Mainlining Christmas

Released alongside the live-action Smurfs movie on DVD, The Smurfs: A Christmas Carol is a mix of 3D and 2D animation loosely adapting Dickens' story. I should probably note that I've never seen the movie this ties to: I only subject myself to things like that when Christmas is involved. The story is, of course, set in Smurf village, which is getting ready for Christmas. Everyone's singing "Smurf the Halls" and decorating except Grumpy Smurf, and when the others confront him, he tells them he hates the holiday and won't decorate or celebrate with them. This comes as a surprise to his neighbors: despite his name and personality, he apparently used to like Christmas. They all gather together to try and find a way to improve Grumpy's disposition - because it won't be the same if everyone doesn't conform to the culturally and commercially mandated yuletide enthusiasm. Seriously, cartoons need to stop pulling this crap. The problem with Scrooge isn'

I'm torn on this. On one hand, this is a cheap ad for Elf on the Shelf, poorly disguised as an animated special. But on the other hand, it's so badly made, I think it actually may have contributed to the downfall of the brand, which is unquestionably a benefit to humanity. The special's protagonist is Chippy, an elf assigned a very important mission to help a boy recover his belief in Christmas. The boy, Taylor, hasn't undergone any sort of hardship or anything, and aside from being kind of a dick around his younger sisters, isn't a bad kid or anything. So the stakes here are pretty damn low. This is just about Santa sending one of his minions to police the beliefs of a random upper-middle-class kid. That's it. Chippy arrives in an Elf on the Shelf box, along with the stupid book, because we're really selling the hell out of the illusion any of this counts as Christmas lore. The family reads the book together, and we get the basic rules: the elf flies back t

I find this movie somewhat perplexing, and not because the premise is a knockoff of Groundhog Day, complete with unexplained temporal paradox. What's weird about this campy made-for-TV romcom is... it's kind of good. Don't get too excited - it's only mostly kind of good; there's still quite a bit that just isn't . Either someone turned in a screenplay too good for the format, and a third got rewritten into schlock, or someone rewrote two-thirds of a schlocky screenplay and forgot to fix the rest. I have no clue which. Granted, that's a hell of a lot better than what you'd expect for an ABC Family Christmas flick. The plot centers on Kate, a woman pining over her ex and planning to try and reconnect for the holidays. Meanwhile, her stepmother has set her up on a blind date, and Kate feels obligated to put in a brief appearance. Before we follow her through her first iteration of interactions with a random cast of people, she briefly faints in a department

Cupcake Wars is a food competition show. I watch, let's be honest, a decent number of food competition shows, and I place this one squarely in the lower-middle tier of such fare. It’s fine background noise that’s somewhat entertaining, but it lacks the theatricality of shows like Cutthroat Kitchen or Beat Bobby Flay, the impressive flexibility and talent on shows like Chopped or Iron Chef, or the personal drama of shows with a continuing cast like Great British Bake Off or even Next Food Network Star. Even so, it is amusing enough to pass the time with when tied to the couch under a feeding baby. On my maternity leave earlier this year I watched a lot of reality shows, including two Christmas-themed episodes of Cupcake Wars. In this show, people who make cupcakes professionally (most either own a cafe or do catering) try to outdo each other to win a cash prize and a contract for a specific fancy event. In these episodes, said events were the opening night of the New York City B

Lost Christmas was a made-for-TV holiday movie, but because it was made in England, it's actually pretty good. "Pretty good" may be underselling it: this is, in many ways, a fantastic film, though there is a bit of a catch. I'll get into that a bit, but first... This is one of those movies where spoilers do make a difference, and it's worth seeing, assuming you enjoy this sort of thing. It's a melancholy fairy tale exploring cycles of alienation and guilt before setting things right. Imagine a low-budget urban fantasy reimagining of It's a Wonderful Life and you'll have some sense of what you're in for. If that sounds good, by all means stop reading now and go stream it. The story centers around two characters. The first is an orphaned boy called Goose living with his grandmother suffering from Alzheimer's. His parents died in a car crash the year before, which was caused indirectly by Goose. Since then, the boy's become a petty thief

