads to his day job, shoveling reindeer dung out of Santa's stables.

In case you're not a cartoon aficionado, Teen Titans Go! is a wacky comedy starring highly stylized versions of the characters from the original Teen Titans show. It's much, much sillier, and has no or next-to-no continuity. It is not connected to the previous shows Young Justice (a serious action show about young superheroes) or Batman: The Brave and the Bold (a mix between wacky tropes and serious superhero action), or the current show Justice League Action (mostly comedic superhero action). Erin covered some of the mixed feelings we, and many fans, have about this show. I'll only add that I am personally inclined to give this a good deal of leeway. I loved the original Teen Titans, but I also like having the option of complete zaniness. Anything that punctures the self-important grimdark that has recently been a big part of DC comics is a good thing. Okay, on to the episodes! Second Christmas (2013) The Titans are celebrating Christmas with enthusiasm: food

Comedy Bang! Bang! is a bizarre program, even by skit show standards. The show is ostensibly a mock talk show (mock show?), though that barely begins to describe it. Episodes can feature bizarre twists, character death, or reality warping premises. Stylistically, the twists are reminiscent of Monty Python, albeit in a far more controlled environment. Other elements, such as talking furniture, evoke Pee Wee’s Playhouse. Every episode’s title is a mundane description of the main guest’s outfit. The Christmas Episode breaks a bit in this convention by having Zach Galifianakis play Santa Claus – usually the titular guests play themselves, leaving the fictional guests to famous comedians. This one actually has a slightly more coherent plot than most episodes, though that’s really not saying much – telling a coherent story is not the series’s primary goal. The Christmas episode starts with Reggie Watts, the show’s band leader (and sole member), bringing Scott Aukerman, the host, a ba

Brooklyn Nine-Nine is essentially a parody of every other cop show on TV. In that sense, it's sort of an update of Police Squad. Based on the holiday episodes I just saw, that comparison might actually be fair - this was surprisingly good. "Christmas"  (2013) The episode's A-plot concerns death threats made towards Captain Holt. His boss commands him to accept a protection detail, so he assigns Detective Jake Peralta (the series' lead, played by Adam Samberg) the job, assuming he'll blow off protocol as usual. However, the assignment gives Peralta total control over the movements and activities of his Captain, so he instead abuses the situation. There are some hi-jinks involving a safe house, where Peralta handcuffs himself to the captain and tosses the key down a grate; the sort of stuff that would normally be tiresome and dull. But the cast pulls it off, selling the slapstick through their bizarre characters. The same commitment and skill allow the B

If you don't have small children or regularly shop for toys, you may be unaware of this popular show. On a moral and personal level, I think it's awesome that this show is popular. It wears its feminism and positivity on its sleeve, which is great. It's kid-friendly to a fault, though, and the songs weren't very good. The main character, “Doc,” is a little girl who has a knack for fixing broken toys. (She is following the example of her mom, who is a doctor.) With that premise, of course there's a Christmas episode. As someone who spent a lot of time and love fixing toys as a kid, I found this show somewhat charming, despite the simplistic writing. Erin felt less charitable toward it than I did. The main premise of the episode is that an elf named Tobias dropped a toy he was supposed to deliver for Doc’s little brother, breaking it. He's distraught about the implications for his career, (seriously, he won’t shut up about it) and Doc and her cadre of stuf

First, I would like to state for the record that about fifteen minutes into this musical movie, I started thinking that it wasn’t that it wasn’t awful, but there was a disconnect between the style of the music and the style of filmmaking that made it unconvincing and boring. But if either the music/singing were more grounded or the acting/set/cinematography more surreal, it might work. And then later in the film I was proven right when it suddenly got good. The movie follows a young man named Langston (after the poet), when his mother sends him to her estranged parents’ home for Christmas. He’s never met his grandparents, but his mother’s jobs aren’t bringing in enough to make rent, so she ships him from Baltimore to New York. And up to this point it’s just slow and schmaltzy, and it has that music problem I alluded to at the start. The music is full of autotune and style that doesn’t match the very realistic filming of characters walking and riding buses. The result is thereby d

