Mainlining Christmas

We live in a strange world. It turns out there was a Watership Down animated series that ran for thirty-nine episodes between 1999 and 2001, including a two-part Christmas episode. First, some background. The novel, Watership Down, is a seminal work of epic fantasy starring rabbits in the British countryside. If you're unfamiliar with the story, you may think the premise sounds humorous, but it's a tale of prophecy, war, death, and legend. The book functions as a meditation on mythology, exploring how the rabbits' society is built on the tales it tells. Without it, it's unlikely we ever would have gotten Redwall, Mouse Guard, or numerous other fantasy stories about animals at war. Watership Down was adapted into an animated movie in 1978. This one goes on a list with Secret of NIMH and The Last Unicorn of animated features that traumatized kids in the 70's and 80's. The Watership Down movie didn't pull many punches: rabbits literally tore each other

When you think of classic Christmas movies, Disney's animated 101 Dalmatians doesn't jump to mind, which is actually a little odd. Setting aside the first couple of scenes, the entire movie takes place immediately before Christmas, the majority of the film is about the titular dogs wading through a blizzard, and the finale occurs on Christmas day. Oh, and it's about getting a family back together. It is, in fact, a Christmas movie through and through. It just doesn't act or feel like one. Most of that discrepancy can be tied to fact the movie isn't interested in Christmas. Until that last sequence, the holiday is only name-checked once, and then in an ambiguous manner. Likewise, we don't see any decorations during the dogs' quest. The 1996 live-action remake is a little more complicated. It's difficult to say for certain, but the timing of the movie seems to be slightly offset. The scene before the dogs are kidnapped has "The Christm

As a rule of thumb, when there's an episode we're recommending that's embedded in the middle of a series, we advise watching it in context to get the needed background. This is different. We watched the first three episodes of The Librarians, and we think you're better off skipping to the Christmas episode. It's not that the earlier episodes were bad; it's more that they are generic as hell. They feel like an uninspired fusion of Doctor Who, Leverage, Warehouse 13, Buffy the Vampire Slayer, the X-Files... hell, basically every genre show of the past two decades shoved into a blender. The result comes off as mediocre in every possible way. Then along comes the Christmas episode, guest starring Bruce Campbell as Santa Claus, and the quality spikes. Story-wise, it's pretty generic Christmas fantasy stuff. The episode opens with Santa abducted by the Serpent Brotherhood (I promise, you're better off not having seen their first episode), a secret

This DVD compilation includes Christmas or winter themed episodes from across the dozen or so incarnations of Scooby Doo over the years. Unfortunately, the majority are less Christmas than winter, and we already reviewed one episode, A Scooby-Doo Christmas , a few years ago. We're going to review the other two Christmas centered episodes, Haunted Holidays and The Nutcracker Scoob, on their own. That leaves ten of dubious holiday connection. We almost didn't write these up at all, but a few included some holiday allusions or references, plus the snowy visuals were certainly evocative of Christmas. Ultimately, we decided to cover them together, along with some discussion of how each ties to the holidays, if at all. First, though, let's talk about this "13 Spooky Tales" line. They released several of these DVD sets with different themes about the same time, each collecting ostensibly similar episodes throughout the years. In this case, even the math to get to 1

Yet another solid Doctor Who Christmas special, The Doctor, The Widow and the Wardrobe tells the story of the Doctor's interactions with a family at Christmas. Or, more accurately, at two Christmases. The episode opens with a quick Star Wars homage, revealing a massive warship orbiting Earth. Right as it's about to open fire, something seemingly goes wrong and an explosion cuts it in half. What's gone wrong, of course, is the Doctor, who's still on board and fleeing the blast. He survives by catching a space suit while being blown through space and putting it on as he plummets towards Earth. This sequence is the low-point of the episode. It was a cool idea, but something was off in the pacing leading to the explosion: we really needed a few more seconds to accept this as a potential threat before the punchline. Likewise, the Doctor's leap through space was a little too cartoonish, even compared to the comic-book shenanigans that typically permeate this series.

