Mainlining Christmas

For a dark avenger, there are a surprising number of famous Batman Christmas stories, including well regarded episodes from several animated series , a holiday movie , and even a video game . There have been quite a few Christmas comic issues, as well, over the years, but you wouldn't expect anything else from a character who's been around for seventy-five years with multiple titles a large portion of that time. One of the more iconic Batman holiday stories in his original medium is Batman: Noel , a graphic novel from 2011 that attempts to adapt A Christmas Carol using the Dark Knight as a stand-in for Scrooge and supporting characters in other roles. This was written and illustrated by Lee Bermejo, who's best known as an artist. After reading Noel , I'm a little torn on whether I think he should have stuck with that. On one hand, there are some great ideas in this story and some clever twists. But there are also a huge number of missed opportunities, poor choi

It's always nice when you queue up a show you're watching anyway to discover you've got a Christmas episode. Well, it's nice when that happens if you have a holiday-themed blog. I'm guessing it's less thrilling for the rest of you. The Flash is, of course, a relatively new series focusing on Barry Allen, the fastest man alive. The first season has been set in the months immediately after he gains his powers. Before that, he was just a forensic detective obsessed with the traumatic death of his mother, who he saw murdered by a man in yellow lightning moving at super-human speeds. The premise is impressive for a few reasons. Barry's background was pulled right out of the comics and involves a villain named "Reverse Flash," who traveled back in time to encounter Barry at various points in his superhero career. While I'm sure non-geeks were confused as to what the hell was going on, most fans were just shocked they were actually introducing

Ugh. I feel for the folks who made this, and the folks who love this character, but I cannot recommend you watch this. It’s incredibly dull. The episode opens with Static bemoaning the busy life of a superhero when he has holiday festivities to attend. Of course, no sooner does he get there, but the power goes out, and he’s off to melt the mysterious ice engulfing the substation. He conveniently ignores the girl on the scene, and then rinse, repeat. Whining, Mysterious Ice, and then he finally figures out it’s the girl. We are treated to some tedious backstory about Permafrost. She lost her mom at a young age and is living on the street. Sad story, right? Not the way it’s animated here. Instead, it’s boring. Static finally goes looking for some information about her and learns her sad story. When she shows up again, he reaches out in compassion, and she agrees to accept help. That should be a good story, but the writing is so pedantic that any emotional impact is muted. It so

Let's say you're a TV producer in the 1970's, and you're holding the rights to a science-fiction/spy thriller novel you want to adapt for television. Do you go with the original title of the work, "Cyborg," or do you name it "The Six Million Dollar Man?" That, in a nutshell, is why most TV sucked in the 1970's. This episode opens the day before Christmas. Steve Austin, the Cyborg  Six Million Dollar Man, is sent on a mission to investigate possible sabotage at a company contracted to develop gear necessary for a mission to Mars. Just so no one gets any ideas, no one goes to Mars in this episode. That probably would have been cool. The company's problems, surprisingly, aren't due to sabotage. Instead, they're caused by the owner's adherence to the absolute minimums specified by the contract. Also, he's Scrooge. His name is changed to Budge, but he's clearly Scrooge. He even lives in a mansion built to resemble e

People have been telling me I have to play the Arkham games since the first one was released. For years, I've heard that they were fantastic, that they offered the experience of being Batman, that the writing and voice acting were great, and so on and so forth. But I just ignored them, not because I thought they were wrong, but because I was worried they might be right. Then, last year, I heard something about the third game in the series that made me pay attention. The story is entirely set on a single night when eight assassins are hired to try and kill Batman. And that night is December 24th. I knew it was just a matter of time. That time, incidentally, was the duration it took for Steam to mark Arkham Origins down to $7.49 during one of their ridiculously amazing sales. I bought it and set out to experience the holiday-fueled mayhem. A few words of warning before I continue. I am not remotely qualified to review video games. I certainly played my share back in the d

I just came across this 7 minute short on Youtube. Stylistically, it feels a lot like Powerpuff Girls, with some great homages to the Adam West Batman and 60's spy shows. I particularly like the super-spy spin on Mrs. Claus, who isn't stuck at the North Pole this time.

There are other Power Rangers Christmas episodes, but this is the one that Erin found on Netflix. It’s a humdinger. I knew something was drastically wrong after the Rangers defeated a monster in the first 5 minutes of the episode. Then their giant robot loses power and it becomes an excuse for a really crummy clip show. You can have no idea how terrible this was. The acting was beyond ridiculous. The ‘comic relief’ was horrible, and the action/drama was hilarious. There is tons of terrible, extraneous Christmas-pun flavored banter. Only it’s not banter when you’re just yelling ‘quips’ (using that term extremely loosely) at a red-and-green monster. Yes, the monster is red-and-green, and has what looks like a giant ear around one shoulder and a mouth on the other. I laughed a lot and very loudly while watching this episode, but it was not at anything that the creators intended to be funny. The kids say over and over how sad they are to be trapped in their giant robot on Christmas