As an aficionado of both Disney and children’s television in general, I have to believe that there is something of quality in the Disney Junior lineup. But this made us want to scurry back to the complex plots and emotions of Sofia the First. It has some of the repetition and talk-to-the-camera of Blue’s Clues, without any of the charm. In between, it’s a series of thin premises and slapstick scenarios that aren’t in the least interesting or funny. It’s also, of course, a crime against a treasure of art and literature, although I’ve seen Disney’s Captain Hook in enough contexts that I can divorce it somewhat from Peter Pan in my brain. Even if he seems to have a little safety knob on his hook in this. The show stars three kids and a parrot who live on “Pirate Island” and go on simplistic adventures in Never Land. (Yes, it’s “Neverland” in Peter and Wendy, but the show’s title card clearly reads “Never Land.”) The kids are “pirates” where pirate has been redefined to mean be

Depending on where you see this film listed, it might also be called "Santa's Apprentice: The Magic Snowflake," since it's a sequel to that film, a fact we didn't realize until after watching this. At the time, we assumed that was why we didn't understand what the hell was going on, but after seeing part one, I'm really no closer to understanding. Maybe if I track down the animated series they're based on, it'll all make more sense. Eh. Probably not. Like part one, the plot of this thing is an incoherent mess. Actually, compared to this incoherent mess, the plot of part one looks rational and considered. This opens by introducing a new character, a Intuit boy who delivers mail to the North Pole. He meets up with Beatrice, who I guess is living at the North Pole while the hours tick away towards her prophesied marriage to Nicholas. The whole thing is really kind of creepy. At any rate, it's against the rules for kids to be at the North

I’ve had this on my radar for a while, but this is actually a Christmas Murder Mystery in July! The series is filmed and set in Australia, and while Australia celebrates Christmas in December like the northern hemisphere, many people also celebrate in July, when it’s actually cold out. This story is not directly based on the book series but was written for television. Private detective Phryne Fisher is traveling to a fancy Christmas in July party with her Aunt Prudence. Also attending are Phryne’s maid/assistant/friend Dot and her lesbian doctor friend Mac. They arrive to find that someone is already dead (killed by an unseen figure in the cold opening) and soon realize that one of the guests has murder on their mind. Aunt Prudence is partially there to sell a closed gold mine owned by her late husband, and the history around a Christmas cave-in from ten years earlier means that many of the guests have motive for murder. (One woman’s husband was killed there, along with another

Fuck this movie. I know, I know. I generally try to keep this site in PG-13 territory. Though it's generally agreed you can say the F-word once before something stops being PG-13, so I guess I'm still fine. You know what? Fuck it. This fucking movie distributed by Rick-Fucking-Santorum's fucking production company can go fuck itself. Because, for about half its run time - maybe more - we were on board. We were engaged, intrigued, and curious to see where it was going. Then, in the last act, a magical Christmas angel gathered up all the good-will the movie had pulled together and took a steaming Christmas shit on it. There. I just synopsized the whole movie for you without dragging you through the bullshit plot twists and reveals. Now go. Get out of here. Stop reading. Seriously. Get. Why are you still here? Why are you still reading? Is it because you heard Sylvester McCoy, the seventh Doctor and Radagast the Brown has a minor role in this thing? Or are you really

This is one of those times I stumbled across a few Christmas episodes while watching a series. I saw Arrow's pilot back when it originally aired. I actually liked it quite a bit on its own merits, but was underwhelmed by the move away from comic book tropes. It felt like a really good dark and gritty take on a superhero origin, but I'd kind of had my fill of those. I decided not to follow it but to pick it up later if I heard it was worth it. What actually got me back on board was The Flash, which was much more in line with what I wanted from the genre. A handful of crossovers convinced me Arrow would head in a more interesting direction given time. Besides, like I said before, the pilot was actually quite good for what it was. Years End (2012) The first Christmas episode occurs a little less than halfway through season one. The season started strong with a few missteps. But a few episodes before Christmas, it took a dive for the worst, and this one doesn't do muc