Mainlining Christmas

This straight-to-Netflix special spins off of the show Home: Adventures with Tip and Oh, itself a spin-off of the movie Home . It's not awful, but neither is it heartwarming or coherent. The premise is that Tip (who I remember speaking like a girl and not a stylized stereotype in the movie) realizes that this will be Oh's (her alien friend) first Christmas to celebrate. (I guess last Christmas was the invasion?) So she gets excited telling him about all the fun things to do and see. There are a LOT of songs in this special. Erin liked more of them than I did, although I admit that the wackiness is strong and fun in some of them. Unfortunately, everything between the songs is thin pretext to get us to the next song. I'll talk about this more in a moment. Tip takes Oh into town to see the decorations. On the way, they're sidetracked by a bunch of boys who are apparently recurring antagonists. But now they're filming a "celebrity holiday special" in

Hooves of Fire is a BBC claymation special about the son of Rudolph joining Santa's team. Rudolph's name is never explicitly spoken due to copyright issues, but there's no ambiguity about Robbie's heritage. The same can be said about Aardman animation - their name isn't on this, but their style permeates the special. Also, this was directed by Richard Starzak, who'd later go on to create Shaun the Sheep. Overall, I enjoyed this, thanks to some clever jokes and fun designs. That said, the concept was a bit one-note, there were some unfortunate character directions, and the tone needed work. In short, it was good but not amazing. The special starts with Robbie arriving at the lodge where Santa's reindeer live and train. Instead of glowing, Robbie's nose functions as a sort of navigator. Also, he later learns to bounce off it, but I'm getting ahead of myself. The nose is basically all Robbie has going for him - he's lazy, out of shape, and

When we finished watching this new special from Netflix, we were left with a conundrum. Had we just experienced a kids show with a surprising scattering of subversive humor and references? Or a hit-and-miss parody of children's entertainment? Or a piece of tedious moralizing aimed at the very very young? If it sounds like all those things couldn't possibly be contained in one 25-minute special, you understand why we were perplexed. We didn't hate it, but we didn't enjoy it either. We spent most of it staring at the television, heads slightly cocked to one side, saying, "Huh?" The best I can put together without doing any research is the Storybots are animated characters from a children's series of the same name, and they answer questions from videos of young kids. They live in a place that is either another dimension or a hollow-earth world, which is connected to Earth via a series of vacuum tubes. In their own world, they're two-dimensional anim

People have been telling us for years we should check out Black Mirror, a British (well, formerly British now Netflix-produced) science fiction anthology series, but we've been busy. We finally got around to at least watching the Christmas special, and we were... I don't know. Not overwhelmed, not underwhelmed. I guess we were whelmed. The production values were certainly impressive. The writing was solid, though I didn't find this special spectacular. The holiday elements felt tacked on - I wouldn't be at all surprised if this were originally written for another purpose than altered to fit a holiday mold. This is really three short bits tied together by a frame story about two men ostensibly living and working together in some snowbound environment. It's meant to be ambiguous at the start, but I doubt I was alone in assuming it was some sort of purgatory or hell. And I was right. It's essentially a digital purgatory, which becomes pretty obvious quite a

There's something I find especially frustrating about specials like this. The production values are high, the design and animation and voice acting all well done. But the writing is idiotic, so it's still a boring, tedious slog. Unlike the specials affiliated with the Dreamworks movies  Shrek , How to Train Your Dragon , and Kung Fu Panda , I went into this one never having seen any of the movies in the franchise. Although I hesitate to admit it, the only things I didn't find dull as a dead tree discarded for trash pickup were some of the Scrat sections (you've seen the prehistoric squirrel obsessed with acorns if you've ever seen a trailer for one of these films). The silent animation was decently paired with Christmas music. Of course, I also hated those sections because a character being beat up constantly through no fault of their own is a form of animated "comedy" that I particularly despise. The story opens with Manny (the mammoth. Get it?) h

