Mainlining Christmas

Hilda is an animated Netflix series adapted from a series of graphic novels inspired by Scandinavian folklore. The art style mimics the feel of the comics it's based on, building a world that honestly looks like drawn pictures come alive. Depending on the episode, you might end up seeing something wacky and fun, magical and awe-inspiring, or even a little dark and unnerving. It's an absolutely phenomenal show, beautifully written and animated, and we recommend you watch it at once. Which of course poses a bit of a problem. The holiday episode I'm about to discuss is towards the end of the second season, so while I absolutely recommend it, I'd suggest watching the rest of the series first. This isn't so steeped in continuity that you'll be spoiled or confused: it's just better in context. The main character of the series, unsurprisingly, is Hilda, an adventurous preteen girl who moves to Trolberg, a cross between a modern city and a walled medieval village. T

If you read that headline and thought it was full of crap, you were at least partially right. I'll admit up front I technically went with four  movies and an episode, which is kind of cheating. That said, the episode in question isn't XMas Story from Futurama  - this is limited to horror, and all five of my picks come from that genre. The idea that I would be able to assemble this list at all would have been unthinkable a few years ago. This is, after all, supposed to be the dregs of holiday entertainment - the worst trope Christmas media has to offer. Only... it's not? While there's no shortage of abysmal slasher movies where the killer either is dressed as Santa or - in some bizarre sense is  literally Santa himself, there are a shocking number of movies where the otherwise tired premise results in something absolutely fantastic. Just to reiterate, by "shocking," I mean five. Okay, four and a half. I was going to start with some history on this trope, but...

Until this started, it didn't occur to me that it's probably been at least thirty years since I actually watched an episode of The Flintstones in its entirety. Honestly, I'd be happy going another thirty before repeating the experience. The show isn't bad, so much as dated. Half the joke was in the premise, which lacks the same impact if you've grown up thinking of it as an institution. For me, The Flintstones have always existed, so the knowledge it was somewhat revolutionary in its day feels academic. It also doesn't help that the central conceit of merging the stone age with cutting-edge designs is sort of lost now that those designs look antiquated themselves. I wonder if the next generation of kids look at The Simpsons the same way. Speaking of which, it's probably not an accident the premise for The Simpson's pilot mirrors this episode. The plot of the sole Flintstones Christmas episode centers on Fred taking a second job in a department store to e

The worst thing I can say about the DuckTales reboot is that nothing about the show feels particularly revolutionary. Obviously, there's no reason it should, but it's the only thing that differentiates it from any of the best animated shows of all time. It's not subversive and dark like Batman TAS; it's not shocking and cerebral like Mystery Inc.; it's not progressive like Steven Universe or as profoundly optimistic as Phineas and Ferb. It's just... nearly perfect in every way imaginable. I apologize for being so harsh. So is this just the level of quality we should expect going forward? If so, I'm not complaining - the DuckTales reboot is fantastic, and I'm loving every minute. It's just... I'm kind of bewildered. Given the significance of the IP coupled with the money thrown at this (I mean, just look at the voice cast), shouldn't this have been shredded through meddling studio notes or something? How the hell did this series not only r

Derry Girls is a charming, hilarious sitcom set in Derry, Northern Ireland, in the '90s. Because it's set during the Troubles, a lot of the unique character of the show comes from how a constant threat of public violence is usually just background noise to the everyday lives of the characters. An example from the first episode: having to take a different route because of a bomb threat is just annoying to them, not anything weird. The other unique thing about Derry Girls is the characters. It's a show about teenage girls doing teenage girl things - school and friendship and family and mad schemes that escalate in exceedingly dramatic fashion. Erin (my husband, Erin - get ready for some confusion, because that's also the name of this show's main character) said that he appreciates that the main characters aren't "likeable" - that they're allowed to be extreme in a way teen girls on TV usually aren't. On the other hand, I do find them likeable - b

Milo Murphy's Law is an animated Disney series from the creators of Phineas and Ferb. It's also in continuity with that show, featuring callbacks and eventually crossovers. I'm a big fan of Phineas and Ferb, so I was naturally interested in this, but - like so many things - it was difficult following at first. Once Disney+ launched, I caught up with the first season, which includes a Christmas episode. I should probably get this out of the way: the series, while well written and interesting, lacks the alchemy that made Phineas and Ferb exceptional. The characters just aren't as endearing, and the premise lacks the whimsy that really elevated its predecessor into something truly great. This is still good television, but (at least so far) it hasn't managed to recreate the magic. Half the series revolves around Milo Murphy, the youngest in a family who "Murphy's Law" was named after. In theory, whatever can go wrong around them does, though what this

My continuing quest for more science fiction holiday content led me to this episode of the Guardians of the Galaxy animated series. The series uses the team from the movies, but as far as I know, it isn't in continuity with anything else. The episode opens with the team tracking down a fugitive alien. Peter Quill is in a bit of a funk because it's Christmas back on Earth (how or why he knows this isn't clear from this episode), but he still gets the drop on their bounty. The alien begs for mercy and claims that the charges against him aren't fair, but they set off for their reward. The other team members do some research on Earth Christmas in the meantime, but other than briefly decorating Groot, this doesn't come to much. Quill claims that everything is fine, Christmas isn't worth being upset about anyway. When they deliver the fugitive to a snowy planet, he asks once more for their help, then asks them to at least tell his family where he's gone. T

