Mainlining Christmas

The Raven in the Foregate (Cadfael Series) Ellis Peters, 1986 This is book number twelve in the Cadfael series, but I jumped ahead to it because it's set explicitly at Christmas. Premise: In 1141, a new priest comes to the town outside the abbey. He is harsh with the people and quickly makes enemies. The woman and young man who came into town with Father Ailnoth are not who they say they are, and all mysteries must come to light after a violent death on Christmas Eve. I've very much enjoyed all of the Cadfael books I have read, although this one seems to retread some ground. Cadfael's friendship with and patronage of the young couple particularly, is a repeated thread in more than one of these stories. It's still an enjoyable yarn, with the final solution to the mystery held secret to the end, despite how steadily pieces are revealed. Cadfael, as usual, keeps his own counsel and works only for what he thinks is the best outcome for all concerned. If you ha

The Santa Klaus Murder Mavis Doriel Hay, 1936, ebook reprint 2015 New Release! I received a copy of this book from NetGalley for the purpose of review. Premise: Part of the British Library Crime Classic series of reprints. Sir Osmund Melbury has gathered his fractured family for the holiday. There’s a lot of money at stake for remaining in Sir Osmund's good graces, so naturally he ends up dead, and everyone has a motive. I liked the first half of this book much more than the end and resolution. I don’t know whether it dragged on too long, or I just lost track of who said what to who when. But I did like the first half quite a bit. The book explicitly switches between perspective, especially in the first few chapters. These chapters each take the form of a narrative of events written after the fact by one of the characters. You learn a lot about what the characters think of each other and their descriptions are often amusingly snide. The main body of the narrative a

Forbidden Fruit (Corinna Chapman Mysteries, Book 5) Kerry Greenwood, 2009 Premise: It's Christmas with the staff of Heavenly Pleasures and the inhabitants of Insula. Time for heat waves, bands of roving hippies, and a family with a lost daughter and a very dark secret… ( Previously reviewed: Book One ) I’ve read all of this series. Yes, I only reviewed the first one until now, (although ironically, the first one was probably the weakest) but I had to come back to blog for Christmas! It's funny, but for all the different media we've consumed for the mainlining Christmas project, this year might be the first time we’ve done anything conspicuously set in the southern hemisphere. Australia is hot at Christmastime, and yet the holiday comes on all the same, with all the crowds and obnoxious music and such. Corinna’s commentary on the holiday season is especially fun. The two plots Corrina and her friends are investigating this time around are not as high stakes as s

This DVD compilation includes Christmas or winter themed episodes from across the dozen or so incarnations of Scooby Doo over the years. Unfortunately, the majority are less Christmas than winter, and we already reviewed one episode, A Scooby-Doo Christmas , a few years ago. We're going to review the other two Christmas centered episodes, Haunted Holidays and The Nutcracker Scoob, on their own. That leaves ten of dubious holiday connection. We almost didn't write these up at all, but a few included some holiday allusions or references, plus the snowy visuals were certainly evocative of Christmas. Ultimately, we decided to cover them together, along with some discussion of how each ties to the holidays, if at all. First, though, let's talk about this "13 Spooky Tales" line. They released several of these DVD sets with different themes about the same time, each collecting ostensibly similar episodes throughout the years. In this case, even the math to get to 1

The Nutcracker Scoob is notable for being the final episode of The New Scooby-Doo Mysteries, which is primarily significant for being the last time the character of Scrappy-Doo was inflicted on audiences as a series regular. As such, it was a tad anti-climatic. At the very least, they could have re-enacted the resolution of Old Yeller than turned on the laugh track. Now that would had gotten some ratings. Instead, they told a relatively straight-forward Scooby-Doo tale centered around a Christmas pageant at a children's home. Of course, the place is in danger even before the faux ghost shows up: a cruel, oddly Victorian businessman named Winslow Nickelby is trying to force them to sell him the building on Christmas Eve. It would be easier to feel for the owners if there was some indication the home contained anything other than a theater. Pretty soon, the monster of the week shows up. This one is called the "Ghost of Christmas Never," and she's cloaked in whit

