Mainlining Christmas

I just watched an awesome movie. Here's what I knew going in: It's a Horror/Fantasy movie about Santa, it's from Finland, and everyone on the internet loved it. If that is enough to convince you, be off with you to your Netflix queue or your to-watch list! It has occasional bits that are slower than any film made in America would have, but it's a fantastic film. Want a few more details? Still skeptical? Okay. Tone spoilers and minor plot spoilers below! The more detailed premise runs as follows: Pietari is a young boy in a remote town on the Russian border. As the movie opens, he and his friend are spying on some Americans who are excavating something on the other side of the fence. Pietari becomes convinced that the site is where Santa Claus (old-school baby-eating Santa) was trapped, and that they'll all be in danger if he gets out. Of course no one believes him, but Christmas is getting closer... Even though you've passed a set of spoiler tags

Watching these movies as an adult is a surreal experience. By all rights, Kevin's actions should have killed those two burglars several times over. And never mind the fact that he leaves his uncle's house a literal deathtrap. But, to be fair, neither this movie nor its predecessor were intended to be realistic. No, they're supposed to be comedies, which is how they should be judged. Hey. You know what would have helped? If these movies had actually been funny. I'm going to try to separate this from part one , which is actually pretty difficult, since they're the same damn movie. I mean, sure, this one's set in New York, but other than that, there's not really a single discernible difference in the plot. Even the jokes are reused. The movie starts with Kevin and his family getting into another ludicrously unbelievable fight over his behavior. They oversleep... again... but all make it to the airport together. He winds up separated and on his own in

Not much to this little Santa-themed episode. In my opinion, TaleSpin holds up better than many of the Disney Afternoon offerings, mostly because, like Duck Tales, it's spinning its tone and plots out of a old-fashioned pulp sensibility. In other words, it's dated on purpose, not by accident. TaleSpin also fascinates me because it's loosely based on a live-action television show from the 80's (set in the 30's) called Tales of the Gold Monkey. Only with the character designs and voices from The Jungle Book. Why did someone think that was a good idea? Why does it actually kind of work? I admit, I love Sher Khan the ruthless businessman and Baloo as a layabout pilot/adventurer. I like the new characters: Becky and Molly, Kit and Wildcat. I like that the plots are big and pulp-a-licious: hidden temples and secret spy missions and pirates. Unfortunately, this episode was basically none of those things. This episode was about Molly trying to ask Santa to make it s

To my surprise, this movie is not actually terrible, just sort of boring. It's decently shot, and it has good music, but the characters are uninteresting and the plot is thin and slow. From the beginning, the whole set-up is heavy-handed; the level of anger and actual evilness from the family members is so over the top that it's hard to get behind the later desire for reconciliation. They are all jerks, and the kid is kind of better off without them. There are some truly random tone shifts; it feels as though most plot elements were added piecemeal, and moved around somewhat at random. It doesn't help that the continuous schtick prevents the characters from gaining any real emotional momentum. Macaulay Culkin mugs through the whole thing, seeming determined to prove he can't act. And then of course, there's the house of death. You remember the house of death, it's probbaly the only thing most people remember about this movie at all. It's the part whe

I remember watching these episodes in high school; they often aired back-to-back.  I remembered the basic plot of each, but little else. Both of these shows are obvious, campy, melodramatic and purposely anachronistic.  I love them. Hercules: The Legendary Journeys: A Star to Guide Them (Season 3, Episode 9) The premise here is that Iolaus and two other guys are called to attend something special (the birth of Jesus, obviously.) On the way they stop to save a country full of babies by deposing a Herod-like king.  It's basically just a normal week. Corny?  Hell Yes.  These shows in general treated history like one big fun toy chest they could mix and match things from, so I'm not really bothered by the timeline problems inherent in the story.  Nor do I care that they mixed up Herod with a little Macbeth and a little Oedipus to create the main plot, and then it isn't even related to the Jesus part. Xena: Warrior Princess: A Solstice Carol  (Season 2, Episode 9)