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Friday After Next (2002)

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This is going to be one of those incredibly awkward situations where I'm looking at a Christmas installment in a series where I didn't see the earlier films. I'm not sure if it makes it more or less awkward that this one was reviewed far more harshly than the original (the middle installment wasn't received any better). So obviously take my opinion with a grain of salt. And that opinion seems to be in line with the consensus. Overall, this didn't work for me, and a lot of the jokes have aged badly. The series stars and was co-created by Ice Cube. Stylistically, it's reminiscent of Clerks, particularly for the first half. The story here is incredibly thin, which isn't necessarily a bad thing in a comedy, so long as the jokes pick up the slack. Again, they didn't work for me, though I'm not really the target audience and there's absolutely a possibility a lot of the humor went over my head. The movie opens with a thief dressed as Santa breaking int

Book Review: The Servant's Tale (Dame Frevisse #2)

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The Servant's Tale (Dame Frevisse #2) Margaret Frazer, 1993 Premise: It's Christmastime at St. Frideswide's Abbey, but after an injured man is rescued by a group of traveling players, the events set in motion lead to murder. This isn't a holiday book I sought out, but one I ran across while reading through a series. I thought about not reviewing it, but I reviewed its spiritual cousin The Raven in the Foregate years ago so I decided it has a place here. The Dame Frevisse mysteries are much like the Cadfael Chronicles - both extensively researched historical mystery series in a British monastic setting. So far though (this is only book 2), the Frevisse stories are a little bit darker. This is mostly due to focusing heavily on female characters and their problems, which in this volume include lack of authority over funds/family, stillbirth, illness, and pervasive sexism. Not to mention the poverty and inherited servitude common across several characters. The Cadfael boo

Elf-Man (2012)

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I was genuinely shocked when the end credits for Elf-Man rolled and revealed a full cast worked on the picture. With the exception of a few decent shots and a couple actors who deserved better, this thing looked and felt less like a "real" movie than... God, I'm struggling to find some point of comparison. Some of it felt like the low-budget direct-to-video production it was, but it was rare for the movie to hit even that mark. More often it felt like a cheap sitcom, and even those sequences accounted for fifty percent or less. Most of the rest felt like a college project. At times, I'd have believed a handful of high schoolers were somehow calling the shots. Now that we've got that out of the way, let's talk about the premise of Elf-Man, a 2012 fantasy/superhero/comedy serving as a vehicle for Jason Acuña, here credited as "Wee Man." The story centers around two kids and their father, an inventor whose wife died a few years before. On Christmas Eve,

Bam Margera Presents: Where the #$& is Santa (2008)

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By its nature, Mainlining Christmas often leaves us scrambling to cobble together some sort of context for media we're unfamiliar with. We regularly check out Christmas episodes of shows we've never seen or wander into genres we otherwise avoid. But this takes that to a whole new level. We put this on not knowing who Bam Margera is or what we were getting into. We're of course familiar with Jackass as a concept, but neither Lindsay or myself ever actually watched anything from that franchise before, nor did we realize it had spawned multiple spin-offs under different titles. I actually assumed I was putting on a conventional comedy. This was... I'm honestly still not sure what the hell this was. Like I said, I've never seen Jackass, but my impression is it's primarily defined by over-the-top, idiotic stunts intended to shock the audience. And, in a sense, that's what this was. Only... it wasn't? Imagine someone created a movie revolving around a series o

The Fairies: Christmas Wishes in Fairyland (aka Christmas Carols in Fairyland, 2009)

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Wow. It took us a surprisingly long time to confirm the information in that title. Another from our stash of random DVDs bought from clearance bins, this... film? Extended episode? DVD special? is part of an Australian children's franchise that apparently started with some direct-to-video specials, then got recast, rewritten, and prettied up (by WETA) to launch a full television series, a longer series of direct-to-DVD movies, a program for ballet schools, and probably some stuff I'm missing.  Both generations of this property did a Christmas movie, but this is the later one with more professional production values. The fact that we weren't sure about that until after some thorough research tells you something about what a low bar "more professional" is in this case.  I don't love to hate on low-budget kids' stuff, but this is very strange, and not really in a good way. The actors are giving it a lot of energy and drive, even though they all seem like peop

LazyTown: "LazyTown's Surprise Santa" (2005) and "The Holiday Spirit" (2013)

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These days, we watch almost everything on streaming services, but early in the life of this site, we frequently picked up holiday-themed DVDs from clearance bins. That's how we ended up with a few of the more unusual selections we're planning to cover this year.  Prior to watching these episodes, I was only vaguely aware of the existence of this show and I knew nothing about it. My first impression after a few minutes was confusion that it didn't seem to be dubbed. There's something hard to define about the writing, some mix of absurdism and quirky word rhythm, plus physical comedy that feels a little like commedia dell'arte pantomime, that immediately said to me "not made in the U.S." Sure enough, LazyTown is an Icelandic production. It was intended to combat childhood obesity, although very little in the two holiday episodes we watched is directly about that. There are three characters played by humans: Stephanie, a young chipper audience stand-in, Robbi

Just Friends (2005)

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Just Friends is one of several Christmas comedies from the first decade of the millennia that's been largely forgotten, and in this case, it's not hard to understand why. The premise is largely built around the concept of the "friend zone", a somewhat misogynistic idea popularized in the mid-'90s that - for reasons that continue to elude me - someone thought would make a good basis for a movie a decade later. The story centers on Chris, played by Ryan Reynolds, who grew up in New Jersey, where he was humiliated in high school due to being overweight. His best friend was Jamie, a girl he secretly pined over for years. I should note the movie opens with an extended sequence set during this time that involves Reynolds in a fat suit. We'll come back to this. Jump ahead to Christmas ten years later. Chris has lost weight, he has a high-paying job as a record producer in LA, and his love life is a series of dates with models. But of course, he still pines for Jamie,