Mainlining Christmas

I remember the Super Mario Bros. Super Show, but I either forgot or never heard of its sequel, Super Mario World. Actually, The Adventures of Super Mario Bros. 3 was the first sequel, and I either forgot about or never knew about that one, either. But Super Mario World, the series intended to tie-in to the Super Nintendo, is the one with the Christmas-in-July (technically August, but let's not split hairs) episode, and by extension the one we need to talk about. This is a half-episode, and it aired alongside Captain N, which sucked for entirely different reasons than Super Mario World. Sadly, Captain N never gave the world a Christmas episode, so we'll have to set it aside and get back to the crappy series at hand. If you've never seen any of these series and are wondering how anyone would convert Super Mario Bros. into a television series, don't bother asking the writers of this episode, because clearly they never figured it out. The premise is ostensibly bas

This is the first episode of Ben 10 Lindsay and I have seen, though I was mostly familiar with the premise going in. A kid has the power to transform into ten different aliens, so he uses his abilities to fight various threats. I hadn't realized the series took place during a cross-country vacation in his grandfather's RV. I'm fairly certain that's intended as a nod to the 70's Shazam series . Ben Tennyson is more than a little reminiscent of Billy Batson, who could likewise call upon otherworldly powers and transform. This series is more or less an update. This episode begins on a hot summer day while Ben, his grandfather, and his cousin, Gwen (also a series regular - apparently, she uses magic in some other episodes) are driving through Death Valley. After a failed attempt to improve the air conditioner, the RV breaks down. They find a strange door in the desert with cool wind blowing through the cracks. When they go through, they find a wintery town decorat

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You’re not mistaken, we’ve already done the actual Christmas episodes of this show . As I said then, The Red Green Show is a hybrid sketch comedy/sitcom/mockumentary/parody of both local access and home improvement shows. And probably a few other things besides. The main Christmas elements of this episode were in the “plot” portions. Each episode has a “plot” that opens the show and resolves at the end, with additional short scenes interspersed between the other skits. This episode’s plot concerned Harold’s ill-fated attempt to bring a Christmas in July celebration to the lodge as a tourist attraction. He is not exactly met with kindness and goodwill toward men. Harold tries again, mounting a parade, but he unwisely lets Red drive. Eventually they give up on Christmas in July. We enjoyed that this showed some of the potential downsides of trying to force unseasonable holiday cheer: holiday costumes are too hot to wear, impatience and otherwise uncharitable behavior that would

I believe this is the second episode of Workaholics I've ever seen, and - while I found aspects humorous - I don't see any reason I need to watch a third. To be fair, "The Strike" was part of the series's first season, so it's entirely possible it improves substantially over time. Feel free to chime in with a comment if that's the case. The show revolves around three idiotic roommates - Blake, Adam, and Anders - who work together at a call center. Based on what I've seen, I'd describe it as having aggressively low production values. My sense is that this is intentional, that it's designed for the audience to laugh at the show as much as they're laughing with it. Imagine a version of Office Space without a POV character, lower everyone's IQ to Beavis and Butthead levels, and you'll have a good idea of what you're in for. This episode opens in the middle of summer with the trio getting ready for "Half-Christmas," w

Raise your hand if you liked Garfield as a kid. It’s okay, don’t feel too bad, we’re right there with you. I used to watch this show, but Erin remembered this exact episode, in that spooky way where every line comes into your brain right before it’s spoken. If you missed this series, it’s made up of super-short bits that are more-or-less animated versions of actual Garfield strips and short cartoons with slim plots. Some of the pieces are Garfield, and the others are “U.S. Acres,” a property which, until this moment, I assumed only existed on this show. No, apparently this was a second comic strip by Jim Davis, and it was limping to the end of its not-critically-acclaimed run around this time. Of the three six-minute shorts that make up this episode, the last one was the best. Briefly, the first one is about Garfield and Odie being scared of a monster story, and the second is a U.S. Acres bit about playing pranks to make unlikely predictions come true. Both of these stories are b

I wish I were about to tell you about an obscure mystic war between the forces of winter and summer, but instead this is a little message book about injured children and giving to the poor. The intended message from author Asenath Carver Coolidge seems to be that both holidays should be less about buying things, but that the Fourth of July especially shouldn’t be about buying fireworks. This book appears to be a Christmas tie-in for the author’s pet issue: preventing injuries from fireworks and firearms. She wrote multiple books on the subject. While the Fourth of July is still a common time for injuries today, regulation has brought the numbers down from the time that Coolidge was writing. Time Magazine reports that at the height, according to the book Fireworks, Picnics, and Flags: The Story of the Fourth of July Symbols , “Over the course of five consecutive Fourths, from 1903 to 1907, 1,153 people were killed and 21,520 more were injured.” But let’s run through the book.