Mainlining Christmas

I've been meaning to get around to this for a few years now. All I really knew about it was that it was set around the holidays, and it's something of a cult classic. In hindsight, I had no idea what I was getting into. Where to begin? This was written and directed by the Coen Brothers, along with a little help from Sam Raimi. It's sort of a love letter to classic Hollywood love stories - I'm pretty sure I caught echoes of Christmas in July , Meet John Doe , and The Apartment  - delivered with a twisted sense of humor. The movie doesn't hold back on style - from the beginning, this is unapologetically grandiose and stylized. Everything from the music to the acting to the set design sets out to create a world that's a living, breathing caricature of its source material. For those of you who don't know me, all that means I absolutely loved this bizarre, quirky movie. I'm not going to delve into quite as much detail around the plot this time, both

As far as sub-genres go, "dysfunctional family at Christmas" may have one of the lowest hit rates out there. Most of the ones that work do so by incorporating alternative genre elements to make the concept fresh: The Lion in Winter , Arthur Christmas , and Fred Claus all spring to mind. Those are technically great Christmas movies about a dysfunctional family over the holidays, but the dysfunctional family isn't the part of the synopsis most people would focus on. Almost Christmas, on the other hand, embodies the more traditional trappings of the sub-genre through and through. If you were to sit down and make a list of tropes you'd expect to find, you'd wind up checking most of them off. There are the siblings who despise each other, the family member with a drug problem, food getting destroyed, a decoration mishap, a wedged in love story... you get the idea. The substance of this movie certainly isn't original. However, there is one fairly original ele

Un conte de Noël, or "A Christmas Tale," is a French movie about a dysfunctional family reuniting for the holiday due to Junon, the matriarch, contracting leukemia, the disease that killed her firstborn son, Joseph. She's hoping to avoid this fate herself, but for that she needs a bone marrow donor. There are two candidates: her middle child, Henri, who's something of a drunken failure, and Paul, the mentally ill son of her oldest daughter, Elizabeth, who despises Henri. What else can we throw into the mix? Well, her other surviving son's wife has been loved from afar by her husband's cousin, Henri's girlfriend seems to take great joy in watching him get beaten up, and there might be some sort of ghost wolf wandering around the house. Of all the movie's unanswered questions, I regret not finding out more about the ghost wolf the most. Is it the spirit of Joseph? Or maybe it's the matriarch's mother's ghost. It's unclear. A

Why Him? is a raunchy farcical version of a story the movie industry loves to tell over and over: father disapproves of daughter's boyfriend, shenanigans ensue. In this case, the father is played by Bryan Cranston, and he's the owner of a now-struggling printing business, while the boyfriend, played by James Franco, is an eccentric self-made app-store mogul. The daughter (Zoey Deutch) gets her family to visit her and the boyfriend in California for Christmas, and awkwardness follows. Franco's character swears unstoppably and is emotionally needy, relentlessly sexual, and socially clueless. Once the father finds out that the boyfriend intends to propose and the daughter is contemplating dropping out of school to run a nonprofit the boyfriend will supposedly fund, he goes into a progressive freakout where his attempts to undermine and find evidence against the younger man provoke an all-out breakdown. All this between jokes about complex high-tech toilets, too-realistic

If you haven't tried the new episodes of MST3K, available on Netflix, you should. They are a lot of fun, they keep what worked about the original formula while adding new twists, and you'll know what I'm talking about when I say that one of my life goals is now to have as much fun as Felicia Day is having every second she's on screen. The cast features a who's who of the geek-culture parts of the internet, with Day and Patton Oswalt as the recurring villains and brief guest appearances including folks like Neil Patrick Harris, Mark Hamill, and Wil Wheaton. I've watched 12 episodes and I'm still amused by the inclusion of commercial bumpers as if the show were made to have commercial breaks. These episodes have more ongoing plot in the scenes that break up the movies than I remember from the original show, but I probably never saw more than one episode in a row before. This episode in particular is building toward the season finale. So make some popco

When this movie came out, I asked the first person I knew who watched it one question. I didn't care if it was good or bad, intelligent or idiotic, whether it tied to Prometheus or to the original movies... I just wanted to know if it was set at Christmas. The person I asked assured me it wasn't. Turns out, he was wrong. To be fair, you really  needed to be paying attention to catch it. The first shot after the intro provides the movie's only date: December 5, 2104. The ship is almost immediately damaged, requiring repairs before they can continue on their journey. Helpfully, the movie tells us it will take about 48 hours to make those repairs. That takes us to December 7. At this point, they decipher a message and change their destination to a planet "a few weeks" away. Assuming "a few weeks" translates to fourteen days, they arrive at the film's alien-infested world on December 21. Where do I remember that date from? Yup - it