For better and for worse, I found a DVD at the library called Scooby-Doo: 13 Spooky Tales - Holiday Chills and Thrills. It’s interesting, at least, containing a mix of ‘winter’ episodes and actual Christmas content from several of the various Scooby-Doo series. (For example, it included this one .) Haunted Holidays is a special that was produced direct-to-DVD for this compilation, and I rather liked it. Or at least it wasn't awful. The premise is more than a bit sketchy: Fred, Daphne and Velma are helping with a Christmas parade for a big toy store, for some reason, when it’s attacked by a crazed evil snowman. The thing has freezing breath and shapeshifting; it’s actually almost scary when it turns into a snow-spider-beast or a snow-alien-mouth-tentacle-thing. See? Despite Shaggy and Scooby’s reluctance, as usual the gang tries to get to the bottom of the mystery, which involves a supposed ‘curse of the sinister snowman’ placed on the toy store by the guy who owned th

Silent Nights Edited by Martin Edwards, ebook release 2015 New Release! I received an electronic copy of this book from NetGalley for the purpose of review. Premise: Another collection of Christmas Mystery stories, this one from the British Library Crime Classics series. Fifteen tales of murder and thievery at the holidays. I know, you'd think I would be sick of short mysteries after last year's lengthy read of the Big Book of Christmas Mysteries. However, in this book I discovered a well-balanced selection that was enjoyable overall . I think I may be giving extra credit for being of a manageable length, though. Here's what you'll find, with stories that I've read previously noted: The Adventure of the Blue Carbuncle (repeat) by Sir Arthur Conan Doyle A classic, I would never fault anyone for adding this to a Christmas compilation. It remains charming on whatever number re-read this is. Parlour Tricks by Ralph Plummer A cute, simple story of

The strange lighting, coupled with the almost alien music and meandering story line of Eyes Wide Shut , created a dreamlike effect. And by "dreamlike effect," I literally mean the movie almost put me to sleep, because it was astonishingly, bafflingly, almost unbelievably boring. This was one of the most boring movies I've seen since... well... actually, it hasn't been that  long since I've seen something this boring, but keep in mind I watch a hell of a lot of bad Christmas flicks. But the competition generally goes more than ten minutes without showing naked people: Eyes Wide Shut has no excuse for failing to hold anyone's attention. I heard a while ago that this was a Christmas movie, which I wasn't aware of. Turns out, the movie is Christmas through and through. Christmas lights, in particular, are in damn near every scene that doesn't contain weird sex cults. Half of the film's lighting seems to come from multicolored bulbs. The other half

I imagine that the people who own the Looney Tunes IP, or anything like it, are always over a certain barrel. You have these iconic characters that people love, or at least feel affectionate nostalgia for. But they’re tied to these very pat, repetitive plots. Smart character outwits dumb character, who gets blown up/dropped off a cliff/something heavy dropped on them. Prey character outwits or out-lucks predator character, who gets blown up/dropped off a cliff/attacked by bigger character/otherwise injured. Rinse. Repeat. So if you’re looking to make something new with these characters, you have to wonder: do you stick with the tried-and-true formula, despite the fact that it’s not really enough to sustain a longer-than-three-minute runtime? Or to you step out of the box and give the characters more depth, more backstory and different, more complicated plots? Or, as is the case here, do you try to have your cake and eat it too? This show has an extremely odd premise. The main cha

This one might be a little controversial. The Christmas elements are pretty subtle, though they do bookend the movie. While it's possible to argue that the movie's plot might have tied into a pre-Christian fixation on the winter solstice, this was never stated outright or even implied beyond the seemingly coincidental timing, so it's admittedly a stretch. Still, for a movie that barely touches on its timing, it seems to bend over backward to be set in December. The story is told, as is traditional, by Watson, who arrives at his new school about two weeks before Christmas. This is obviously odd timing from a narrative point of view, since it would have been easier to explain him arriving at the start of a semester. Throughout the film, London is always covered in a thin coat of snow, which even I know is ludicrous for the season. There's also a rather baffling detail involving a killer who wears bells which are extremely reminiscent of sleigh bells. At the end, the m

