Mainlining Christmas

A few years ago, we were surprised and delighted by Angela's Christmas , which was a joy in basically every way. I actually remember seeing that this sequel existed last year, but I was hesitant about it. No more source material plus a lot of good press for the first one could easily lead to something rushed and poorly written. And even in the best-case scenario, what could possibly live up to the first special?  Well, not this, but it's still very good. Funny, charming, adorable, uplifting, and really grounded in ways that animation often isn't. It's just not, you know, transformative children's media. If you liked the first one, I recommend you check this out. If you didn't see the first one, go watch that! Angela's Christmas Wish (also marketed as Angela's Chrismas 2) starts with an introduction that takes place before the events of the first movie, in which we see Angela's dad get on a boat for a job in Australia. (Reminder that this all takes pl

As the name suggests, A Carol for Another Christmas is an updated take on Dickens's classic, here intended for the modern world. And when I say "modern," I of course mean modern as of 1964, when it was made. Unfortunately, that's half the problem, as it's more than a little dated now (not just because it's in black and white). Actually, it feels like it might have been a bit dated when it came out, which is the other half of the problem. Let's jump into the story, which follows Dickens's outline pretty closely, at least until the conclusion. The Scrooge analog is "Daniel Grudge," a retired US Commander with a massive amount of influence in politics and media. Standing in for Marley is [checks notes] still just a guy named Marley (feels a little lazy, if I'm being honest). Okay, technically it's "Marley Grudge," Dan's late son, killed in a war. While we're on the subject of characters whose names haven't changed,

In a world where multi-season series are now set during the holidays, an actual three-episode miniseries almost feels quaint and old-fashioned, but that's exactly what the BBC's 2019 take on A Christmas Carol is. We've been meaning to watch this for a few years now, but somehow never got around to it until now. And now that we've finally watched this, I can definitely say... it is not what I expected. More specifically, it's completely different than it was marketed, and not just because the teaser made it look kind of good . From everything I'd seen about this, I'd assume it was going to highlight the horror aspects of its source material, which I've long felt get overlooked. But aside from a veneer vaguely mimicking that genre and a few jump scares, this isn't at all a horror in tone. First and foremost, it feels like a melodrama, with touches of horror and - surprisingly - comedy tossed in. Even more surprising, it's kind of a stretch to call

It's been a good time for foreign Christmas miniseries, thanks to streaming platforms being desperate for content. Continuing that trend is Días de Navidad, a three-episode Spanish show chronicling the lives of four sisters across different eras and - to a degree at least - genres. That last part is an aspect I'm probably going to fumble a bit, because I have a feeling there's an entire meta-narrative I'm missing concerning Spain's recent history and popular media. More on all that in a moment - first let's dig into that premise a bit. Actually, before we get to even that, let's start with a spoiler warning and a somewhat tentative recommendation. I liked this quite a bit, but I imagine the style and tone of this series will turn a lot of people off. This leans heavily on its drama and at times almost feels like a soap opera (albeit one with money to burn). To be honest, I'm not sure why this didn't bother me more - normally, I don't give drama t

This is an odd one. Less Than Zero was supposedly adapted from the novel by Bret Easton Ellis, though there seems to be a consensus the movie has almost no relation to the book. I haven't read it, but apparently there was virtually no plot, so rather than attempt to adapt it, the producers had a series of writers create an entirely new script with an entirely different nonexistent plot. The non-plot centers around Clay, a college freshman who returns to his upscale LA home to find his best friend, Julian, has become an addict. Clay's girlfriend, Blair, is also an addict, but isn't quite as out-of-control as Julian, who we eventually learn is being forced into prostitution by his dealer. There's a love triangle, as well, since Julian and Blair had an affair while Clay was gone, but this feels oddly tacked on. Apparently, in the book Clay was supposed to be bisexual, a detail that was removed by the studio, presumably to make the movie more boring. The movie just kind of

I'd never watched (or as far as I can recall even heard of) this movie prior to seeing someone on Twitter assert it was a Christmas movie, a claim I initially doubted skimming the synopsis. I became more optimistic watching the trailer, as holiday decorations can be seen in every other shot, give or take. So I decided to give this a chance. First, I can confirm this is absolutely a Christmas movie, at least according to the definitions and litmus tests employed at this site. Granted, all such definitions are inherently subjective, but I think it's worth pointing out that our subjective definition is objectively superior to any other found on the internet. If you disagree, I don't know what to tell you: that's just science. More importantly, this movie is goddamn hilarious, or at least that was my take. Lindsay found moments funny but overall was kind of bored. I suspect that's a common reaction to this film - the humor is an unusual combination of over-the-top and d

Sword of the Valiant is an '80s remake of the 1973 movie, Gawain and the Green Knight , made by the same director, largely using the same outline and themes. Please understand when I say it's an '80s movie, I mean that on every level - the decade oozes out of every lighting choice, every haircut, and every music cue. Both Gawain and the Green Knight look and act more like they stepped out of an episode of He-Man than anything in the actual live-action He-Man movie (same goes for the soundtrack, honestly). This is unquestionably a bad movie, and I savored every minute. The plot is functionally identical to the director's previous adaptation (loose adaptation, remember: these movies are really a blend of several Arthurian myths with Sir Gawain and the Green Knight almost serving as a frame). That said, there are several new characters and minor changes to the story. A friar appearing briefly in the '70s movie is given a major role as an eventual companion of Gawain