This is the second episode of Danny Phantom I've seen, the first being the pilot. Had the pilot been more interesting, I might have watched a few more. The series is about a kid who winds up with ghost powers (flight, phasing, the ability to shoot blasts from his hands for some reason, and a handful of others) in a lab accident. He uses these abilities to battle actual ghosts, like you do. From what I've seen, the show's biggest problem is its uneven tone: the premise leans towards superhero, but the style is aiming for Hanna-Barbara. It's a mix that can work in the right hands (Powerpuff Girls being the obvious example), but this lacks a distinct voice and interesting characters. That's a critique of the series, not the episode. Actually, thanks to a cool premise, "The Fright Before Christmas" sidesteps these pitfalls and delivers something that's actually pretty cool. The episode opens the day before Christmas. Everyone's in the holiday

If you glanced away from Cartoon Network in the mid-00’s, you might have missed Code Name: Kids Next Door . A show about a group of kids who fight as a spy team against corrupt, bumbling and evil adults, it's exactly the sort of premise I loved as a kid. However, given that it premiered when I was was in my 20’s, I always found the premise more fun than the execution. The holiday episode has been on our to-watch list for a while now, and I finally found it on a Cartoon Network holiday compliation DVD. The premise is simple enough on the surface: The KND's arch-enemies (the Delightful Children from Down the Lane) are sick of being on the naughty list, and they're willing to destroy Christmas to get presents for themselves. Where it gets downright odd is that the whole thing is a Marvel comics parody. Tons of minor characters are thrown in as references, Santa's sleigh has a Cerebro-esque interface, and the narration that keeps breaking in (panning out to a page of

I saw this on a weekly list of short films at  Ain't it Cool News . I clicked on it because it was about superheroes, but - lo and behold - it turned out it was set at Christmas. It's not what I expected from the premise and title. What it is, beside sweet and well made, is better experienced than explained. So, assuming you've got ten minutes, check it out: "Secret Identity" (2011) from Tyler MacIntyre on Vimeo .

We've been watching Shane Black movies all month in preparation for this: the first Marvel Cinematic Universe film set at Christmas. I'm reviewing the movie itself over at The Middle Room , but I had some thoughts that felt more at home here. While I'm grateful it lets me talk about the movie here, the holiday backdrop actually seemed a little superfluous to me. The setting was peppered with yuletide references, and there was no shortage of jokes reminding us when the events were occurring. But ultimately, I'm not sure what these accomplished (besides being good for a laugh). I guess there's a case to be made for tone, but I didn't feel the disconnect I got from Die Hard or melodramatic juxtaposition from Lethal Weapon. The fact it was set in winter allowed them to shoot Tony dragging his broken armor through the snow (in Tennessee - in December: something's off here), but not much else. If anything, it almost felt like the movie was set at Christmas to

Japan has an incredibly bizarre relationship with Christmas. Without getting too involved in the details, the holiday has been appropriated and transformed into something akin to Valentine's Day. That said, they do seem to understand what Christmas means to Europe and America and the concept of Santa Claus. They understand, but they clearly have no problem reinventing it as something completely different, as they did in the two-part OAV, Itsudatte My Santa! I suppose I should mention the first episode is based on a manga. Before we go on, I want to make it clear the episodes we saw were dubbed, not subtitled. Setting aside the fact dubbing is usually pretty bad, it injects an element of uncertainty around whether or not what we saw accurately reflects the original. There were plot points and ideas here that seemed absurdly random, which adds to my skepticism. I tried to find some indication online as to whether this was accurate or not, but I had very little luck one way or t

Batman: The Brave and the Bold isn’t just a mouthful to say, it was quite a fun show. I really liked the crazy balance they tried between darker plotlines and zany villains, with both real emotion and corny dialogue. It’s a take on Batman that I really like, casting him as stoic and determined, maybe a little too serious, the guy who all the young heroes look up to, and the older heroes are jealous of. This episode (after the cold opening with Blue Beetle helping take down Sportsmaster) focuses on Red Tornado’s desire to feel some Christmas spirit. Since I’ve gotten used to the version of Red Tornado in Young Justice, it was a bit surreal to watch this now, but I got into it pretty quickly. I really liked the subtle musical allusions to A Charlie Brown Christmas at the beginning of the episode. Batman’s flashbacks (now Christmas-related) are a bit on the melodramatic side, but not terrible. Red Tornado and Batman are up against Fun Haus, who seems to be a villain unique to BATB,

About ten years ago I wrote a novel called For Love of Children  about Santa Claus, the Easter Bunny, and the Tooth Fairy teaming up to (among other things) fight the Bogeyman. I spent a lot of time trying to find an agent, but no was interested in something that out there. Three years ago I gave up and published it myself. At about the same time, Dreamworks started production on Rise of the Guardians, a movie about five characters (included the aforementioned 'big three') teaming up to fight the Bogeyman. I've been asked by several people if they stole the idea from me. The answer is no: they announced production had started a few weeks before  I released my book. So unless they had access to a time machine, they couldn't have heard about it beforehand (and, so far as I know, they still haven't). They based the movie on a series of books William Joyce was working on at the time (these started getting released last year). I keep meaning to check those out but ha

