Mainlining Christmas

We reviewed this twelve years ago and at the time more or less agreed with the consensus that it's a good movie, slapped a recommendation on it, and moved on. We never mentioned The Three Godfathers, because at the time we'd never seen a single adaptation or read the book ( we've rectified that since ). At some point, I picked up a copy of the film on blu-ray and dropped it in the "rewatch this soon" pile of discs sitting beside my television. That was probably three or four years ago. Last night I popped it in, hit play, and discovered a few things. First, I discovered my memories of the movies were comically inaccurate. If you'd asked me to give you a brief rundown of the plot, I'd have given you a synopsis bearing absolutely no resemblance to anything after the first ten or fifteen minutes of this movie. Second - and related - I discovered it is not, in any meaningful way, an adaptation of The Three Godfathers, but rather inspired by that story (or m...

This is another in a long line of films straddling the line between "Christmas movie" and "has Christmas in it," to the point I'm torn which bucket to drop it in. The holiday sequences don't take up a significant portion of the runtime, and seasonal elements don't really permeate the movie in ways that make it feel particularly seasonable - I probably wouldn't recommend this specifically for holiday viewing, though I would recommend it as a movie. However, the holidays are referenced enough to signal the filmmakers considered them significant, and I have some thoughts on why that might be. In fact, the use of the holidays might be the one subtle thing in an otherwise fairly unsubtle dramedy. To clarify, I'm not describing the bulk of About a Boy as unsubtle as a criticism - I liked it quite a bit. But the movie as a whole is fairly upfront about the points it's making and the ideas it's playing with. For example, it's clear from the s...

I guess you can add "Home Alone" to the growing list of Christmas movies the British do better than us. That seems to be the primary point of reference in Bad Tidings, with the caveat the protagonists are adults, not kids. Still, the premise of this TV movie centers on unlikely protagonists alone on Christmas Eve dealing with ostensibly dangerous robbers. The complication here is the heroes are engaged in a bitter feud and need to overcome their issues with each other if they want to survive the night and save their neighborhood. Oh, right: it's a neighborhood this time, rather than a house. At any rate, that's the gist. This is fusing an enemies-to-friends motif ( take your pick ) with the Home Alone home-invasion-lite template. If it had been made here a decade ago, I have no doubt it would have been awful. But the UK, for whatever reason, seems preternaturally good at this stuff, so the movie winds up delivering something funny and entertaining. It doesn't rea...

I really want to force a bunch of Hallmark executives to sit down and watch Jingle Bell Heist. Conceptually, the movie is built on a similar framework to the one used in last year's The Christmas Quest  (both also feature a Notorious-style kiss), but this delivers what Hallmark's attempt lacked: a bit of actual payoff in the genre department. Before you read this as too complimentary, I'll add that this is also within the ballpark of what Hallmark could achieve. It's a solid little Christmas romantic comedy with a significant number of heist elements, but I don't expect it to land on anyone's top 10 lists in either genre. Still, it's a good pick for anyone looking for a holiday romance delivering the warmth of Hallmark that doesn't need to adhere to every regulation regarding sex and language. So basically a lighthearted, PG-equivalent romantic holiday adventure. This was directed by Michael Fimognari, who's main claim to fame is frequently serving a...

A Mannequin for Christmas Timothy Janovsky, 2025 New Release! I received a copy of this book from Netgalley in return for an honest review.  After thoroughly enjoying a couple of this author's holiday romances last year, I was happy to give this one a shot. I was a little skeptical of the set-up, but soon won over by the consistent heart and humor.  Henry thinks he'll never find love. He feels like he'll always be that socially awkward kid who just wanted to hide away in his great-aunt's vintage shop and let the world pass him by. He had thought he had something with his only long-term boyfriend, but he was cheated on and dumped unceremoniously. In desperation, he makes a wish, and that night, one of the mannequins in the vintage shop (he now runs it) comes to life. Henry, understandably, freaks out and doesn't believe it at first, but eventually accepts that he accidentally created a person. A person who doesn't know anything, but learns fast. He names himself ...

Early this year Fresh Monkey Fiction released the third wave in their "Naughty or Nice" line of Christmas action figures, and in the process added something fans had been hoping for: reindeer ( I grabbed a couple of those, myself ). In addition to "normal" deer, they also produced a couple variants playing into the "Naughty" side of the line. One, called Rottenhoof, seems to be a companion for Zombie Santa . The other, Gorgon, isn't a deer, at all (or at least its primary head isn't), though it uses the same body. I skipped Rottenhoof due to limited display space but grabbed Gorgon. In theory, Gorgon is a demonic goat intended as a companion (or, if you shell out an extra $20 for the saddle, a mount) for Krampus. He's also got an alternate decaying reindeer head we'll get to when we talk accessories, but neither relates to why I bought this. While I don't know for certain where they drew inspiration for this character, there's a gre...

The best summation I can offer for the tone (and therefore the experience) of The Baltimorons is a cross between a '70s dramedy and When Harry Met Sally . This is an independent production from director Jay Duplass and comedian Michael Strassner. They scripted the movie together, and Strassner plays a character whose backstory is loosely based on his own life, including struggles with alcoholism, attempted suicide, and disappointment stemming from nearly making it big. There's some real drama here, but the movie finds humor within it. This is, after all, ultimately a romantic comedy, albeit one grounded in believable emotion. The leads are deeply flawed, and - like When Harry Met Sally - this understands the goal is to help them come to terms with those flaws and find a way forward together, rather than pretend they can (or should) be wiped away. All of which is a longwinded way of saying I liked it a great deal and absolutely recommend it as a funny, melancholy alternative to...