Mainlining Christmas

We already reviewed The Christmas Chronicles on the podcast , but I wanted to collect some more spoilery thoughts I had on the plot and overall structure. Which means, if you haven't see the movie yet, you should hold off on reading this until you do. The Christmas Chronicles is a good holiday fantasy you're better off experiencing without knowing where it's going. The movie opens by introducing its two main human characters, Kate and Teddy, through a montage of home movies. We also get a brief look at their parents, only one of which survives past the opening. In a refreshing change of pace, the parent still breathing is their mother (it's disturbing this is as rare a choice as it is). Teddy and Kate's dad was a firefighter, and he died between Christmases, making this the family's first season without him. Their mom is a nurse, so she's stuck working long hours. And of course it doesn't help that her kids are at each other's throats. She just

In Peppermint Peril Joy Avon, 2018 New Release! I received a copy of this book from NetGalley for the purpose of review. I almost didn’t write a review for this book, because I sort of felt bad. Unless it’s a new pseudonym (completely possible) this is the first book by a new author. And it’s not horrible, it’s just sort of broken. It’s a mishmash of mystery tropes that doesn’t recognize why some work together and others don’t. It’s a holiday mystery that has little to do with the holiday. It has Agatha Christie elements but only sometimes. It has many, many side elements that read like references to previous books (that don’t exist). Worst of all, it’s a cozy mystery with a boring main character. Cozy mysteries live and die by their leads. Almost always female, commonly bakers or small business owners, most modern cozy leads have romantic plots with happy endings or they have husbands who endorse their part-time mystery solving. Not every mystery lead has to be a winner - u

Just want to nip this one in the bud, in case anyone skimmed the title of the post - this is the 1994 remake, not the 1947 classic. I reviewed the classic (albeit briefly) back in the first year of the blog . That said, you can't examine this remake without considering the original, so I rewatched the '47 film before putting this on. And... wow, there's a noticeable difference. It's like comparing apples to oranges after one of those two pieces of fruit passed through the digestive track of a reindeer. Let me slow down. I'm being unfair to the '94 movie, which actually does have several merits. The two key cast members, Kris and Susan, are well cast in Richard Attenborough and Mara Wilson. Both did good work in their roles and manage to salvage the experience of watching this... ...Assuming you've never seen the original film. Because if you've seen the original, it's physically painful to sit through this thing. It's not so much a questi

According to Wikipedia, the series this is from is a prequel to the movies set when Flint Lockwood was in high school, that Sam Sparks is an intern, and that the pilot implied the reason they didn't know each other in the movie was that at some point between the show and the film, Flint invented a memory eraser. We realized literally none of that while we were watching this, and it's technically a double-length episode (i.e.: a full half hour rather than the usual 15 minutes). The animation is stylized to a degree that characters' ages are impossible to decipher, and the plot of this installment takes place when no one's in school. As a result, we just assumed it was intended as a sequel. Apparently not! I suppose the plot makes more sense if this is a prequel. In it, Sam's new to Swallow Falls, and this will be her first Christmas. Her excitement turns to agitation, however, when she learns no one in town has heard of Santa Claus. Instead, they celebrate th

This made-for-TV comedy focuses on Allan Karroll, a man who hates Christmas because... Wait! Come back! I know, I know. Christmas comedies made for TV are almost universally terrible. But while this one isn’t a work of cinematic brilliance, it’s definitely exceptional among its type. I was skeptical of the beginning too. It seems like so many of this genre, presenting a protagonist who has to learn a lesson because they don’t unconditionally love Christmas to an unreasonable degree. However, while Allan’s irritation with a work presentation going poorly and a confrontation with his nasty neighbor are exacerbated by the Christmas season, he’s just average prickly until dinner with his girlfriend Carrie. Then he becomes downright unlikeable, as he can’t let his irritation go and doesn’t even notice that said girlfriend is trying to be romantic (and secretly planning to propose to him). They go home together, but his neighbor starts stealing his electricity (via Christmas lights)

Attempting to outline the plot of the 2003 Christmas/fantasy/comedy/drama is akin to unraveling a Geordian knot. And, no, that wasn't a typo - it was something far worse: a pun. This was directed by LeVar Burton, who also gets a brief cameo. It stars Christopher Plummer, Kevin Pollak, Whoopi Goldberg's voice, and a bunch of Canadian actors you've never heard of. The movie opens with a sledding montage showing a pair of kids enjoying a winter day together. Eventually, they head home and say goodbye forever - one is moving away. The other is so devastated, she retreats to her room. A week later, and her parents are still unable to get her to cheer up. In an attempt to salvage Christmas, they call in the mother's globetrotting sister, Aunt Millie, who flies in and starts telling her depressed niece a story about another friendship, long ago... It's around this point that it becomes apparent the characters we've been following for the last ten minutes (give or

Susan Slept Here is a lighthearted romantic comedy from the classic age of cinema about statutory rape. And here I thought romantic comedies from the nineties were problematic. The movie's two leads are Mark, played by Dick Powell, and the titular Susan, played by Debbie Reynolds. Mark is a Hollywood screenwriter with an Oscar to his name. Said statuette narrates the movie via voice-over. Think of it as a running gag devoid of humor or point. Despite some success in his past, Mark's in a rut. He's not satisfied with the work he's doing, and he's not satisfied with his beautiful, rich girlfriend. On Christmas Eve, a police officer shows up with a seventeen-year-old delinquent, explaining that Mark had expressed interest a few years earlier in making a movie with a character like this. The cop caught the girl (Susan, obviously) after she attacked a sailor with a bottle, but he doesn't want her to spend the holidays in jail. Instead, he has the idea of relinq