Mainlining Christmas

The Santa Claus Man: The Rise and Fall of a Jazz Age Con Man and the Invention of Christmas in New York Alex Palmer, 2015 Premise: In the early 1900s, more children began to write letters to Santa, and the Post Office asked for help. Enter John Duval Gluck Jr. and his creation: The Santa Claus Association. This was an interesting book overall, although the payoff is smaller than I would have preferred. The book paints a complex and intriguing picture of New York in the first few decades of the twentieth century, particularly around Christmas. The specific story of Gluck and his various "charities" is only the largest thread; the book also explores early influences on the image of Santa, how various staples of Christmas (public tree-lightings, parades, etc.) started or became notable in New York City. I actually thought the information about how children came to write to Santa in the first place and how it was affected by the spread of efficient mail service was o

Blossom is one of those shows I remember watching, but I don't actually remember specifics about. It was about a girl, who wore big hats, and her friend? Watching this episode only convinced me that I'm probably better off forgetting it. It's an incredibly generic-feeling sitcom, featuring the broadest acting imaginable. You're on film, you don't need to play to the cheap seats. The titular character lives with her father and two brothers, all of whom spend this episode bumbling around to an impressive degree. There's an early subplot about Blossom being a terrible student driver. Her grandfather takes her driving, only for them to just barely luck out of a ticket for driving 7 miles per hour on a main road. The punchline is that her grandfather is a terrible driver too (no one knows how he got to their house, he doesn't seem to live there) and they're all in danger/recklessly endangering others. Laugh track, fade to commercial. The more holiday-

Collateral Beauty wasn't really marketed as a Christmas movie, but then its marketing was baffling in several respects. For one, the whole "he's interacting with Love, Time, and Death" thing permeating the advertising was quickly undercut by the fact that, in the movie, these three are actually actors hired by the lead's coworkers to portray Love, Time, and Death. I mean, sure, the ending reveals they were actually Love, Time, and Death masquerading as actors masquerading as Love, Time, and Death (and it's pretty obvious all along), but it still makes for an even more bizarre experience than it would otherwise. Let's back up. Will Smith plays "Howard," the CEO of a successful NY advertising agency. A few years before the movie, he loses his daughter to cancer and falls apart emotionally. His friends are executives at the agency, and they're trying to keep it from going under. In order to do that, they need to prove Howard's emotio

There's something I find especially frustrating about specials like this. The production values are high, the design and animation and voice acting all well done. But the writing is idiotic, so it's still a boring, tedious slog. Unlike the specials affiliated with the Dreamworks movies  Shrek , How to Train Your Dragon , and Kung Fu Panda , I went into this one never having seen any of the movies in the franchise. Although I hesitate to admit it, the only things I didn't find dull as a dead tree discarded for trash pickup were some of the Scrat sections (you've seen the prehistoric squirrel obsessed with acorns if you've ever seen a trailer for one of these films). The silent animation was decently paired with Christmas music. Of course, I also hated those sections because a character being beat up constantly through no fault of their own is a form of animated "comedy" that I particularly despise. The story opens with Manny (the mammoth. Get it?) h

Despite being off the air for a decade, Will and Grace was recently resurrected by NBC. Let this be a lesson to you - never assume the monster is dead. Even if you think you saw its body, even if there's no conceivable way it could have escaped alive... always be ready. The Christmas episode is sort of a dream sequence/flashback to four characters in 1912 played by the cast. There's a brief frame story involving the actual characters and the bathroom of a historical society, but none of that's actually relevant. The dream sequence is set at Christmas. Karen's alter-ego is a poor Irish immigrant raising a large family in a dilapidated apartment owned by a rich landlord (Will). Jack is a sailor boarding with Karen, and Grace is married to Will. The plot basically boils down to Will wanting to throw Karen out at Christmas until Jack sleeps with him to change his mind. That's... that's it. It's stretched out to fill thirty minutes and padded with jokes

I remember this show, of course. I think everyone who grew up in the nineties at least remembers Family Matters. What I hadn't remembered was that Family Matters is actually part of the Mypiot Cinematic Universe, which is to say it's a spin-off of Perfect Strangers. Harriet Winslow was a series regular on Perfect Strangers before getting her own show, along with her husband, Carl, who'd appeared in a handful of episodes. And speaking of Carl... he's played by eternal police officer actor, Reginald VelJohnson, who played a similar character in the perennial holiday favorite, Die Hard (assuming they're not, in fact, the same man ). But any discussion about Family Matters is ultimately going to fixate on the series most famous character, Steve Urkel. Arguably television's most famous nerd, Urkel represents the personification of the stereotypical nerdy character years before Big Bang Theory would whitewash the concept and build an entire sitcom out of the

Let's be real. Here's what I want you to take away from this review: BUNHEADS IS STREAMING AGAIN. It's on Hulu. Go. Get thee to Hulu. If you are a musical theater nerd like me, go watch the first couple episodes of Sutton Foster and Kelly Bishop snarking at each other and see if you don't fall hard. I'll pause here for a quick moment of silence for the fact that this show only received one season. The basic premise is that Foster plays Michelle, a professional-dancer-currently-slumming-as-a-Vegas-showgirl who decides to change her life by getting married and moving to a tiny upscale California town, where she helps her mother-in-law (Bishop) run a dance studio. The show is by the woman behind Gilmore Girls and features her standout themes: intergenerational female friendships and pop-culture snark. I prefer this to the earlier show because this one is also about dance and art and living a creative life. (I promise The Marvelous Mrs. Maisel is on my to-watch li