Mainlining Christmas

This isn't the first time we've reviewed an adaptation of L. Frank Baum's novel. There's also a Rankin/Bass stop-motion version that's visually impressive but otherwise fairly forgettable. This animated version from 2000 shares one of those qualities, and unfortunately it's not the visuals. For better or worse, this is a very faithful adaptation of Baum's book. There are a handful of changes here and there, but these are generally trivial alterations. The largest change was the decision to expand the role of Wisk, a fairy appearing in the last few chapters of the original, into a major character serving as comic relief throughout. But the backbone of the story is mostly unaltered, which probably wasn't the best idea. While I'm fond of the original book, it's mostly due to some interesting choices around the setting, tone, and premise. I like that Baum wrote Santa into a world of fantasy and magic, as opposed to religious. The book is a fai

Netflix has been trying for a few years to encroach on Hallmark’s dominance of the disposable holiday rom-com. One of this year’s attempts is this adaptation of a set of YA short stories. The film starts and ends with narration by Joan Cusack. She is, of course, awesome, but the narration itself is so corny and obvious that I was literally laughing out loud, and not in a good way. Taking place over December 24, the movie follows four and a half separate stories and features an array of attractive young actors, many of whom have history working for Netflix or Nickelodeon. I have already forgotten all the characters' names. Many major plot moments take place at a restaurant called Waffle Town. The plots each fall into a basic romance trope or two: Pining for the girl next door Too-practical girl has meet-cute with celebrity in search of "something real" One-night stand (maybe one-night hangout, it's ambiguous) turns out to be true love Girl dumps cheating b

Welcome back for the tenth season of Mainlining Christmas! If you're a long-time fan, you might recall that we made some changes last year . We didn't push ourselves to post so often so that we could concentrate on quality. At the end of the season, we also announced the impending arrival of our assistant , who was born in due course this past summer. As you may have guessed, while we will continue to consume large amounts of seasonal fare, we have other ways to challenge our sanity this year. And this is for the best. Because we have been doing this for so long that we've begun to build up an immunity. It's no longer hard to listen to only Christmas music for a month or more; in fact, I've been turning it on in the summer when I need to relax. Few Christmas episodes and movies hold surprises for us, for we are masters of holiday tropes; we can see a last-minute Santa reveal coming before the first hint of snow clouds. In short, the mental and physical c

Before I get started, I just want to take a minute and acknowledge how surreal it is that you can go to the movie theater this weekend and watch both Captain Marvel and Shazam. Billy Batson and Carol Danvers are two characters I never thought we'd see on the big screen - Batson because he's silly and Danvers because I'd have sworn the one line Marvel would never cross would be putting out a movie with their company name embedded in the title - but here we are. And both of them are good. Really good, in really different ways. But not for different reasons: both Shazam! and Captain Marvel were made with respect and love for the characters being adapted, and it comes through in the finished products. I'll set Captain Marvel aside. Aside from sharing a convoluted history with Shazam! (if you have no idea what I'm referring to, pour yourself a Scotch when you've got an hour to kill and go read the Wikipedia histories on the characters calling themselves "

Thanks so much for spending another season with Mainlining Christmas. Whether you read every word, listen to the occasional podcast, or just click Like on Facebook, we appreciate you. So far, I think this year's changes were a success. Once we backed off from the constant flood of posts, we had time to choose our content more thoughtfully and do research for more podcasts and other analysis. We also had more time to actually enjoy the season. December is a very busy time in my current job, so I personally needed the respite. In fact, it's been such a success that we're planning on bringing on an unpaid intern next summer. Rather than go through the headache of posting an ad or something, we've decided to grow them. We're expecting them to arrive in late June of next year. I expect this person to take up incredible amounts of time and energy, but provide an all-new perspective on holiday media. And life. Hopefully, we'll be back next year, although th

Lost Christmas was a made-for-TV holiday movie, but because it was made in England, it's actually pretty good. "Pretty good" may be underselling it: this is, in many ways, a fantastic film, though there is a bit of a catch. I'll get into that a bit, but first... This is one of those movies where spoilers do make a difference, and it's worth seeing, assuming you enjoy this sort of thing. It's a melancholy fairy tale exploring cycles of alienation and guilt before setting things right. Imagine a low-budget urban fantasy reimagining of It's a Wonderful Life and you'll have some sense of what you're in for. If that sounds good, by all means stop reading now and go stream it. The story centers around two characters. The first is an orphaned boy called Goose living with his grandmother suffering from Alzheimer's. His parents died in a car crash the year before, which was caused indirectly by Goose. Since then, the boy's become a petty thief

Santa Jaws is a made-for-TV Syfy comedy/horror movie about a magical Christmas shark targeting a specific family during the holidays. So... basically it's an unofficial remake of Jaws: The Revenge . Okay, that's not really true - this honestly has more in common with Krampus than Jaws, and it probably owes more to Stranger Things than either. I figure it's a flip of the coin whether this started with someone coming up with the punny title or listening to the Duffer Brothers talk about how they envisioned the Demogorgon as a shark while making season one. Shockingly, this has a plot. The main character is Cody, a high school student with dreams of becoming a comic artist. Along with a friend, he's created a one-shot story about "Santa Jaws," a great white shark which devours an evil Santa and wears his red hat on her fin. His family, however, doesn't seem to understand him. To them, he's just an angsty, inactive teenager unable to fit in. When h