Mainlining Christmas

Neither of us had actually, to our recollections, watched an episode of Moonlighting before today. Just to set a baseline. Our reactions: “That was really kind of good. Also dumb in bits, but quite enjoyable.” “Well, now I know why no one believed Bruce Willis would be an action star.” “I guess I see why it was so influential.” “Huh, the first episode was much better.” We’ve got two Christmas episodes to talk about, and yes, this first one was much better. It’s a good thing that the Netflix DVD sleeve explained that these characters run a private detective agency, because it is really hard to figure that out from this episode. The episode opens with the plot hook: a random dude gets killed by a bad guy he once testified against, but his wife and child escape. Said wife leaves her baby for safekeeping with no explanation in the apartment of a secretary who works for Maddie (Cybill Shepherd) and David (Bruce Willis). Said secretary brings the baby to work, and the main characters d

I should start by saying that I like this show, although I like it more in a ‘turn on while I clean or knit or otherwise multitask’ sort of way, rather than a ‘sit down and pay close attention’ sort of way. I first ran across this Christmas-ish episode earlier this year when I was doing just that. I say Christmas-ish because while there are several references to the upcoming holidays and the episode originally aired in December, that’s all there is, and the setting and main plot have nothing to do with the subject of this blog. It’s a standard episode of this show, which means the plot follows gardeners Rosemary Boxer and Laura Thyme while they attempt to solve a plant problem for a client and solve a mysterious death at the same time. In this case, the deceased is a critic visiting a struggling hotel, and the protagonists are there to help the adjacent struggling winery. The hotel and the winery are run by estranged brothers, one of whom of course turns out to be the killer, whi

Do not make the same mistake we made: do not start with this episode. I've always kind of liked Scooby-Doo as a concept and as an early attempt at animated horror/comedy. But I've never actually seen an approach that worked. The originals had some cool designs on some of the monsters, but the stories were never interesting. Well, this is where that changes. Scooby-Doo! Mystery Incorporated updates the concept and characters in a way that remains true to the show's original concept and history, while simultaneously offering extremely intelligent writing, complex character and relationship development, as well as multi-season plot arcs with satisfying payoffs along with way. I don't just mean "satisfying for a cartoon," either: this is the kind of in-depth, multi-dimensional story telling that's rare on live-action TV. We, of course, stumbled across it because of the Christmas episode. Only it's not really  a Christmas episode, at all. The hoo

Stalking Santa is a good example of a cool movie made for virtually no money. To give you an idea of how little they spent, IMDB estimates its budget at $100,000, and it's narrated by William Shatner. But the premise didn't require a lot of cash. The movie is a mockumentary about a self-proclaimed "Santologist" out to prove the existence of Claus. The writing is strong, and the direction effective. The movie borrows heavily from X-Files and takes the viewer in a number of unexpected directions - some surprisingly dark for a "family comedy." The tone and genre switch gears several times, hinting at government conspiracies, fantasy, or science fiction, depending on the lead being explored. Throughout the movie, the film cuts away to interview experts and children. Surprisingly, the kids don't come off as overly cloying. They stretch the tone, but... damn... their answers are adorable. This is a very enjoyable film, but it does have a few

Rotten Tomatoes has a list up of the top 25 Christmas movies . I was embarrassed to count six we hadn't seen. However, only one was in the top ten: Tokyo Godfathers. Well, Christmas miracles being what they are, that was actually available on Netflix streaming (and subtitled, no less). Naturally, we decided to give it a shot. This is a Japanese animated movie about three homeless people who come across an abandoned infant on Christmas Eve and set out on a quest to find its parents. On the way, we uncover what brought them to the streets. One is a drunken gambler, the second a drag queen, and the third is a young runaway. There's no shortage of social commentary stemming from the fact the world dismisses them as trash, but I didn't find it preachy. The drag queen is used as comic relief at times, and there's more than a little stereotyping here. Nonetheless, the character is cast in a very favorable light. Be aware there a few moments that might make you cringe, bu

