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Showing posts with the label Action

Run All Night (2015)

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Run All Night is an action/drama vehicle for Liam Neeson. The fact that it came out last year and you haven't heard of it provides a far better overview than I could ever hope to achieve. But, in the interest of pumping the internet full of content to drive it towards self-awareness, let's have a go at this. The movie is set in New York a little before Christmas. The majority of the story, as the title implies, plays out over a single night - probably not Christmas Eve, but who knows? This movie was vague as hell. The main character is Jimmy, a burnt out mob enforcer played by Liam Neeson. He's a drunk, tormented by memories of the people he's killed and the mistakes he's made. His best friend is Shawn, a mob boss trying to go legitimate. Both men have a son: Jimmy's son, Michael, hates him and wants nothing to do with his father, who was absent most of his life, anyway. Shawn's wants to be successful, like his father, and gets involved with drug deale

Ronin (1998)

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The number of action movies set at Christmas is staggering. You can add Ronin to the list, though this one is really only a technicality - the holiday elements are faint to the point of being nearly nonexistent. But, for whatever reason, it's established that it's set during Christmas, so we're reviewing it in the interest of being complete. Ronin might be one of the 90's better action flicks, though that's really not saying much. It's a tense, realistic spy thriller that masquerades as a heist movie. We never get more than a first name for most of the movie's characters, nor do we really get a good sense of their motivations. It's a movie about secrets, so don't expect a great deal of emotional depth. Set in France, it follows its lead, Sam, played by Robert De Niro. He's a former CIA agent hired by Irish terrorists to work with a group of mercenaries in order to steal a briefcase before it's sold on the black market to the Russian maf

Ben 10: Merry Christmas (2006)

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This is the first episode of Ben 10 Lindsay and I have seen, though I was mostly familiar with the premise going in. A kid has the power to transform into ten different aliens, so he uses his abilities to fight various threats. I hadn't realized the series took place during a cross-country vacation in his grandfather's RV. I'm fairly certain that's intended as a nod to the 70's Shazam series . Ben Tennyson is more than a little reminiscent of Billy Batson, who could likewise call upon otherworldly powers and transform. This series is more or less an update. This episode begins on a hot summer day while Ben, his grandfather, and his cousin, Gwen (also a series regular - apparently, she uses magic in some other episodes) are driving through Death Valley. After a failed attempt to improve the air conditioner, the RV breaks down. They find a strange door in the desert with cool wind blowing through the cracks. When they go through, they find a wintery town decorat

Arrow: Year's End (2012), Three Ghosts (2013), The Climb (2014), and Dark Waters (2015)

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This is one of those times I stumbled across a few Christmas episodes while watching a series. I saw Arrow's pilot back when it originally aired. I actually liked it quite a bit on its own merits, but was underwhelmed by the move away from comic book tropes. It felt like a really good dark and gritty take on a superhero origin, but I'd kind of had my fill of those. I decided not to follow it but to pick it up later if I heard it was worth it. What actually got me back on board was The Flash, which was much more in line with what I wanted from the genre. A handful of crossovers convinced me Arrow would head in a more interesting direction given time. Besides, like I said before, the pilot was actually quite good for what it was. Years End (2012) The first Christmas episode occurs a little less than halfway through season one. The season started strong with a few missteps. But a few episodes before Christmas, it took a dive for the worst, and this one doesn't do muc

The Flash: Running to Stand Still (2015)

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Watching Christmas episodes in context is a very different experience than tuning in for just a seasonal outing. Unlike most of what we review on this blog, The Flash is a show I watch religiously - it's a fantastic program that delivers classic superhero adventures on the small screen. If you're a comics fan and you're not watching, you owe it to yourself to get caught up. This is one of the best. I talked about the first Flash Christmas episode last year. Like that one, this primarily exists because the show unfolds in real time, and Central City - like everywhere else - celebrates the holidays. That doesn't mean they didn't go all-out for Christmas, though: even for a series where a psychic gorilla has a recurring role, this one just pushed the limits in terms of genre tolerance. When I say "genre tolerance," I'm talking about its willingness to incorporate tropes and tones from its source material. There are things you do in comics and anima