I saw several episodes of this series back in 2002/2003, but stopped watching before this episode aired. Kim Possible, for those of you who don't watch enough cartoons, was a Disney animated series about a super-spy in high school. Elements of both The Powerpuff Girls and Buffy: The Vampire Slayer can be felt, and its creators worked on the criminally underrated Sky High. This Christmas episode was almost entirely comedy, focused around Ron Stoppable (Kim's partner) and Drakken (her bumbling nemesis). Normally, that might grate on me, but here it seemed to work. The writing was snappy and clever, with the exception of a running gag about X-Treme sports that didn't age well. The episode did a good job juggling the absurdity of Kim's world, along with the trappings of holiday cheer, and while the result wasn't Earth-shattering, it was absolutely entertaining. If you're flipping through the channels and stumble across this, I definitely recommend giving it

Okay, this was kind of awesome. Well, it was weird and bemusing, cheesy and very surreal, but that can be a kind of awesome, right? I had never seen a full episode of this series, but I think I'm going to have to watch more after seeing this one. The cheese factor is right on the level that I really enjoy: the occasional wink and nudge in good fun, charming, affable characters, somewhat silly fight sequences and dated but well-meaning special effects. This episode isn't that impressive itself, though. Diana (in her civilian life as agent Diana Prince) is assigned to protect a trio of scientists. They each have knowledge of a piece of some doomsday weapon, and one of them has been kidnapped and... replaced with a lifelike android. If someone were to get all three scientists, then clearly, disaster! So Diana investigates, both in and out of costume, and eventually figures out the plot and rescues the scientists. No surprise there. In the process there are more androids (w

Like most, my memories of Lois and Clark are hazy at best. The only other episode I've seen in recent years - another Christmas episode, coincidentally - was pretty awful, and I have it on pretty good authority the series was more bad than good. That said, when a friend mentioned there was a Christmas episode featuring Mr. Mxyzptlk, my interest was piqued. When I heard it was written by Tim Minear of Firefly fame, I was sold. Lindsay and I headed over to the WB site, found the episode, and settled in to watch. Overall, the episode was pretty good, despite some painful - and I do mean painful - sappy speeches at the end. Mr. Mxyzptlk fits in with the holiday theme, though his elvish aspects never really came up. Mxyzptlk was actually a bit darker than he usually is in the comics. Not content with creating mischief, he's out for world domination. Because his methods still focus more on tricks than outright destruction, enough of the character comes through to appease this

X-Men: Evolution is a strange show. It started out with one of the worst premises imaginable: having the X-Men and the Brotherhood of Evil Mutants as students with secret powers enrolled in the same public high school. And, frankly, it didn't even do that premise justice for more than a year. However, over the seasons, the show evolved into something else. Somehow, the characters and the setting evolved until it actually made sense calling them the X-Men. In a sense, most of the series wound up functioning as an extended and in-depth origin story, which is sort of cool. Unfortunately, there are a lot of bad episodes to sit through before the series picks up. This episode is after the worst of them, but it's still got a lot wrong with it. As the title implies, On Angel's Wings focuses on Angel, who inexplicably hides his powers in shame, despite the fact his mutation is more likely to get him laid then hunted (to be fair, this bizarre bit of illogic is lifted right f

It's funny – I've always hated this movie. I actually saw it when it first came out. I didn't know what the word 'campy' meant then, but the portrayal of the characters and setting was just a bit too cartoonish for me at the time. I remember thinking that the first one was serious, while the second one was just a joke. But I've recently re-watched both Tim Burton Batman movies, and it turns out they're both equally campy; in their own, dark way, they're actually no less campy than the Adam West version. It also turns out I've been wrong about Batman Returns for my entire life. This movie kicks ass. Granted, this isn't the Batman geeks like myself have come to embrace. This Batman lacks the comic version's flat out moral refusal to kill. In fact, he incinerates one goon and shoves dynamite down the pants of a second (and then has the audacity to lecture Catwoman about killing later: the hypocrite). But this does a fantastic job explo

This is another episode that we watch every year, and every year I forget how good it is until I watch it again. The only one-part episode in the first two seasons of Justice League (before it became JLU), this holiday episode is just fantastic. Batman got enough holiday cheer in his two previous holiday episodes, and Wonder Woman doesn't appear either, but everyone else has great moments. The episode consists of an intro about the last mission before the holidays, and then three inter-cut storylines. One revolves around Green Lantern and Hawkgirl. It continues the thread of their growing attraction; GL shows Shayera how much fun it is to play in the snow, and she shows him how they celebrate on Thanagar. Can I add here how much I adore this Hawkgirl? One follows the Flash as he attempts to find a popular toy for the kids at a Central City Orphanage, when his plans are derailed by a run-in with Ultra-Humanite. Humanite gets a lot of the best lines in Justice League, and thi