Mainlining Christmas

Well, I didn't entirely hate it, which makes this my favorite installment in the Santa Clause franchise by a wide margin. To be fair, I haven't seen the trilogy this is sequeling since reviewing them, which was between nine and twelve years ago, so it's possible I'd have a more favorable reaction now. Possible, but unlikely: the stuff I recall disliking about those movies isn't the kind that tends to age well. Regardless, the new Disney+ limited series picks up in real time, sixteen years after the end of the third movie. Santa and Mrs. Claus have two kids: Buddy (who was born at the end of the third movie) and Sandra. Mrs. Claus - or Carol, as she used to be called - is going through an identity crisis, Buddy dreams of seeing the human world, Sandra seems completely uninterested in anything that isn't an animal or a witch, and - due to declining Christmas spirit - Santa's magic seems to be failing. When he learns about a "Secessus Clause" which wo

As a fan of the Guardians movies and (as you may have noticed) of Christmas media, I've been waiting for this. And, at risk of spoiling the end of the review, I was not disappointed. There are a few details I have issues with, but on the whole, I absolutely love this thing. The special opens with an animated bit establishing that Peter Quill's childhood Christmases with the Ravagers were traumatic (or at least that's Kraglin's impression). Mantis, who we learn is secretly Peter's half-sister, wants to give him a proper Christmas, so she and Drax head to Earth to get him the perfect present: legendary Earth hero, Kevin Bacon. They arrive in Hollywood and, after some of the standard shenanigans you'd expect, the two Guardians are given a map to the stars, which they use to track down Bacon. They break into his house, chase him down the street, fight off police, then Mantis uses her powers to manipulate Bacon's mood so he's eager to follow them anywhere. Th

As far as I can tell, Northpole was an attempt by Hallmark to create a family-friendly holiday franchise in the vein of Disney. The fact you've almost certainly never heard of it offers a pretty good summary for how that went. They actually did make a sequel the following year: maybe we'll get to that one of these days. This actually isn't our first experience with the brand. To accompany the movie, Hallmark made a number of tie-in products, most   of   which   we bought and reviewed  (I'll talk about some of those later). This is part of the reason I think Hallmark was trying to turn this into something big: they clearly invested in this idea. Let's talk about what that idea actually was. In the context of the movie, Northpole is a magical city where Santa and his elves live. It's powered by magic snow, which falls from the northern lights, which in turn are powered by happiness. Or something. Look, the idea is that Northpole creates toys so kids will be happ

Well, this miniseries doesn't fit in with any of my existing approaches to defining or addressing Christmas media. A few years ago, I'd just have written up the first and ninth episodes, as those - and only those - are set around the holidays (on different years, no less). Only Station Eleven is highly serialized and intended as a unified piece. More than that, the Christmas episodes (to the extent the term even applies) are set around the holidays for thematic reasons pertaining to the miniseries as a whole. Technically, if I still cared about justifying this kind of thing, I'd point to that as a reason to write this up despite falling well short of the 50% threshold for automatic consideration as Christmas media. Really, I'm writing it up because I think it makes for an interesting anomaly exploring aspects of the season in a fairly unique and interesting (to me, at least) way. I'm not even sure how to approach a synopsis for the series. It's not so much that

La Befana Vien di Notte is a live-action Italian fantasy/superhero/comedy/adventure/children's movie about Befana. I probably shouldn't assume everyone reading this is familiar with Befana: she's a legendary witch who delivers gifts to the kids of Italy on Epiphany Eve (January 5th). The easy explanation is she's "like Santa," which isn't inaccurate, but feels reductive. There's a lot of debate over just how old the legends are and where they come from: I'm not going to get into any of that here. What's important is this idea isn't invented for the movie, and in Italy this would come across like a big-budget Santa Claus movie. The problem we ran into trying to watch La Befana Vien di Notte is that this isn't Italy, and the film hasn't received a proper US release. Amazon has a version up, but the language options are limited. There's of course a dubbed English track, but... Okay, side note. I'm pretty firmly entrenched on th

Sword of the Valiant is an '80s remake of the 1973 movie, Gawain and the Green Knight , made by the same director, largely using the same outline and themes. Please understand when I say it's an '80s movie, I mean that on every level - the decade oozes out of every lighting choice, every haircut, and every music cue. Both Gawain and the Green Knight look and act more like they stepped out of an episode of He-Man than anything in the actual live-action He-Man movie (same goes for the soundtrack, honestly). This is unquestionably a bad movie, and I savored every minute. The plot is functionally identical to the director's previous adaptation (loose adaptation, remember: these movies are really a blend of several Arthurian myths with Sir Gawain and the Green Knight almost serving as a frame). That said, there are several new characters and minor changes to the story. A friar appearing briefly in the '70s movie is given a major role as an eventual companion of Gawain