Hulk and the Agents of S.M.A.S.H.: It's a Wonderful Smash (2014)

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Remember a few years ago, when Marvel animation was at its peak? In a relatively short period of time, we got Spectacular Spider-Man, Wolverine and the X-Men, and Avengers: Earth's Mightiest Heroes, all great shows. Then something went wrong. Horribly, horribly wrong. Overall, the Disney acquisition of Marvel was a plus. It gave them more money to produce movies and live-action TV series, and the comics actually seem to have benefited. But the quality of their animated programs plummeted. Guess that's the price we have to pay. This, Ultimate Spider-Man, and Avengers Assemble all appear to be in continuity with each other. And, from what I've seen so far, all of these shows suck. To be fair, I've only seen two episodes of Agents of S.M.A.S.H., and one was the pilot. But the premise was misguided to begin with, and nothing I've seen suggests they're able to salvage the show. This episode is, of course, the Christmas one. It opens on Christmas Eve, when t

G.I. Joe: A Real American Hero: Cobra Claws are Coming to Town (1985)

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I'm going to have a hard time synopsizing this one. Alright, this thing opens right before Christmas when three of the G.I. Joes and a pet parrot singing Jingle Bells (this is a plot point) are driving a bunch of donated presents back to their base to give them to kids. When suddenly... they're attacked! A single Cobra plane starts shooting at them, forcing them to pull over and take cover. While they're stopped, a Cobra agent sneaks behind their vehicle and unloads a bag of fake gifts. The plane takes off, and the G.I. Joes just kind of shrug and decide it's probably not worth worrying about. They return to base and unload the gifts, including those Cobra snuck in. That includes a Trojan rocking horse, because... of course it does. The Joes sit down for dinner, and we learn that one of them is sad, because his parents always made such a huge deal about Christmas they never got around to decorating the tree or buying him gifts. Let's just move on. The Tr

First Blood (1982)

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Add one more to the list of movies you probably didn't know were set during the Christmas season - until rewatching it, I really didn't notice. It's easy to miss: I didn't notice it coming up even once in conversation, and the majority of the film is set in the wilderness, where it's irrelevant. I'll have some more thoughts about the holidays in a moment, but first I want to talk about something else I'd forgotten. This is a great movie. I remembered it was good, but that really doesn't do it justice. This is an incredible achievement - one of the best action movies out there, possibly on par with Die Hard. If you don't recognize the name of the movie, you'll recognize the name of its protagonist: John Rambo. Like Die Hard, it's easy to understand why there was a demand for sequels, though - also like Die Hard - the first installment is the only one that's required viewing. First Blood opens with Rambo in a rural Washington town t

The Flash: The Man in the Yellow Suit (2014)

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It's always nice when you queue up a show you're watching anyway to discover you've got a Christmas episode. Well, it's nice when that happens if you have a holiday-themed blog. I'm guessing it's less thrilling for the rest of you. The Flash is, of course, a relatively new series focusing on Barry Allen, the fastest man alive. The first season has been set in the months immediately after he gains his powers. Before that, he was just a forensic detective obsessed with the traumatic death of his mother, who he saw murdered by a man in yellow lightning moving at super-human speeds. The premise is impressive for a few reasons. Barry's background was pulled right out of the comics and involves a villain named "Reverse Flash," who traveled back in time to encounter Barry at various points in his superhero career. While I'm sure non-geeks were confused as to what the hell was going on, most fans were just shocked they were actually introducing

Young Sherlock Holmes (1985)

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This one might be a little controversial. The Christmas elements are pretty subtle, though they do bookend the movie. While it's possible to argue that the movie's plot might have tied into a pre-Christian fixation on the winter solstice, this was never stated outright or even implied beyond the seemingly coincidental timing, so it's admittedly a stretch. Still, for a movie that barely touches on its timing, it seems to bend over backward to be set in December. The story is told, as is traditional, by Watson, who arrives at his new school about two weeks before Christmas. This is obviously odd timing from a narrative point of view, since it would have been easier to explain him arriving at the start of a semester. Throughout the film, London is always covered in a thin coat of snow, which even I know is ludicrous for the season. There's also a rather baffling detail involving a killer who wears bells which are extremely reminiscent of sleigh bells. At the end, the m