Stalag 17 is considered a classic. Along with It's a Wonderful Life and A Christmas Story , it's on the IMDB's top 250 movies of all time (as a society, we really need to get A Christmas Story off that list). Between the IMDB and its 97% Fresh rating on Rotten Tomatoes, it was pretty much a given this was going to be good. Well, this late in the season, we're ready for some good movies. This is, indeed, worth seeing, providing you're a fan of the era. The movie is well written and directed with a genuine sense of mystery and suspense broken up by occasional comic relief. The entire movie takes place inside a German POW camp during World War II. It's a few weeks before Christmas, and the Americans held there are continuously undermined in their attempts to escape or conceal information from their captors. The consequences aren't sugar coated, either: the movie opens with two of their number being gunned down in an escape attempt. It becomes apparent

As a fan of Dashiell Hammett I was excited to see The Thin Man on a list of movies set at Christmas. It’s always been one of those eventually-I’ll-get-to-it kind of movies. The movie is lighter in tone than the book, which in turn is already one of Hammett's lighter works. So this is less noir than it is comedy-mystery. The Thin Man focuses on Nick and Nora Charles. He’s a former detective, she’s an heiress, they’re in New York for the holidays to look up old friends and throw lavish parties. One of Nick’s former clients goes missing, then the bodies start piling up, and before you know it everyone from the daughter to the cops are asking for his help looking into the case. Nora thinks it’s terribly exciting, and happily says so. To put it shortly: I loved this. I loved the banter between the main characters. I loved the dialogue, the lighting, the film's style and the setting. I loved the holiday party with gangsters rubbing elbows with cops and reporters and everyone

"Chapter Two: The Lady in the Lake." "Chapter Three: The Little Sister."  If you're already intrigued, then you'll probably like this movie the way I do. If you're here, you probably realize that Erin and I are rather fond of Christmas, or at least Christmassy things. You've probably picked up that we both enjoy fantasy and science fiction. You may not know that I'm also a huge fan of noir. So a noir-themed dark comedy set at Christmas? Yes, please! Kiss Kiss Bang Bang has a fairly amusing pedigree. It's known as the movie that restarted Robert Downey Jr's career. It's one of Shane Black's films, so like several others, it takes place at Christmas. The title comes from European slang description for James Bond movies. And as alluded to above, all the chapter titles within the movie come from Raymond Chandler. It’s either a noir-style mystery-thriller that is also really funny, or the kind of loving parody that fully embrac

I haven’t been keeping up with Castle this season, so I don’t know whether this is normal now, but this was heavier on the melodrama than I really like. Now, there was also plenty of charm in this episode, particularly at the beginning. Castle and Beckett investigate a dead man in a Santa suit who, predictably, fell mysteriously out of the sky. The case is interesting, and the banter is fun, but all the little sad subplots about the various characters got a bit tedious. Not every named character needs angst! Plus, I am really tired of Beckett having only the one character trait for every occasion. (Best line of the night: after Beckett explained how the long-ago death of her mother keeps her from enjoying Christmas, Erin leaned over to me and whispered “So she became...a BAT.”) All of that said, I did still enjoy watching this. I don’t know how much fun it is in total for someone who isn’t familiar with the show, but Erin seemed to really enjoy the first half or so, although by

This is one of those specials that comes a hair's breath from being "so bad it's good," but can't quite overcome the aspects that are just bad.  The series it's from is about a decade old, which puts it well past the era when Scooby-Doo seemed ahead of its time. The plot centers around a mystical living snowman which can remove its head and is obsessed with destroying chimneys. It's about twelve feet tall and has supernatural powers, meaning the "guy-in-suit" won't work this time. Well, unless it's a guy in a robot suit using stupidly unrealistic science to pull off the effect. Spoiler alert: it's a guy in a robot suit using stupidly unrealistic science to pull off the effect. Here. Have more back story. There's a local legend about a headless snowman who's animated by the ghost of a robber who died a century ago after hiding some gold in the town. There are a couple of townsfolk acting as red-herrings: a sheriff

I actually considered skipping the write-up for this two-parter or combining it with the following year's Christmas episode, How the Ghosts Stole Christmas , but decided it really needed to be considered in its own right. The first half focuses entirely on Scully, who's gone home to spend Christmas with the members of her family who weren't killed in earlier episodes. Scully is shocked to receive a phone call from her dead sister, who simply says that someone needs her help. Apparently calling rates from the great beyond are low enough to allow ghosts to place calls but just a little too high for them to have time to offer any useful details. Scully immediately has the call traced and finds it was placed from a house where a woman has just apparently killed herself and not been murdered at all. Later investigation will reveal - I hope you're sitting down for this - that she actually was murdered, and that the murder was made to look like a suicide. As I recall, th