Now, I like vocal music, and I like a cappella music. But when it comes to Christmas, I am over Pentatonix. They're good at what they do, but I think much of their stuff blurs together, and it's incredibly overplayed. Like most variety-show style holiday specials, this was mostly boring. The opening wasn't terrible. For once, Jay Leno was actually amusing as he stubbornly refused to recognize the singers as anyone famous. The rest of the show alternated between songs on stage in front of an appropriately adoring crowd, songs on stage with guest singers, and short "comedic" bits filmed separately. The Pentatonix crew seem nice enough, but they are singers, not actors, and they felt stilted and awkward whenever they had to deliver a transition. I was most amused by the fifth guy. One of the members of the group dropped out earlier this year, and apparently, the new guy hasn't been accepted/made official yet. They introduced him separately, and he quietly

Despite having been the right age, I grew up disliking Pee-wee's Playhouse. I found the characters and sets off-putting as a kid, and I wasn't old enough to appreciate that was part of the point. The 1988 Christmas Special seemed like a good chance to revisit the show and give it another chance. Ultimately, I was left torn on this one. I have far more respect for the manic, surreal premise, and Paul Reuben's portrayal is certainly impressively bizarre. However, I couldn't shake the feeling that there was something missing tonally. I wanted to be pulled into that odd, unsettling world, but I could never shake the sense I was watching people and puppets act weird on TV. The plot of this special is... well... it doesn't really have much of one. This is basically an hour of Pee-wee interacting with a long line of guest stars and cast members before the holiday. The closest it comes to a story is a bit about Pee-wee's Christmas list being so long, Santa would n

I've long championed the theory that any premise, regardless of how seemingly juvenile or misguided, can be elevated to greatness if the core concept is simply taken seriously and complex emotion is added. Movies like Cloudy with a Chance of Meatballs and shows such as My Little Pony: Friendship is Magic lend credence to this idea. It is a good theory, or - more accurately - it was  a good theory. In the space of 44 minutes, this idea was tested and soundly, undeniably refuted by a corporate cash grab so cloying, the very core is beyond salvation. But I'm getting ahead of myself. Let me tell you about the show, Pac-Man and the Ghostly Adventures. This is a CG science-fiction/superhero adventure based on the characters from the 1980 arcade game. This isn't the first time someone's attempted to adapt Pac-Man into a television series , but it might be the first time someone tried giving it a relatively serious tone. Note I said relatively serious - this is still

At first glance, this seems to be the type of historical melodrama that the BBC does so well. At second glance, it's still that, but includes a ghost. The show is based on a series of semi-autobiographical novels about a teenager who moves from a very small village (Lark Rise) to the nearby larger town (Candleford) to work at the post office near the turn of the century. It seems to be notable because it's a microcosm of the changing cultures and economy of the time. This extra-long Christmas special features at least five plots involving a talented ensemble cast. Laura (the teen referred to above) is thriving in Candleford, under the wing of her mother's cousin, Dorcas, who is educated and independent. It seems that Dorcas will be alone for Christmas, and Laura feels guilty and wants to keep her company. Laura's mother, meanwhile, is worried that Dorcas is replacing her in Laura's heart. Attempts to be polite ("No, it's fine!") on all sides ma

If you really like Bad Santa but feel betrayed by the movie's fundamentally positive message of hope, have I got a recommendation for you... I've heard of this show before, but I'd never actually seen it. Even after watching the two-part Christmas special, I'm not entirely sure what to think. I tried watching the first episode to get a little context, but I turned it off about five minutes in - it was just too painful. Not bad, mind you -  painful . I didn't have the same reaction to the Christmas special, and it's easy to see why. The comedy in the pilot was largely based on making the audience uncomfortable seeing the characters undergo shameful and awkward situations. By the time the Christmas special aired six seasons in, the characters were completely devoid of shame. Or souls, for that matter. They're empty husks trying desperately to reclaim their humanity and feel some semblance of happiness at the holidays. Bleak, sure, but it's far easi