Neither of us had actually, to our recollections, watched an episode of Moonlighting before today. Just to set a baseline. Our reactions: “That was really kind of good. Also dumb in bits, but quite enjoyable.” “Well, now I know why no one believed Bruce Willis would be an action star.” “I guess I see why it was so influential.” “Huh, the first episode was much better.” We’ve got two Christmas episodes to talk about, and yes, this first one was much better. It’s a good thing that the Netflix DVD sleeve explained that these characters run a private detective agency, because it is really hard to figure that out from this episode. The episode opens with the plot hook: a random dude gets killed by a bad guy he once testified against, but his wife and child escape. Said wife leaves her baby for safekeeping with no explanation in the apartment of a secretary who works for Maddie (Cybill Shepherd) and David (Bruce Willis). Said secretary brings the baby to work, and the main characters d

I should start by saying that I like this show, although I like it more in a ‘turn on while I clean or knit or otherwise multitask’ sort of way, rather than a ‘sit down and pay close attention’ sort of way. I first ran across this Christmas-ish episode earlier this year when I was doing just that. I say Christmas-ish because while there are several references to the upcoming holidays and the episode originally aired in December, that’s all there is, and the setting and main plot have nothing to do with the subject of this blog. It’s a standard episode of this show, which means the plot follows gardeners Rosemary Boxer and Laura Thyme while they attempt to solve a plant problem for a client and solve a mysterious death at the same time. In this case, the deceased is a critic visiting a struggling hotel, and the protagonists are there to help the adjacent struggling winery. The hotel and the winery are run by estranged brothers, one of whom of course turns out to be the killer, whi

Do not make the same mistake we made: do not start with this episode. I've always kind of liked Scooby-Doo as a concept and as an early attempt at animated horror/comedy. But I've never actually seen an approach that worked. The originals had some cool designs on some of the monsters, but the stories were never interesting. Well, this is where that changes. Scooby-Doo! Mystery Incorporated updates the concept and characters in a way that remains true to the show's original concept and history, while simultaneously offering extremely intelligent writing, complex character and relationship development, as well as multi-season plot arcs with satisfying payoffs along with way. I don't just mean "satisfying for a cartoon," either: this is the kind of in-depth, multi-dimensional story telling that's rare on live-action TV. We, of course, stumbled across it because of the Christmas episode. Only it's not really  a Christmas episode, at all. The hoo

Stalking Santa is a good example of a cool movie made for virtually no money. To give you an idea of how little they spent, IMDB estimates its budget at $100,000, and it's narrated by William Shatner. But the premise didn't require a lot of cash. The movie is a mockumentary about a self-proclaimed "Santologist" out to prove the existence of Claus. The writing is strong, and the direction effective. The movie borrows heavily from X-Files and takes the viewer in a number of unexpected directions - some surprisingly dark for a "family comedy." The tone and genre switch gears several times, hinting at government conspiracies, fantasy, or science fiction, depending on the lead being explored. Throughout the movie, the film cuts away to interview experts and children. Surprisingly, the kids don't come off as overly cloying. They stretch the tone, but... damn... their answers are adorable. This is a very enjoyable film, but it does have a few

Rotten Tomatoes has a list up of the top 25 Christmas movies . I was embarrassed to count six we hadn't seen. However, only one was in the top ten: Tokyo Godfathers. Well, Christmas miracles being what they are, that was actually available on Netflix streaming (and subtitled, no less). Naturally, we decided to give it a shot. This is a Japanese animated movie about three homeless people who come across an abandoned infant on Christmas Eve and set out on a quest to find its parents. On the way, we uncover what brought them to the streets. One is a drunken gambler, the second a drag queen, and the third is a young runaway. There's no shortage of social commentary stemming from the fact the world dismisses them as trash, but I didn't find it preachy. The drag queen is used as comic relief at times, and there's more than a little stereotyping here. Nonetheless, the character is cast in a very favorable light. Be aware there a few moments that might make you cringe, bu