This episode from the twenty-third season of The Simpsons was originally intended as the series's finale, in effect book-ending the holiday special that served as the pilot . Holidays of Future Passed opens with a Christmas-themed intro, followed by a brief Thanksgiving sequence that transitions into a Christmas photo, which in turn transitions into a montage showing the family growing older over the years. This may have been my favorite part of the episode, honestly - there are numerous clever jokes hidden in this sequence, and I found the vignettes of these characters aging endearing. When we catch up to the present (or more accurately the future), Bart is a 40-year-old renting an apartment in the ruins of his old elementary school. He's a deadbeat father to a pair of boys who typically live with their mom but are sent to him for the holidays. Lisa is doing marginally better - she seems to have a successful career and a relatively okay marriage (she's married to M

There's something I find especially frustrating about specials like this. The production values are high, the design and animation and voice acting all well done. But the writing is idiotic, so it's still a boring, tedious slog. Unlike the specials affiliated with the Dreamworks movies  Shrek , How to Train Your Dragon , and Kung Fu Panda , I went into this one never having seen any of the movies in the franchise. Although I hesitate to admit it, the only things I didn't find dull as a dead tree discarded for trash pickup were some of the Scrat sections (you've seen the prehistoric squirrel obsessed with acorns if you've ever seen a trailer for one of these films). The silent animation was decently paired with Christmas music. Of course, I also hated those sections because a character being beat up constantly through no fault of their own is a form of animated "comedy" that I particularly despise. The story opens with Manny (the mammoth. Get it?) h

According to the internet, a lot of people were devastated when this series was cancelled after its third season. This knowledge leads me to one of three conclusions: 1. This is one of those shows you need to watch for a while before it gets good. 2. This is a case where some episodes are much stronger than others. 3. This show's fan are extremely generous viewers. We absolutely hated these two episodes. The characters felt two-dimensional and dull, the stories were absurdly idiotic, and the tone didn't gel with the writing. I kept thinking I was watching a live-action show set in the world of Family Guy. This is (yet another) circle-of-friends sitcom in the vein of, well, Friends. It goes for a farcical, over-the-top tone, like the far superior Community, but I didn't feel like it committed enough to sell it. As a result, it came off as unrealistic people behaving unrealistically. I knew intellectually that was supposed to be funny, but I just didn't enjoy it

As an aficionado of both Disney and children’s television in general, I have to believe that there is something of quality in the Disney Junior lineup. But this made us want to scurry back to the complex plots and emotions of Sofia the First. It has some of the repetition and talk-to-the-camera of Blue’s Clues, without any of the charm. In between, it’s a series of thin premises and slapstick scenarios that aren’t in the least interesting or funny. It’s also, of course, a crime against a treasure of art and literature, although I’ve seen Disney’s Captain Hook in enough contexts that I can divorce it somewhat from Peter Pan in my brain. Even if he seems to have a little safety knob on his hook in this. The show stars three kids and a parrot who live on “Pirate Island” and go on simplistic adventures in Never Land. (Yes, it’s “Neverland” in Peter and Wendy, but the show’s title card clearly reads “Never Land.”) The kids are “pirates” where pirate has been redefined to mean be

Ostensibly based on The Colorado Kid, a mystery novel by Stephen King, Haven is probably better described as a homage to the genre writer's body of work. It centers around a police officer drawn to Haven, a fictitious Maine town beset by strange phenomenon. This is the only episode we've seen - naturally, we were drawn by its Christmas in July connections. And what connections those were: this episode offers not only a unique spin on that conceit, but a new Christmas/horror archetype as well. We've seen killer elves, killer reindeer, killer snowmen, killer Santa (so damn many killer Santas), killer Christmas trees, killer gifts, killer stockings, killer decorations, killer snow... honestly, I was pretty sure I'd seen it all. But this went and offered a new spin: killer Christmas. It opens with a woman hearing Silent Night while surfing off the coast, seconds before being cut in half. Soon after, we cut to the town, where our main characters are finishing breakfa

I believe this is the second episode of Workaholics I've ever seen, and - while I found aspects humorous - I don't see any reason I need to watch a third. To be fair, "The Strike" was part of the series's first season, so it's entirely possible it improves substantially over time. Feel free to chime in with a comment if that's the case. The show revolves around three idiotic roommates - Blake, Adam, and Anders - who work together at a call center. Based on what I've seen, I'd describe it as having aggressively low production values. My sense is that this is intentional, that it's designed for the audience to laugh at the show as much as they're laughing with it. Imagine a version of Office Space without a POV character, lower everyone's IQ to Beavis and Butthead levels, and you'll have a good idea of what you're in for. This episode opens in the middle of summer with the trio getting ready for "Half-Christmas," w