We covered Frozen back when it came out , despite some disagreement on whether it should count as a Christmas movie. (We've since decided it should be classified as Christmas in July.) But with this new special there's no room for disagreement or confusion. It's Christmas in Arendelle. The premise is that it's the first holiday season since the events of the movie, and so it's the first opportunity that royal sisters Anna and Elsa have for a holiday celebration both in public and together. They decide to throw a party, but after a public ceremony, the local folks all have their family traditions to get back to. The sisters realize that their lives have been so circumscribed by hiding Elsa's powers that they don't really have any traditions of their own. Olaf sets out to save the day by collecting traditions from the townspeople. Naturally, complications ensue. I loved this. I sat through it with a big stupid grin on my face the whole time. I liked

Shockingly, this stop-motion Rankin-Bass special is not the same as the 1971  Here Comes Peter Cottontail . However, it is essentially identical to the 1970 special,  Santa Claus is Coming to Town . The plots and setups are basically the same - they've just changed the character names and lowered the quality to make them distinct. In this version of the Easter Bunny's origin, he's a baby rabbit located and adopted by a town of orphaned kids called "Kidville," because contrary to what the special's narrator would have us believe, there is clearly no God. He's discovered in the woods on Easter, so the kids call him, "Sunny," after the Easter Sun, which is not a thing. I'm pretty sure they're thinking of the Winter Solstice, which is (for all intents and purposes) Christmas. Within a year, the bunny has enslaved the children of Kidville (at least that was my reading). For some reason, he convinces them they need to introduce capita

The second most surprising thing about Michael Bolton's Big, Sexy Valentine's Day Special is that's it's got a surprising amount of Christmas in it (the most surprising, obviously, is that it's actually worth watching, but I'll get to that in a moment). This is a holiday special produced as a collaboration between Comedy Bang! Bang! and The Lonely Island. Blending together elements of old-fashioned Christmas specials, musical parodies, telethons, sketch comedy specials, and some 90's nostalgia, it sort of feels like a series of SNL music videos expanded into a short movie with a frame story. The plot is pretty thin, but Santa Claus plays a crucial rule (hence this write-up). The elves made too many toys, so Saint Nick enlists Bolton's help, hoping that a Bolton Valentine's Day special will result in 75,000 more pregnancies and by extension 75,000 new babies born before Christmas. The special's opening number, "Ten Months 'Til Chris

This new special based on the classic children’s book is a sweet, simple celebration of multiculturalism. It’s really targeted at young kids and those patient enough to watch with them, but it was pleasant enough for us to watch sans children. It follows Peter through his adventures on a snow-filled afternoon. He wakes up to discover the huge piles of snow, and after snowman pancakes for breakfast (a new tradition, his mother points out) he heads out on a quest down the block to his grandmother’s apartment. He encounters many denizens of the block, including shopkeepers and shoppers, friends and relations. Everyone is kind and friendly, even if some of them don’t have time to play in the snow. Erin pointed out that this feels like it comes from the same place as some earlier Sesame Street: it’s an idealized version of New York City, where every nationality, race, religion, age, etc. lives together in harmony. After Peter and his friend Layla chase off a cookie-eating dragon a

We just watched the new Sense8 Christmas Special, and we’re mentioning it because they literally titled the episode “A Christmas Special,” although only about a quarter or so of it was actually set at Christmas. I’ll start off with the most important point - if you haven’t seen the first season of Netflix’s Sense8, this would be a terrible introduction. I have seen the first season, and I still spent the first fifteen minutes thinking: “Okay, wait, what was going on with that character? I guess that happened, okay… and that, and...right, right, I sort of remember that plot.” This means I’m not going to synopsize this. I’ll just give you the premise: Sense8 is about eight people from around the world who are mentally connected. They can share memories, thoughts, and abilities, and other people from various shadowy government/corporate agencies, some with similar powers, are after them. The special is two hours long, but I’m not sure that more actually happened than would have ha