Static Shock: Frozen Out (2002)

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Ugh. I feel for the folks who made this, and the folks who love this character, but I cannot recommend you watch this. It’s incredibly dull. The episode opens with Static bemoaning the busy life of a superhero when he has holiday festivities to attend. Of course, no sooner does he get there, but the power goes out, and he’s off to melt the mysterious ice engulfing the substation. He conveniently ignores the girl on the scene, and then rinse, repeat. Whining, Mysterious Ice, and then he finally figures out it’s the girl. We are treated to some tedious backstory about Permafrost. She lost her mom at a young age and is living on the street. Sad story, right? Not the way it’s animated here. Instead, it’s boring. Static finally goes looking for some information about her and learns her sad story. When she shows up again, he reaches out in compassion, and she agrees to accept help. That should be a good story, but the writing is so pedantic that any emotional impact is muted. It so

Moonlighting: 'Twas the Episode Before Christmas (1985)

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Neither of us had actually, to our recollections, watched an episode of Moonlighting before today. Just to set a baseline. Our reactions: “That was really kind of good. Also dumb in bits, but quite enjoyable.” “Well, now I know why no one believed Bruce Willis would be an action star.” “I guess I see why it was so influential.” “Huh, the first episode was much better.” We’ve got two Christmas episodes to talk about, and yes, this first one was much better. It’s a good thing that the Netflix DVD sleeve explained that these characters run a private detective agency, because it is really hard to figure that out from this episode. The episode opens with the plot hook: a random dude gets killed by a bad guy he once testified against, but his wife and child escape. Said wife leaves her baby for safekeeping with no explanation in the apartment of a secretary who works for Maddie (Cybill Shepherd) and David (Bruce Willis). Said secretary brings the baby to work, and the main characters d

The Six Million Dollar Man: A Bionic Christmas Carol (1976)

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Let's say you're a TV producer in the 1970's, and you're holding the rights to a science-fiction/spy thriller novel you want to adapt for television. Do you go with the original title of the work, "Cyborg," or do you name it "The Six Million Dollar Man?" That, in a nutshell, is why most TV sucked in the 1970's. This episode opens the day before Christmas. Steve Austin, the Cyborg  Six Million Dollar Man, is sent on a mission to investigate possible sabotage at a company contracted to develop gear necessary for a mission to Mars. Just so no one gets any ideas, no one goes to Mars in this episode. That probably would have been cool. The company's problems, surprisingly, aren't due to sabotage. Instead, they're caused by the owner's adherence to the absolute minimums specified by the contract. Also, he's Scrooge. His name is changed to Budge, but he's clearly Scrooge. He even lives in a mansion built to resemble e

Leverage: The Ho, Ho, Ho Job (2010) and The Toy Job (2012)

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Throw The A-Team and Ocean's Eleven into a blender and hit puree, and you get Leverage , a series about four semi-reformed thieves teaming up with a semi-unreformed insurance investigator in order to take on corrupt politicians, heartless corporations, and rich crime bosses to steal back what they've taken from "the little guy." If the concept sounds a touch sappy, rest assured the series itself is a lot of fun. A sentence or two of cheesy moralizing every episode is a small price to pay for great characters (any one of the show's five leads could hold down a series of their own), tightly-plotted stories, and hilarious situations. In other words, the series is definitely worth your time. The Christmas episodes are, as well, though they're not the best jumping-on points. "The Ho, Ho, Ho Job" starts like most episodes, with a guest star showing up with a sob story. This time, the wronged individual is a mall Santa Claus who's been framed fo

Super Santa in Jingle Bell Justice (1998)

I just came across this 7 minute short on Youtube. Stylistically, it feels a lot like Powerpuff Girls, with some great homages to the Adam West Batman and 60's spy shows. I particularly like the super-spy spin on Mrs. Claus, who isn't stuck at the North Pole this time.