M*A*S*H is a little before my time. I have memories of it existing, but I don't recall actually watching it. That said, I'm familiar enough with some of the characters, so I must have caught a handful of episodes from repeats through the 80s. And of course I've seen it referenced damn near everywhere - this was an influential series. If you're somehow not familiar with it, M*A*S*H is a series about an army medical base stationed in Korea during the Korean War. It's based on a movie I've never seen, which was in turn based on a book I've never read, so don't expect a lot of context on that end. Actually sitting down and watching through the Christmas episodes (along with a few tangential episodes we'll discuss in a minute) was a fascinating experience. First, it's not hard to see why it left a footprint: this show has a fascinating tone, striking a careful balance between the hardships of war with the comedic absurdity of the characters. The

Cupcake Wars is a food competition show. I watch, let's be honest, a decent number of food competition shows, and I place this one squarely in the lower-middle tier of such fare. It’s fine background noise that’s somewhat entertaining, but it lacks the theatricality of shows like Cutthroat Kitchen or Beat Bobby Flay, the impressive flexibility and talent on shows like Chopped or Iron Chef, or the personal drama of shows with a continuing cast like Great British Bake Off or even Next Food Network Star. Even so, it is amusing enough to pass the time with when tied to the couch under a feeding baby. On my maternity leave earlier this year I watched a lot of reality shows, including two Christmas-themed episodes of Cupcake Wars. In this show, people who make cupcakes professionally (most either own a cafe or do catering) try to outdo each other to win a cash prize and a contract for a specific fancy event. In these episodes, said events were the opening night of the New York City B

The following is a review. The season being reviewed originally aired on FX between April and June of 2017. At the request of those who haven't seen the show, this review will keep spoilers to an absolute minimum. Out of respect for the series's creator and stars, the descriptions and discussions that are included will be presented as accurately as possible. ------------ Only this isn't just a review: it's a murder scene. The victim is in their late seventies, and the manner of death was asphyxiation. They may have gone by several names throughout their life, but around here they were known as the "Christmas episode." In life, they were a concept of an episodic holiday installment of a television series. They stood out from their peers in only one respect: they were set at or about Christmas. Anything else could change. Maybe they were a self-contained narrative, or maybe they were an episodic installment of a longer series playing out in real time.

Prince of Peoria is a new Netflix series attempting to replicate the formula of Disney's tween-focused sitcoms. Which means, right off the bat, it's going to be bad. That being said, it's sort of trying to be bad, so that makes it... still bad, but maybe successful? The premise of the series - at least insofar as I've been able to tell - is that the teenage prince of a fictional island nation is roommates with an American, and they're living together in a bowling alley. So... Perfect Strangers meets Coming to America meets Boy Meets World. It's certainly ambitious - and bizarre. Tonally, it's mostly farcical due to the absurd customs of the titular prince. In addition, he's accompanied by a bodyguard of... questionable mental ability. Actually, several characters are played as comically idiotic. The series sidesteps a lot of issues by casting white actors using British accents as the exotic foreigners and a diverse cast as the Americans. Using Br

This is the fourth holiday episode of My Little Pony: Friendship Is Magic, so it's no surprise that they decided to expand the focus a bit more. A quick warning: this is less of a standalone episode than the other seasonal offerings, as it focuses almost entirely on new characters. In the latest season, the show takes advantage of the world that has been building up over the previous seasons and the movie. Twilight opens a school to teach friendship lessons to both ponies and creatures from beyond Equestria. There is a group of core young student characters representing all the various species, and they're the focus here. It's almost Hearth's Warming, and the school is going on a holiday break. All the students are getting ready to head home. Then a mysterious figure pours a substance onto the spell at the top of the tree in the common area, and it explodes into a mass of sticky purple goo all over the room. Twilight and Rainbow Dash chase after the perpetrator, b

For several years now, The Great British Bake-Off (Great British Baking Show in the U.S.) has produced special holiday episodes. Only one set of these episodes has been made easily available here across the pond that I know of. These two episodes had all the charm and warmth of the standard GBBO with a holiday flair. Each episode is a four-person competition with one winner. One episode wouldn’t be enough time to get to know new contestants, but they are all from recent seasons of the show, so it’s nice to see them again with another chance to shine. It’s not just the holiday vibe that had contestants supporting each other, admiring each other’s work, and taking pride in personal bests. This is a ridiculously feel-good show. Like a standard episode, the competition consists of three rounds: a signature challenge where the contestants must execute their spin on a specific assigned baked good, a technical challenge where they each attempt to follow a bare-bones recipe they’ve nev

A Midwinter’s Tale is, depending on your point of view, either the eleventh episode in the first season of The Chilling Adventures of Sabrina or the series’ holiday special. It continues the plot of season one while adding the usual seasonal tie-ins you’d expect from a genre show’s Christmas episode. First, a little about the series as a whole, since I’ve got a few things I want to get off my chest. It started out extremely promising, pulling in elements from John Hughes and 50’s Americana, then blending that with surprisingly dark horror elements. It was never great, but it was intriguing… for a couple episodes. Then it did something I didn’t expect. It dropped everything but the horror and devolved into a Buffy clone. Everything unique about the tone and setting got sidelined to focus on the macabre, horrific elements. And, for what it’s worth, it wasn’t a bad facsimile of Buffy’s later seasons. There were some fun moments and cool visuals, and some of the characters were neat.