Mainlining Christmas

I'm continuing my exploration of Little Women, despite most adaptations falling well short of our usual yuletide requirements. Today, I'm moving on to the 1949 version, which was essentially a remake of the 1933 film. You'd think that would mean my opinion would be the same, but - between the two - I prefer this by quite a bit. I'm in the minority on that opinion, by the way: the 1933 is widely considered the stronger film, with Katherine Hepburn even more widely considered the better Jo. But, as I said in my review of that film, Hepburn felt miscast to me - I just couldn't see her as the character. I don't think June Allyson was by any means a perfect casting choice in the remake (she was in her thirties, and you can absolutely tell in close-ups), but she works better as a teen in my opinion. Likewise, the supporting cast here is stronger, or at the very least more in line with what I want from this kind of movie. The 1933 version was comparatively straightforw

As the title suggests, this is a loose adaptation of Clement Moore's A Visit From St. Nicholas (i.e.: 'Twas the Night Before Christmas), with title cards using excerpts from the poem. It starts with a brief look at Santa feeding a herd of reindeer before heading into his workshop to build toys. The sequence with the deer is fine, with the caveat that it's literally just a guy with a beard shoveling hay for a bunch of animals. The toy construction is well handled - he seems to be using real tools, and the workshop (while simple) feels lived in. We then cut to a living room where a family is hanging stockings on Christmas Eve (cue relevant passage from the poem). The set is well constructed, though you can absolutely tell it's not a real location, even if you overlook the fact the front edge of the stage it's built on is visible at times. Next, we get to the best gag in the movie. The title card quotes the passage about children being asleep in their beds; instead, we

I should start by acknowledging I've previously said Little Women wasn't Christmas media and that we wouldn't be covering it here. I still stand by the first part, incidentally - most adaptations of Little Women don't pass our personal litmus tests - but obviously, I reconsidered the second half. As I've been diving into the origins and evolution of Christmas movies, I've concluded Little Women may be quite a bit more important to the history of the quasi-genre than I'd given it credit for, this version most of all. So I decided to watch through the theatrically released adaptations to explore how this story influenced and/or reflected that evolution. I'm not going to do full reviews for these, since - again - it's not a Christmas movie, and I assume you know what Little Women is anyway, but I'll offer some general reactions and thoughts. I want to acknowledge two video essays I found extremely useful in this project - Be Kind Rewind's Compar

The Christmas Swap Talia Samuels, 2023 New Release! A copy of this book was provided by Netgalley for the purpose of review.  Margot and Ben are driving to Ben's family home for the holidays. So far, so normal. Except Margot and Ben met through work a week ago and aren't actually dating, but are planning to lie to Ben's family so his parents will stop making him feel bad for being single. The story gets even wackier once Margot starts to actually fall for Ben's sister Ellie. Meanwhile, Ellie can tell something is weird about Margot and Ben's supposed relationship, but she jumps to a lot of downright farcical conclusions.  This new holiday romance was quite good, although not exceptional. The characters do a few very dumb things that cause some painful miscommunications and misunderstandings, and those made me cringe. I've described the premise, and you need to be ready to suspend your disbelief a lot early on to get on board with Margot and Ben's initial pla

This is supposedly a short film showing a family rehearsing a few days before Christmas, then performing a play on Christmas Eve. As far as I can tell, it's intended as a slice-of-life short: there's very little content here. My guess is the point of this was to demonstrate film as a medium, since there's virtually nothing else I can take away from this. Only the title cards hint at a yuletide connection: there are no decorations, and the little that can be gleaned about the content of the play has no obvious connection to the holidays. I considered skipping this one altogether, but - since it's technically a holiday short - figured I'd include it in the interest of being as complete as possible. The only title cards we get break the video into segments. First, we're told it's "A few days before Christmas," and we just see a group of children reading while a woman - presumably their mother - writes what I'm assuming are scripts. Next, we get a

Most descriptions you'll find of Love & Peace (including the next sentence of this one, I guess) focus on how many disparate genres are packed into the movie. And that's true: this is a musical kaiju fantasy Christmas family comedy, and there's no denying it's a bizarre film (which is apparently par for the course for writer/director Sion Sono). But opening with that is a bit misleading, as it implies the movie is some sort of random jumble of wacky ideas, which isn't the case. Yes, there are a lot of ingredients in this, but they're here for a reason, and the end result is both tonally and thematically coherent, even if the premise is complicated. I'm going to get to the plot in a moment, but... ugh. This one's awkward. Because, as usual, I'm going to spoil the hell out of everything in a movie I'm going to strongly recommend, which is normally your cue to head over to the nearest streaming service, watch this absolute gem of a movie, then c

I paused this movie about three-fourths of the way through, checked the time stamp, and pumped my fists in the air as I confirmed it qualified under our guidelines as a holiday movie. In case that reaction wasn't clear enough, Mystery of the Wax Museum is getting a recommendation, which means it also gets a spoiler warning. I don't think knowing details about the premise, characters, or plot will significantly undermine the experience in this case, but - just in case - if you're a fan of movies from this era, horror/comedy/adventure hybrids, or really movies in general, this one's a blast. It's also an absolutely gorgeous film that will challenge most viewers' assumptions of what movies from the early '30s looked like. Utilizing the now largely forgotten two-color Technicolor process, the film is both beautiful and eerie. The color, coupled with clever lighting and set design, creates a world that's unreal, evoking the feel of looking at a wax sculpture