Unless I'm forgetting something, this is the only episode of the revamped Doctor Who series set at Christmas that wasn't produced as a "Christmas special." It's only the third Christopher Eccleston episode, and marks the first time him and Rose went into the past. The past they wind up in is 1869. It's Christmas Eve and - despite trying for Naples - the TARDIS takes them to Cardiff. As is always the case, there's more going on than a celebration. An undertaker in the city can't seem to keep the dead to stay still: they've picked up a habit of rising up and making trouble. One, an old woman, kills a grieving family member, climbs out of her coffin, and proceeds with her plans for the evening: catching a live reading of A Christmas Carol performed by the author, who is quickly pulled into the story. Also of note is the undertaker's psychic assistant, a woman about Rose's age who's developed a connection with the beings responsible.

Easily my favorite of the Doctor Who Christmas specials, this episode from 2010 kicks off the second season with Matt Smith, the eleventh Doctor. This starts in the future on a distant world that's essentially a steampunk version of Victorian London. Only in space with flying sharks. Oh, and of course it's Christmas. Well, more accurately it's the winter solstice, but the opening monologue states the obvious: they're the same thing, anyway. One of the things that makes this work as well as it does is that it really doesn't give you time to stop and question its logic. That's probably a good thing, because the premise is more than a little haphazard. For example, Amy and Rory are honeymooning on a space cruiser that's about to crash into the planet of street urchins and fish-clouds, and the Doctor is unable to save them with the TARDIS. It's not remotely clear why this is beyond his capabilities (I think there might have been some BS tech-babble exp

Do you remember the scene in the first Home Alone movie where Kevin tied a bucket of paint to a rope and swung it at the robbers? Have you ever stopped to consider what the entire movie would have been like from the perspective of the paint inside the bucket? I mean, I assume it would have started absolutely still and sat that way for hours on end, before being slightly jostled. Then, a few hours later, it would have sloshed around, before splashing against the wall. Finally, it would have settled again. Mostly, it would have just been still. It would probably have dried a little as the movie progressed. Not a lot and certainly not quickly, but an imperceptible quantity of paint would have dried up. While that's not the plot of the fifth Home Alone movie, I think it offers a nice encapsulation of the experience of sitting through the film. That's another way of saying this movie isn't as shockingly awful as its predecessors. And that this improvement is a very, ver

I'd like to begin with a thought experiment for those of you who haven't seen Home Alone 4 . I'm assuming that includes you, since - as far as I can tell - no one alive has actually seen this movie and only a handful have even heard of it. So then, imagine that, after the disappointing third installment  (which, to be fair, isn't really much worse than the first two), the Home Alone franchise didn't disappear entirely. Imagine instead that the IP transitioned to a made-for-TV movie aired on ABC. Now imagine that the character of Kevin McCallister, the protagonist from the original two, returned, albeit recast, along with every other character. Now ask yourself, how bad would you expect this to be? How abysmally awful, how utterly vapid, how monumentally stupid do you think a movie like that would be? What you're picturing right now is what we'll call, "The Expectation." Before we go on, you'll have to lower that expectation. Before we g

1988 2005 We recently watched two versions of The Lion, the Witch and the Wardrobe . I know, I know, gluttons for punishment. One was the movie from 2005, one was a BBC version from 1988. I freely admit that I am partial to the BBC version as it is the one that I grew up with and the music just makes me happy. The BBC version is also slightly longer and uses its extra time for character and world development and not just for people throwing things at each other. The main problem with adopting The Lion, the Witch and the Wardrobe is that you are bound by the source material. Things that kinda work in the book if you don't think too hard about them are brought into stark relief on film. Things like that the kids spend all of 48 hours there before the climactic battle. Logic flaws and poetic license are less forgivable once you make a half hearted attempt to make the story feel realistic. This source material does however include some Christmas which is why we're here