This is a special, double-length episode of a show I knew existed (as I often have a vague sense of programming affiliated with PBS) but had never seen. I had the impression it was educational. I’m not sure about that, but it is boring. It starts off relatively inoffensive, if bland. Nick and Sally are two kids who are friends with the Cat in the Hat, and they arrive at his Christmas party and are promptly put to work as waiters while he sings about how awesome his party is. They think this is awesome. Kids at home: when doing favors for your “friend” is the super-fun part of your relationship, maybe rethink the friendship. Anyway, all the guests are animals, and a bunch of them are introduced during the song and subsequent party games. These include an annoying young caribou/reindeer, a mouse, a crab, and a bunch of other animals in passing (I wasn’t paying close attention, it didn’t seem important). The guests leave, and the kids offer to help clean up, but the Cat sends them h

First of all, we've covered this already, over here . Lindsay wrote up a pretty glowing review for this and slapped on a "Highly Recommended" label, mainly because it managed to coalesce nearly the entire Rankin/Bass catalog into a single coherent Christmaverse and rebuild Rudolph's backstory using a mythic structure. I'm not writing this as some sort of retraction, though upon rewatching, I do want to roll back the unconditional love we showered on it the first time around. While it accomplished everything listed above, that accounts for around fifteen minutes of its hour and thirty-seven minute run time. The rest oscillates between a series of mediocre love songs and a holiday-themed stop-motion circus show. Obviously the main reason I want to revisit this now is to focus in on the "Christmas in July" elements we more or less skipped over the first time. Also, there are 31 days in July, we're doing our best to hold to our post-a-day commitmen

This is adorable. It's adorable and charming and whimsical and sweet. It's fun and it's funny, it's safe for all ages without being insipid. In short, it's quality children's programming. I've seen a few episodes of the show this special is spinning out of, because I watch kids' shows on PBS. If my vague recollections are accurate, this is equivalent to an especially good episode. The special opens with some friendly narration explaining how excited George is about Christmas. Soon he wakes up and runs into the other room to jump on the Man with the Yellow Hat, only to be told that like yesterday, and the day before that, and the day before that, it is not yet Christmas. The Man (it's so awkward to call him that, but take it up with H.A. Rey) gives George a chart to track the rest of the days (12) until the big day, and reassures him that they have a lot to do to get ready, so the time will pass quickly. Cue the first musical number! It'

Wow! Late in the season, a tip came through about a crazy-looking little-known TV special, so we tracked it down. And it was unexpectedly delightful! This musical-comedy-fantasy is the type of thing that wasn't uncommon on television in the 60's, although it's all but unknown today. It stars Liza Minnelli and Cyril Ritchard. (If you don't know the latter, he won a Tony in 1955 for playing Captain Hook on Broadway. If you don't know the former, I don't know how to help you.) From the start this is a bit of a subversion: the wolf is the narrator of this piece, here to explain 'what really happened.' He's living in a cage in the zoo, but he's sick of being ostracized from society because of the Red Riding Hood story. Ritchard as the Wolf is exquisite. His dialogue is snappy, his mannerisms right on that line between charming and creepy. His costume includes big sleek sideburns, large pointed ears, and a furry suit jacket. He introduces the p

Relatively unknown Christmas specials are often either terrible or boring, but this one has Muppets! Muppet specials are usually good, right? Not this time. Well, nuts. In truth, this short special isn't terrible, but it is rather boring. The plot is from a book, and I would venture without checking that the book was short and mostly pictures. It follows a mouse family in search of a 'perfect Christmas tree' for their holiday celebration. They choose a section at the top of a very tall tree, but then the whole tree is cut down and they go along for the ride. The big tree is for Mr. Willowby's 'perfect Christmas tree', but it's too tall for the room. The top third or so is cut off and sent upstairs to be the housekeeper's tree. The tree is too tall. The top is cut off and thrown out the window, where it's picked up by some bears for their celebration. Still too much tree. The top of their tree is taken by a group of owls, and the very tip is cut