It shouldn't be entirely surprising that Phineas and Ferb is a treasure trove for the "Christmas in July" trope: with more or less the entire series set during summer, they've found numerous excuses to play with holiday and winter tropes over the years. A few of the episodes I'm looking at are admittedly a stretch - there's a reason we've only done one of the episodes below to date - but together they offer a surprisingly comprehensive look at the range of different approaches to the "Christmas in July" premise. S'Winter (2008) S'Winter is one of the earliest episodes of Phineas and Ferb produced. It's typically combined with "The Magnificent Few" to fill a half hour. But "The Magnificent Few" has jack to do with the holidays, so we'll just shove that aside. I've been wrestling with this episode for several years. There's a argument it could count as a Christmas episode, but it falls just short

We've had this one sitting in our DVD stack for more than a year after picking it up for a buck or two at a dying video store. We meant to watch it last year, but decided at the last minute we didn't want to devote our limited time and energy to something that looked quite this unpleasant. We assumed too much. A Cadaver Christmas is far better than I'd seriously hoped for. It's not a great movie - 'good' might be pushing it - but it's a solid low-budget indie horror/comedy. In fact, as long as you preface it with 'low-budge' and 'indie,' you don't have to qualify the label 'good' any further. Within its limitations, it's a resourceful, fun movie. The back of the packaging describes it as "A cross between 'It's a Wonderful Life' and 'Night of the Living Dead'", which I think is more than a little misleading. I'd describe the zombie aspects as being more in the vein of Evil Dead 2 tha

Watching movies for Mainlining Christmas is an enlightening process. We have become professionals. We are resistant to all but the worst writing, acting, directing and design. Today, I’m pleased to share some of our tips for keeping your mental health while watching holiday dreck. The defense mechanisms we’ll be practicing in this session are “Plausible Alternate Plot”, “Identifying Fakeconomics” and “Advanced Foreshaming”. A Princess for Christmas is a Hallmark Original movie that never believes in subtlety when you could be describing your emotions out loud, and is a great training ground for all of these techniques. Early on, the movie is full of easy targets for Identifying Fakeconomics. Main character Jules works in a small antique store in Buffalo, New York. She is the primary caretaker of her deceased sister’s two kids, Milo and Maddie. Even with survivor’s benefits of some type, there is no way she could maintain that large, well-appointed house and a full-time nanny on o

I am unprepared for this review. It's not easy for me to admit as a writer, but I'm just not ready for this: my language skills aren't up to the task. So I'm going to need you to give me a moment. I just have to duck out of this tab, go over to Thesaurus.com, and look up as many synonyms as I can find for the word "stupid." Alright. I think we're ready to get started. The opening credits are in a font that's supposed to mimic a child's handwriting, but the bright green color makes them nearly indistinguishable from comic sans. At this point, we thought we had a pretty good idea what kind of movie we were sitting down to watch, but we were wrong: this montage was, inexplicably, the most thoughtful section of the film. Everything that came after was significantly more idiotic. We're introduced to the movie's star, played by Amy Acker making the most dunderheaded decision of her career. She's portraying Crystal, a vapid and naive d

For a dark avenger, there are a surprising number of famous Batman Christmas stories, including well regarded episodes from several animated series , a holiday movie , and even a video game . There have been quite a few Christmas comic issues, as well, over the years, but you wouldn't expect anything else from a character who's been around for seventy-five years with multiple titles a large portion of that time. One of the more iconic Batman holiday stories in his original medium is Batman: Noel , a graphic novel from 2011 that attempts to adapt A Christmas Carol using the Dark Knight as a stand-in for Scrooge and supporting characters in other roles. This was written and illustrated by Lee Bermejo, who's best known as an artist. After reading Noel , I'm a little torn on whether I think he should have stuck with that. On one hand, there are some great ideas in this story and some clever twists. But there are also a huge number of missed opportunities, poor choi