Like Saint , Santa's Slay takes the "killer Santa" concept a step further than most. Unlike Saint , it's surprisingly entertaining and a lot of fun. The movie opens with Santa Claus, played by wrestler Bill Goldberg, interrupting a family dinner and killing all present. The fact the victims included Fran Drescher and Chris Kattan should give you a good idea for the tone they were going for. The credits roll, and the movie jumps to the leads, a young couple who work at a Jewish deli. It's already Christmas Eve, and Santa starts knocking off minor characters almost immediately as the leads start piecing together what's going on. They're helped by the boy's grandfather, who's been preparing for this night for a long time. Just to clarify, this isn't a psychotic killer dressed as Santa: this is the real deal, complete with an evil "reindeer" (well, a flying ox, but they call it a reindeer). He's the son of Satan, and he

I'm not sure why it's taken us this long to officially get to Gremlins . I've owned the movie for years, but for some reason it never occurred to me I should re-watch and review it as a Christmas movie. It's especially bizarre given how much effort the movie makes to subvert the holiday. It plays with holiday music in a manner similar to what Die Hard would do a few years later. It also utilizes imagery to twist the holiday: look at the eerie green and red lights emanating from the pool when Mohawk jumps in and spawns an army of gremlins. You can even interpret the gremlins themselves as being evil Christmas elves (though that's admittedly a stretch). Gremlins is also at least partially responsible for popularizing the myth that the suicide rate shoots up around the holidays: this is certainly where I first heard it claimed. It's easy to believe, but not remotely true . Suicide rates actually drop in December, and with good reason: who has the time?

Spoilers below for Doctor Who Series 7 (2012-2013) through this episode. This is the first episode in the Pond-less era of Doctor Who. As such, it devotes quite a lot of time to mourning the loss of the Doctor's last companions, particularly Amy. The episode begins in Victorian England, where the Doctor's more or less retired. His friends, Madame Vastra, Jenny Flint, and Strax are attempting to break him out of his depression, but not having much luck. Enter Clara Oswald, an energetic young woman with a dual identity as a barmaid and a governess. Oh. There's also a curmudgeon who's being followed around by an army of evil snowmen from outer-space, but that's just the plot. Honestly, you could have cycled him out for just about anything without changing the core of the episode, which is about the Doctor coming to grips with the loss of Amy and Rory Pond. Which is, frankly, a little silly. I understand that he cared deeply for these characters, but he's

You knew we were going to get to these eventually. They’ve actually been on the list since the beginning, we have them on DVD, but we kept holding off on them, keeping Doctor Who as a sort of fallback option for when we ran out of other stuff or got too tired of terrible things. And then that didn’t happen. So one day last week we just decided to finally re-watch these. Doctor Who: The Christmas Invasion (2005) I have very fond memories of the first time I watched this episode. It introduced David Tennant’s Doctor and I loved it. I loved it a little less on this viewing. The murderous robot Santas and trees are still fun, but a lot of this hour is humans being whiny. Whenever Tennant is on it really picks up, but there’s a big boring chunk in the middle without him. The writers were still sort of trying things out with Ten at this point; his character doesn’t solidify for a bit, and that adds to the surreality of watching this episode. Plus the end with Harriet Jones is kinda nas

What. The. Hell. Is. This. Shit. I mean, besides awful. It’s clearly awful. This show stars Buster Crabbe, a guy who would definitely take a different name if he were working in Hollywood today. And his son. And a comic character actor playing himself, sort of, which makes no sense, but nothing here makes sense. But let’s get back to the fact that there is no excuse for how terrible the kid is. The kid is truly terrible; both at acting and in the story. The 3 minutes of plot in this 30 minute slog tell the story of how this brat, disappointed that the train with his christmas presents is stuck in a sandstorm, runs off to try to bring the packages himself. Alone. Through the desert. The whole base turns out to look for the kid, and we get some really boring footage of the kid, I guess scared by being alone? I don’t know. I didn’t feel bad for him and I’m sorry he didn’t die alone in the desert for being a thoughtless moron. But instead, the adults catch up with him and forgive