Tokyo Godfathers (2003)

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Rotten Tomatoes has a list up of the top 25 Christmas movies . I was embarrassed to count six we hadn't seen. However, only one was in the top ten: Tokyo Godfathers. Well, Christmas miracles being what they are, that was actually available on Netflix streaming (and subtitled, no less). Naturally, we decided to give it a shot. This is a Japanese animated movie about three homeless people who come across an abandoned infant on Christmas Eve and set out on a quest to find its parents. On the way, we uncover what brought them to the streets. One is a drunken gambler, the second a drag queen, and the third is a young runaway. There's no shortage of social commentary stemming from the fact the world dismisses them as trash, but I didn't find it preachy. The drag queen is used as comic relief at times, and there's more than a little stereotyping here. Nonetheless, the character is cast in a very favorable light. Be aware there a few moments that might make you cringe, bu

My Life as a Teenage Robot: A Robot for All Seasons (2004)

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I would say that it was really surprising for the best episode on a compilation DVD to come from a show we’d never heard of, but really that happens all the time around here. My Life as a Teenage Robot was apparently a critical darling and a ratings flop which had its 3 season run strung out over 7 years on Nickelodeon. I don’t know about the rest of the show, but the Christmas episode was pretty darn good. The show is about XJ-9, aka Jenny, who is the eponymous teenage robot. I would have assumed that a show about a robot girl who really wants to hang out with humans would probably be cringe-worthy, but I found the episode had a good balance between ‘let’s go to the mall’ and ‘let’s save the planet’. Mostly the latter, in other words. The visual style is sleek and angular, a nice blend of modern and classic sci-fi styles. The episode opens with XJ-9 happily (if over-enthusiastically) filling in for an injured Santa Claus. She and her friends then hit the after-Christmas sales,

Die Hard 2 (1990)

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The premise of Die Hard 2 is incredibly similar to that of the original: John McClane is meeting his wife on Christmas Eve, only for her to be taken hostage by terrorists along with others. McClane has a short amount of time to figure out their plans and save her. I grew up thinking this was written to be a facsimile of part one, but a few minutes on Wikipedia reveals that the truth is a bit more complicated. Die Hard 2 was based on a novel called 58 Minutes, which wasn't in the same series as the book the first Die Hard was based on. 58 Minutes was published a year before Die Hard came out, meaning it couldn't have been inspired by the movie's success. I suppose the writer might have been inspired by the novel "Nothing Lasts Forever" (there are a lot of parallels), but I don't see any evidence for that. Interestingly, both novels involved the hero (whose name wasn't John McClane in either) trying to save his daughter. The movies changed it to his w

Power Rangers Super Samurai: Stuck on Christmas (2012)

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There are other Power Rangers Christmas episodes, but this is the one that Erin found on Netflix. It’s a humdinger. I knew something was drastically wrong after the Rangers defeated a monster in the first 5 minutes of the episode. Then their giant robot loses power and it becomes an excuse for a really crummy clip show. You can have no idea how terrible this was. The acting was beyond ridiculous. The ‘comic relief’ was horrible, and the action/drama was hilarious. There is tons of terrible, extraneous Christmas-pun flavored banter. Only it’s not banter when you’re just yelling ‘quips’ (using that term extremely loosely) at a red-and-green monster. Yes, the monster is red-and-green, and has what looks like a giant ear around one shoulder and a mouth on the other. I laughed a lot and very loudly while watching this episode, but it was not at anything that the creators intended to be funny. The kids say over and over how sad they are to be trapped in their giant robot on Christmas

Grimm: Twelve Days of Krampus (2013)

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We had never seen an episode of Grimm before this. From this viewing, it’s… okay. I mean, it’s a quirky procedural, spin the dial and land on a quirky procedural these days. A show like this depends on viewers getting invested in its particular set of actors/characters and its particular gimmick. Without that investment, it’s just a mediocre mash up of tropes from X-Files and Buffy about a guy pretending to be a cop in between monster hunting. The monster of this week is Krampus, which we were excited to see. While the visual design is very nice, the plot is sort of blah. The episode opens with a couple of punk kids stealing presents, then Krampus sneaks up on them under a bridge. He snags one, but the other is just injured and hides in a car. Cut to the next morning, when the cops are investigating a dead kid. Only the kid isn’t dead. He’s really, obviously, not dead. This is the point where we started to really doubt the professionalism of the emergency responders on this s