Stalag 17 is considered a classic. Along with It's a Wonderful Life and A Christmas Story , it's on the IMDB's top 250 movies of all time (as a society, we really need to get A Christmas Story off that list). Between the IMDB and its 97% Fresh rating on Rotten Tomatoes, it was pretty much a given this was going to be good. Well, this late in the season, we're ready for some good movies. This is, indeed, worth seeing, providing you're a fan of the era. The movie is well written and directed with a genuine sense of mystery and suspense broken up by occasional comic relief. The entire movie takes place inside a German POW camp during World War II. It's a few weeks before Christmas, and the Americans held there are continuously undermined in their attempts to escape or conceal information from their captors. The consequences aren't sugar coated, either: the movie opens with two of their number being gunned down in an escape attempt. It becomes apparent

As a fan of Dashiell Hammett I was excited to see The Thin Man on a list of movies set at Christmas. It’s always been one of those eventually-I’ll-get-to-it kind of movies. The movie is lighter in tone than the book, which in turn is already one of Hammett's lighter works. So this is less noir than it is comedy-mystery. The Thin Man focuses on Nick and Nora Charles. He’s a former detective, she’s an heiress, they’re in New York for the holidays to look up old friends and throw lavish parties. One of Nick’s former clients goes missing, then the bodies start piling up, and before you know it everyone from the daughter to the cops are asking for his help looking into the case. Nora thinks it’s terribly exciting, and happily says so. To put it shortly: I loved this. I loved the banter between the main characters. I loved the dialogue, the lighting, the film's style and the setting. I loved the holiday party with gangsters rubbing elbows with cops and reporters and everyone

"Chapter Two: The Lady in the Lake." "Chapter Three: The Little Sister."  If you're already intrigued, then you'll probably like this movie the way I do. If you're here, you probably realize that Erin and I are rather fond of Christmas, or at least Christmassy things. You've probably picked up that we both enjoy fantasy and science fiction. You may not know that I'm also a huge fan of noir. So a noir-themed dark comedy set at Christmas? Yes, please! Kiss Kiss Bang Bang has a fairly amusing pedigree. It's known as the movie that restarted Robert Downey Jr's career. It's one of Shane Black's films, so like several others, it takes place at Christmas. The title comes from European slang description for James Bond movies. And as alluded to above, all the chapter titles within the movie come from Raymond Chandler. It’s either a noir-style mystery-thriller that is also really funny, or the kind of loving parody that fully embrac

I haven’t been keeping up with Castle this season, so I don’t know whether this is normal now, but this was heavier on the melodrama than I really like. Now, there was also plenty of charm in this episode, particularly at the beginning. Castle and Beckett investigate a dead man in a Santa suit who, predictably, fell mysteriously out of the sky. The case is interesting, and the banter is fun, but all the little sad subplots about the various characters got a bit tedious. Not every named character needs angst! Plus, I am really tired of Beckett having only the one character trait for every occasion. (Best line of the night: after Beckett explained how the long-ago death of her mother keeps her from enjoying Christmas, Erin leaned over to me and whispered “So she became...a BAT.”) All of that said, I did still enjoy watching this. I don’t know how much fun it is in total for someone who isn’t familiar with the show, but Erin seemed to really enjoy the first half or so, although by

This is one of those specials that comes a hair's breath from being "so bad it's good," but can't quite overcome the aspects that are just bad.  The series it's from is about a decade old, which puts it well past the era when Scooby-Doo seemed ahead of its time. The plot centers around a mystical living snowman which can remove its head and is obsessed with destroying chimneys. It's about twelve feet tall and has supernatural powers, meaning the "guy-in-suit" won't work this time. Well, unless it's a guy in a robot suit using stupidly unrealistic science to pull off the effect. Spoiler alert: it's a guy in a robot suit using stupidly unrealistic science to pull off the effect. Here. Have more back story. There's a local legend about a headless snowman who's animated by the ghost of a robber who died a century ago after hiding some gold in the town. There are a couple of townsfolk acting as red-herrings: a sheriff