Apparently, Mon oncle Antoine is considered one of the best Canadian films ever produced. Honestly, I lack anywhere near enough cultural background to offer an informed opinion on that claim. For what it's worth, I found the movie interesting enough, despite an intentionally slow pace and meandering point-of-view. For all intents and purposes, the plot doesn't even kick in until about halfway through. Prior to that, it feels like you're watching a series of vignettes about a few different groups of people living in rural Quebec in the 1940's. An asbestos mining operation serves as the backdrop and is pretty clearly significant to the movie's point, but you really need some knowledge of Canadian history to understand the connection. I skimmed a few Wikipedia articles after watching the movie, but I suspect the film would have had more impact if I had a more personal connection. The short explanation is that there was a major asbestos strike in 1949 that effecti

Every year, A Christmas Story is aired non-stop on Christmas Day, despite the fact that it's an over-rated piece of humorless drivel. One of the reasons it's shown is that people continue tuning in, likely because they're unaware there are better options available. This, in turn, incentivizes its continued airing. In an effort to combat this vicious cycle, we here at Mainlining Christmas have generated an alphabetical list of one hundred alternative holiday movies and specials, each vastly superior to A Christmas Story. To be clear, this is not in any way an exhaustive list: there are certainly numerous other options out there far better than the swill that is A Christmas Story. Also, this list can also be used to find alternatives to National Lampoon's Christmas Vacation, Home Alone, and The Santa Clause, as these movies are likewise inferior to each of the movies listed below. 1  A Charlie Brown Christmas 2 101 Dalmatians 3 3 God

We’ve had a lot of firsts here at Mainlining Christmas. Our first movie, our first book review, our first watch-all-the-holiday-episodes-in-a-series binge… but this one is special. This is our first Christmas movie starring Nicolas Cage. Trapped in Paradise is the story of how Erin and I were trapped in hell for a very long two hours. The movie follows Bill (Cage) and his two idiot brothers, who are getting out of prison early for Christmas. One brother (Alvin, Dana Carvey) is apparently a kleptomaniac and the other (Dave, Jon Lovitz) is a liar and schemer. Bill hates them, yet is too stupid too see through a series of pathetic ploys that send them all fleeing New York for Paradise, Pennsylvania. Ostensibly, they’re there on behalf of a fellow inmate, who asked Dave to intercede with his estranged daughter. In fact, they’re there to pull an easy bank job and steal the town’s Christmas fund. Or something. The explanation for what the money is and how the town functions is pret

"A Fairly Odd Christmas" is the live-action made-for-TV sequel to the similarly live-action made-for-TV movie "A Fairly Odd Movie: Grow Up, Timmy Turner!" which is itself a sequel to the Nickelodeon series "The Fairly OddParents," which had a Christmas special of its own , though that featured an entirely different version of Santa Claus and therefore doesn't seem to be in continuity with this film. I should probably add that I've never seen the first live action movie or any of the animated series other than the aforementioned Christmas special. This apparently opens where the previous movie left off: the now grown-up Timmy, Tootie, and the CG fairy godparents are circling the world in a magic flying van granting wishes to anyone who's sad. They give one young girl a magic unicorn, another a monster truck, they turn a boy's small toy into a giant monster and set it loose on Tokyo, and they help a bunch of robbers empty out an electro

First, I would like to state for the record that about fifteen minutes into this musical movie, I started thinking that it wasn’t that it wasn’t awful, but there was a disconnect between the style of the music and the style of filmmaking that made it unconvincing and boring. But if either the music/singing were more grounded or the acting/set/cinematography more surreal, it might work. And then later in the film I was proven right when it suddenly got good. The movie follows a young man named Langston (after the poet), when his mother sends him to her estranged parents’ home for Christmas. He’s never met his grandparents, but his mother’s jobs aren’t bringing in enough to make rent, so she ships him from Baltimore to New York. And up to this point it’s just slow and schmaltzy, and it has that music problem I alluded to at the start. The music is full of autotune and style that doesn’t match the very realistic filming of characters walking and riding buses. The result is thereby d

I think this movie was recommended on some list of little-known Christmas films, even though Christmas doesn’t fully show up until after the halfway point. We open on a tour bus traveling down Fifth Avenue, with an announcer pointing out the houses of New York’s wealthiest families. A man in a shabby outfit with a dog and a cane is walking down the street. Once the bus passes, he sneaks through a loose board into a backyard and down through a manhole, coming up (somehow) inside the boarded-up mansion. It turns out this is Aloysius McKeever, a homeless man with high class taste. He lives in this house secretly while the owner, real estate and business mogul Michael O’Connor, is in Virginia for the winter. Meanwhile, the last tenant is being thrown out of a building scheduled to be torn down for one of O’Connor’s projects. This is Jim Bullock, a young unemployed veteran with nowhere to go. McKeever runs across him in the park and takes him back to his secret mansion. Jim thinks M