The Legend of the Christmas Witch By Dan Murphy, Aubrey Plaza, and Julia Iredale  Not to be confused with the mangled English title of the movie, La Befana Vien di Notte, The Legend of the Christmas Witch is a 2021 children's book. The writing is credited to both Aubrey Plaza and Dan Murphy, but Plaza certainly seems to be the face of the project. I say "project" because this feels like something intended to expand, either through sequels or even by transitioning to some other media. Whether it does or not is anyone's guess: this may have some hurdles to climb, because... This thing's going to piss off some people. Maybe a lot of people. I'll cut to the chase: this is a kid-friendly pagan, feminist deconstruction of Christmas and the patriarchy. It doesn't call out Christianity by name, but the message is hard to miss. On top of all that, the end of the book takes a turn that's pretty dark, or at least ambiguously so. So, at the very least, I certainly

Like a lot of foreign movies we look at, Morozko has a few titles it's been released under in the US. "Jack Frost" appears to be the most common - that's the name from its 1966 release and from when it appeared on Mystery Science Theater 3000. It's also sometimes called "Father Frost." I don't think either are horrible, though I'll be sticking with the Russian title, Morozko. First, it's worth noting this is more accurately described as an alternative to a Christmas film. The title character (who doesn't appear until after the halfway point) is one of many midwinter mythological figures loosely tied to Santa Claus. The movie itself is based on a folktale, though it's been expanded and made a bit more kid-friendly. The folktale is pretty simple: two stepsisters live together, with the mother spoiling her bratty biological kid and abusing the other, despite the fact she works hard and never complains. Eventually, the (step)mother makes

Seeing The Green Knight (2021) was a good reminder that the root story is set during and thematically linked to the holidays. Obviously, that makes the new movie a Christmas movie, which is why we just posted a pretty extensive review. The thing is, David Lowery isn't the first director to adapt Sir Gawain and the Green Knight into a feature film. In 1973, Stephen Weeks took a swing at the myth. The movie seems to be mostly forgotten - it's most notable as being Nigel Green's final role, as he passed away prior to the movie's release. The other thing about this that makes it somewhat notable is its proximity to Monty Python and the Holy Grail. I can't seem to find concrete information about which Arthurian films Holy Grail was directly parodying, but both the timing and content make me suspect this was high on the list. Sir Gawain came out just two years ahead of Holy Grail, so it's likely Python's members saw it while planning their movie. This has title ca

Hilda is an animated Netflix series adapted from a series of graphic novels inspired by Scandinavian folklore. The art style mimics the feel of the comics it's based on, building a world that honestly looks like drawn pictures come alive. Depending on the episode, you might end up seeing something wacky and fun, magical and awe-inspiring, or even a little dark and unnerving. It's an absolutely phenomenal show, beautifully written and animated, and we recommend you watch it at once. Which of course poses a bit of a problem. The holiday episode I'm about to discuss is towards the end of the second season, so while I absolutely recommend it, I'd suggest watching the rest of the series first. This isn't so steeped in continuity that you'll be spoiled or confused: it's just better in context. The main character of the series, unsurprisingly, is Hilda, an adventurous preteen girl who moves to Trolberg, a cross between a modern city and a walled medieval village. T

Roy Rogers starred in more than a hundred movies, so I guess the laws of probability dictate at least one would be a Christmas flick. That brings us to "Trail of Robin Hood," a movie I wish I could discuss without first going through the exercise of explaining who Roy Rogers was, what his movies were, and why you should care. Actually, I'll field that last one now: you shouldn't. While this is sort of interesting as a cultural artifact, it doesn't hold up 71 years after its creation. In fact, I'd call it a stretch to refer to this as a movie at all. Which brings us back to who Rogers was and why his "movies" are somewhat distinct. I doubt anyone will be shocked to learn that Roy Rogers was a stage name, but if (like me) you've never subjected yourself to any of his movies, you might not realize Rogers is also the main character in the majority of them. You could look at this as an actor playing a fictionalized version of himself, but I honestly d

For those keeping track, Home Sweet Home Alone is the fourth  official reboot of the series, as every installment after two has hit the reset button. For those of you who are new here, I should mention we're not big fans of the franchise. That doesn't exactly mean we consider the original bad - it's technically impressive, well shot and edited, and the score is fantastic. There are reasons it's lasted, and I respect it. Respecting a movie, obviously, isn't the same as liking it - none of the earlier Home Alone movies work for me. I wasn't sure what to expect when I heard Disney was going to update the property. A simple remake would have been a hard sell, and they already tried most of the other permutations. Movies 3 and 5 attempted variations on the same premise with new characters, and movie 4 was a loose continuation with a recast Kevin. Home Sweet Home Alone is closer to 3 and 5 - we've got a new lead and new thieves in a familiar situation. This is tec