Mainlining Christmas

Every now and then we come across a Christmas movie and find ourselves a little ashamed it took us this long to discover it. The longer the blog goes on, the less and less common this phenomenon becomes, but when it does occur, it's all the more embarrassing. This is absolutely one of those times. I assume I must have seen this on numerous lists of movies set at the holidays and most likely glanced at the title, dismissed it as yet another rom-com, and figured we'd get to it eventually. This is not a romantic comedy. It's a highly realistic, brutally violent western set in Australia. It's beautifully shot, darkly tragic, and thematically driven. In short, we're absolutely recommending this - it's by far the best Christmas western we've seen. Sorry, I'm getting ahead of myself. We're recommending this with a giant caveat: this isn't an adventure film or a campy comedy or anything you'd call "fun." It reflects the horror of the time,

Full-Court Miracle is a 2003 Hanukkah movie produced for The Disney Channel loosely inspired by a true story of a man whose life sounds like it was a hell of a lot more interesting and inspiring than what I just watched. I'll get to the plot in a minute, but first I do want to call attention to one thing legitimately noteworthy about this movie. We've watched and reviewed a handful of movies that were ostensibly about Hanukkah before, but every one of them was really a movie about being Jewish at Christmas. There are some specials and episodes of TV shows that break that mold, but this is the first movie I remember seeing which was unambiguously about Hanukkah itself. I'm still waiting on a Hanukkah movie that's, you know, good , but I view this as a step in the right direction. The movie's main character is Alex Schlotsky, a student at a Jewish private high school. Alex is obsessed with basketball, despite the fact his team consistently loses. For reasons I won

Tudor Christmas Tidings Blythe Gifford, Jenni Fletcher, Amanda McCabe, 2020 This is a new book, but I did not get a copy through NetGalley for review, because Harlequin's standards for reviewers are apparently higher than this website.  Three holiday-themed historical romance novellas. I decided to give this a try when I saw it was available through my local library. I've been more interested in romance this year than previously, but my time could probably have been better spent.  Christmas at Court by Blythe Gifford I did not expect this to go into history as fast and hard as it did. The novella provided very little background information about the politics of the time, but the plot hinged on those same politics. Eventually, I was driven, ashamed, to Wikipedia to refresh my knowledge of Richard III and Henry Tudor.  The main characters in this one (Alice and John) are heirs to important noble houses, and they are semi-secretly betrothed by their parents to seal an alliance bet

This is the third version of Babes in Toyland we've looked at here, and - in my opinion - probably the best of the bunch. Note I didn't say it was good , only that it was better than the 1961 Disney musical or the 1986 made-for-TV movie starring Drew Barrymore and Keanu Reeves . This one stars Laurel and Hardy, and is easily the weirdest of the bunch. Unlike the later adaptations (or the source material), the movie is almost entirely set in Toyland. Only the last act ventures outside its borders, and even then just barely. But I'm getting ahead of myself. The story is... uh... Well, that's kind of where things get complicated. The central conflict is built around Bo Peep and Tom-Tom planning to get married, but having to contend with Silas Barnaby, a cruel landowner threatening to evict Bo Peep's mother if Bo Peep doesn't agree to marry him. But here the thing - none of them are really the main characters. Instead, the main characters are Stannie Dum and Ollie

The worst thing I can say about the DuckTales reboot is that nothing about the show feels particularly revolutionary. Obviously, there's no reason it should, but it's the only thing that differentiates it from any of the best animated shows of all time. It's not subversive and dark like Batman TAS; it's not shocking and cerebral like Mystery Inc.; it's not progressive like Steven Universe or as profoundly optimistic as Phineas and Ferb. It's just... nearly perfect in every way imaginable. I apologize for being so harsh. So is this just the level of quality we should expect going forward? If so, I'm not complaining - the DuckTales reboot is fantastic, and I'm loving every minute. It's just... I'm kind of bewildered. Given the significance of the IP coupled with the money thrown at this (I mean, just look at the voice cast), shouldn't this have been shredded through meddling studio notes or something? How the hell did this series not only r

The Great Treasury of Christmas Comic Book Stories Multiple authors, originally printed 1944-1962, editor Craig Yoe, collection released 2018 I stumbled across this ahead of the season this year, and I'm glad I did. Now I can warn you. It's not bad for what it is, but it is not for "children of all ages."  This book is for: Comic strip historians Adults with a specific interest in vintage/historical comic books Adults with a specific interest in vintage illustration/illustrators Grandparents (really, great-grandparents) looking for a gift that their grandchild will neither like nor understand.  It's a fairly wide-ranging collection, but none of it is great. A few of the stories are not bad: one about some polar bears who want to help Santa but keep messing up is fine. One about Santa visiting an animal Christmas party where there is a Santa costume contest is pretty cute. Another stars a gnome and the Easter Bunny and they create ice cream snow to save a magic wea

I'm going to try and rate this movie on its own merits, and not dwell longer than necessary on how it holds up against its predecessor. The original was a delightful surprise, a movie that managed to balance its absurd fantasy elements with a relatively grounded story about siblings coming to terms with the loss of a parent. It hit the right notes, maintained the right tone, and worked in ways these movies almost never work. The sequel... doesn't. To be fair, it's not really trying. Instead, this takes the characters from the first and uses them in a conventional fantasy-adventure kid's movie. Tonally, this is closer to Santa Claus: The Movie or maybe the third Tim Allen Santa Clause flick than it is to the first Chronicles. And rating on that scale, it's pretty solid compared to most of its peers. But make no mistake: this hits its mark because it aims lower than part one. Much lower. The frame story this time centers on Kate, returning from the first installment