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Showing posts with the label Horror

Scrooge (1951)

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There have been many, many adaptations of A Christmas Carol. This isn't the first we've looked at, and assuming this blog pops up again next Christmas, I don't think it'll be the last. The 1951 version starring Alastair Sim is generally recognized as the best of the bunch. I haven't seen nearly enough to render that verdict, though this is certainly better than the Jim Carrey vehicle that came out a few years ago . If we're counting parodies, though, it's not even close to Blackadder's Christmas Carol  or Scrooged , and I actually prefer Mickey's Christmas Carol if only because it's shorter. But if we're just talking about versions that are relatively accurate to the source, aren't parodies, and don't replace the characters with anthropomorphic animals, then yes: this is the best I can think of. The depiction of the various characters is about as close as is humanly possible. Sim's Scrooge is particularly well done, both

Scrooged (1988)

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I see this movie about once every five years, enjoy it quite a bit, then promptly forget every joke in the film. This isn't necessarily a bad thing - in a way, the fact that Scrooged is so forgettable gives it re-watch value it wouldn't otherwise have - but it also puts a limitation on the film's impact. Scrooged attempts to ride a line between tones and genres and pulls it off well enough to be entertaining, but not so well as to leave a lasting impression. The movie's concept is ambitious: a cold-hearted network executive in the middle of producing a live televised production of Scrooge is visited by the three legendary ghosts of the story. There was a lot of potential here to build a sense of vertigo by playing off the inherent surreality of the situation. Unfortunately, the movie didn't fully embrace this. At no point did the main character reflect on the similarities between his experiences and Scrooge's: he seems completely unaware he's living A Ch

Courage the Cowardly Dog: The Nutcracker (2002)

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I have fond memories of Courage the Cowardly Dog. The show handled tone extremely well, delivering a surreal mix of horror and comedy. I haven't seen much in years, but I remember being really impressed with some of the episodes. While this wasn't one of the best episodes, it was entertaining. The premise was particularly strong: Courage and his family were "shopping" at the dump, when they got locked in. Courage winds up with an antique nutcracker, and they're besieged by ROUSes out to make a meal of Eustace and Muriel. The entire thing quickly devolves into a tribute to Tchaikovsky's ballet (fortunately, the rats are excellent dancers). It's quirky and interesting, and it maintains the series' dark style and disturbing designs. It's only a half-episode, so it ends before the gag gets too old. We found this on a Cartoon Network Christmas Yuletide Follies DVD Lindsay found at the library. I'm not sure whether this was originally i

A Christmas Carol (2009)

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Ugh. What a boring excuse for a movie. We all know the story of A Christmas Carol (if you don't, well go read it. It's short and free online, and we're planning on looking at quite a few versions this year) so the only questions here are its quality as an adaptation and its quality as a movie. This fails pretty badly on both counts. The first problem is that A Christmas Carol is not a long story. No, not even if you shoehorn in as many lines of dialogue and tiny descriptive moments as you can bear, including many that wiser screenwriters left out of their versions. Mickey's Christmas Carol works by being short. Muppet Christmas Carol has musical numbers. This one either shoves in deadly dull sequences of nothing; pointless flyovers of GC landscapes, establishing sequences for settings that are never used, ridiculously stupid chase sequences that make no sense, ludicrously over the top “this was filmed in 3D!!!” pans, or it just takes forever to get to the next pa

Black Christmas (1974)

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Good horror movies differ from bad ones more in the moments that aren't scary than those that are.  It's the time between the deaths and bloodshed that develop tone and build characters we care about, thus giving their deaths meaning. A good horror movie cherishes these moments, making the most of every second.  Black Christmas, on the other hand, does not.  The characters remain dull, often coming across as being as bored with the movie as I was.  Time drags between killings.  Which isn't to say the deaths are all that interesting, either: by and large, they're as ridiculous and slow-paced as the rest of the film. As far as the plot's concerned, logic is a stranger to this film.  A sorority girl disappears, and the police conduct a thorough search of the park.  But not the house she lived in.  If they'd bothered to look there, they'd have found her body in the attic.  Along with the killer. It's not so much that the movie is absurd that bothers

The Nightmare Before Christmas (1993)

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You know, if it weren't for Halloween's pending lawsuit for custody, I think I could just proclaim this the best Christmas movie of the past fifty years and be done with it. As it is, I'm pretty sure this is the only full length movie in color I'll be seeing this season I like more than Elf.* I find it interesting that both this and Elf share the same inspiration: both movies are set in worlds extrapolated from Rankin/Bass Christmas specials, and both take those settings surprisingly seriously. While Nightmare Before Christmas and Elf couldn't really be described as being in continuity with each other, either could easily be imagined in continuity with Rudoph. At any rate, there's a long list of reasons for why Nightmare has become the classic it has. In addition to its ties to existing classics, it's brilliantly designed, beautifully animated, and the music is amazing. I'm always a little surprised by just how much of the movie is devoted to s

The Nightmare Before Christmas (1993)

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Hooray!  Now I'm in the Halloween spirit.  Uh, Christmas spirit, Christmas spirit, that's what I said, right? Seriously, the scene in which Jack discovers Christmas Town I find to be one of the most holiday-cheer inducing scenes on film.  I get a big stupid grin on my face just listening to the song. It's a modern classic.  The animation is outstanding, the writing brilliant, the music amazing, the story inspired.  I have basically no complaints. I really sympathize with Jack. He discovers this wonderful thing that makes him feel warm and happy, and he starts out by trying to share it with his friends.  Everything spirals out of control, but it starts with a both selfish and unselfish instinct: Jack wants to have Christmas for himself because it makes him feel good, and he wants to share it, so his friends can feel it too. It doesn't work out, because despite their best efforts, the residents of Halloween Town just don't understand the whole "spreadin