Oh man, I like this show. I haven’t actually seen too many of these original black-and-white episodes, but I really enjoyed these. I like the writing, the little flashes of wit, and the straightforward style with a minimum of fuss or drama. Once you are used to the deadpan style, I think it makes the subtle moments of action or drama really resonate. Dragnet’s not to everyone’s taste, but they’re solid, well-produced, cleverly scripted stories. Dragnet: The Big Little Jesus (1953) The first one we watched was also the most religious. And yet, except for maybe a split second here or there, it didn’t bother me. Sergeant Friday and his partner Smith investigate the theft of a Baby Jesus statue from a church. This is a sweet episode, clearly playing on the holiday themes. Everything turns out fine in the end, while it has enough of Friday’s dry-as-can-be wit to keep me interested and amused. Dragnet: The Big .22 Rifle for Christmas (1952) This is a well known episode, because they

I knew that this show existed, although I don't recall ever seeing an episode before. It's odd, but kind of charming. From what I gathered of the premise, Holmes has been awoken/resurrected in the far future, Captain America style, except with even more super-science. Watson is rebuilt as some kind of robot, and the new Lestrade is a lady cop. I liked her, she seemed to be the muscle. Overall I enjoyed this. It had some awkward made-for-children 'humor' and some cut corners in production here and there, but as a rather unique version of Holmes, I'm actually really on board with this. The tone of the setting was really interesting, and the whole pastiche seemed to be right on the best line between taking the source material seriously while being delightfully tongue in cheek when appropriate. I was wholly amused with the adaptation of the Blue Carbuncle story, in this case a popular animatronic toy with a program hidden inside, rather than a goose with a gemst

Lindsay came across a collection of Christmas cartoons called (oddly enough) "Christmas Cartoon Collection" in Toys R Us for five bucks. Each of the ten animated episodes comes from a different series. I've heard of exactly 30% of these shows. One of the series I've never heard of is "Archie's Weird Mysteries." Apparently, it lasted for two seasons from 1999 and 2000 and is about Archie and the Riverdale gang solving Scooby-Doo style mysteries (although apparently supernatural causes were the norm). Based on the era, I'm assuming this was an attempt to cash in on the popularity of the X-Files. This episode is from 2000. Actually, according to IMDB, it originally aired in February of that year, presumably because whoever scheduled it was as dumb as whoever produced it. Before we continue, allow me to state the obvious: this was really, really bad. But I also had a hell of a lot of fun watching it. I honestly can't fathom why this exists, b

Yeah, I sort of suckered Erin into doing this one. But it is a Christmas episode! So it COUNTS. Despite an early misstep with an unintentionally silly montage running under the opening episode credits, this is a fantastic episode. A solid adaptation of the story, like most episodes of this series, it stays true to most of the original, while breaking up monologues into more entertaining dialogue and expanding the roles of the minor characters. A highlight here is that John Horner, the man accused of stealing the jewel, is given a wife and kids and a little emotional plot of his own, to give the episode a bit more holiday poignancy. The Blue Carbuncle (about a stolen jewel found in a Christmas goose, and how Holmes traces it back to the culprit) is not one of my very favorite Holmes stories, but it is a solidly entertaining one. I loved re-watching this episode; it really showcases why Jeremy Brett was, in my opinion, the ultimate Holmes. All his charm, his wit, his hypnotic pres

Let me start by saying I didn't know anything about this show going into this episode, other than that it's sort of The Last Scene of Raiders of the Lost Ark: The Series. What I knew by the end is that it's really just that: a series of wacky adventures based loosely on a bunch of made-up magical artifacts based even more loosely on historical figures and events. (I have since watched another, more recent episode, which sucked much less than this one.) This Christmas episode features a cynical banker-type being tormented by a spectral Santa, who threatens to make him “disappear” unless he changes his ways. There's a sub plot about reuniting another character with his father. It's not boring, but all of the plot turns are horribly cliché and I just want to smack all of these characters for overacting and being morons. The dialogue is fairly clunky, although the cheesy B-grade CG special effects amuse me. There's some decent use of silly creepy Christmas mus