Mainlining Christmas

We just watched the new Sense8 Christmas Special, and we’re mentioning it because they literally titled the episode “A Christmas Special,” although only about a quarter or so of it was actually set at Christmas. I’ll start off with the most important point - if you haven’t seen the first season of Netflix’s Sense8, this would be a terrible introduction. I have seen the first season, and I still spent the first fifteen minutes thinking: “Okay, wait, what was going on with that character? I guess that happened, okay… and that, and...right, right, I sort of remember that plot.” This means I’m not going to synopsize this. I’ll just give you the premise: Sense8 is about eight people from around the world who are mentally connected. They can share memories, thoughts, and abilities, and other people from various shadowy government/corporate agencies, some with similar powers, are after them. The special is two hours long, but I’m not sure that more actually happened than would have ha

This is a special, double-length episode of a show I knew existed (as I often have a vague sense of programming affiliated with PBS) but had never seen. I had the impression it was educational. I’m not sure about that, but it is boring. It starts off relatively inoffensive, if bland. Nick and Sally are two kids who are friends with the Cat in the Hat, and they arrive at his Christmas party and are promptly put to work as waiters while he sings about how awesome his party is. They think this is awesome. Kids at home: when doing favors for your “friend” is the super-fun part of your relationship, maybe rethink the friendship. Anyway, all the guests are animals, and a bunch of them are introduced during the song and subsequent party games. These include an annoying young caribou/reindeer, a mouse, a crab, and a bunch of other animals in passing (I wasn’t paying close attention, it didn’t seem important). The guests leave, and the kids offer to help clean up, but the Cat sends them h

First of all, we've covered this already, over here . Lindsay wrote up a pretty glowing review for this and slapped on a "Highly Recommended" label, mainly because it managed to coalesce nearly the entire Rankin/Bass catalog into a single coherent Christmaverse and rebuild Rudolph's backstory using a mythic structure. I'm not writing this as some sort of retraction, though upon rewatching, I do want to roll back the unconditional love we showered on it the first time around. While it accomplished everything listed above, that accounts for around fifteen minutes of its hour and thirty-seven minute run time. The rest oscillates between a series of mediocre love songs and a holiday-themed stop-motion circus show. Obviously the main reason I want to revisit this now is to focus in on the "Christmas in July" elements we more or less skipped over the first time. Also, there are 31 days in July, we're doing our best to hold to our post-a-day commitmen

This is adorable. It's adorable and charming and whimsical and sweet. It's fun and it's funny, it's safe for all ages without being insipid. In short, it's quality children's programming. I've seen a few episodes of the show this special is spinning out of, because I watch kids' shows on PBS. If my vague recollections are accurate, this is equivalent to an especially good episode. The special opens with some friendly narration explaining how excited George is about Christmas. Soon he wakes up and runs into the other room to jump on the Man with the Yellow Hat, only to be told that like yesterday, and the day before that, and the day before that, it is not yet Christmas. The Man (it's so awkward to call him that, but take it up with H.A. Rey) gives George a chart to track the rest of the days (12) until the big day, and reassures him that they have a lot to do to get ready, so the time will pass quickly. Cue the first musical number! It'

Wow! Late in the season, a tip came through about a crazy-looking little-known TV special, so we tracked it down. And it was unexpectedly delightful! This musical-comedy-fantasy is the type of thing that wasn't uncommon on television in the 60's, although it's all but unknown today. It stars Liza Minnelli and Cyril Ritchard. (If you don't know the latter, he won a Tony in 1955 for playing Captain Hook on Broadway. If you don't know the former, I don't know how to help you.) From the start this is a bit of a subversion: the wolf is the narrator of this piece, here to explain 'what really happened.' He's living in a cage in the zoo, but he's sick of being ostracized from society because of the Red Riding Hood story. Ritchard as the Wolf is exquisite. His dialogue is snappy, his mannerisms right on that line between charming and creepy. His costume includes big sleek sideburns, large pointed ears, and a furry suit jacket. He introduces the p

Relatively unknown Christmas specials are often either terrible or boring, but this one has Muppets! Muppet specials are usually good, right? Not this time. Well, nuts. In truth, this short special isn't terrible, but it is rather boring. The plot is from a book, and I would venture without checking that the book was short and mostly pictures. It follows a mouse family in search of a 'perfect Christmas tree' for their holiday celebration. They choose a section at the top of a very tall tree, but then the whole tree is cut down and they go along for the ride. The big tree is for Mr. Willowby's 'perfect Christmas tree', but it's too tall for the room. The top third or so is cut off and sent upstairs to be the housekeeper's tree. The tree is too tall. The top is cut off and thrown out the window, where it's picked up by some bears for their celebration. Still too much tree. The top of their tree is taken by a group of owls, and the very tip is cut

Oh yay, something else from that dark time for Disney characters I mentioned in the review of Mickey's Once Upon a Christmas . I had always been sort of curious about House of Mouse, the show that this special is spinning out of, because it plays with the idea that all the Disney characters live and work together. (For other spins on this, see Who Framed Roger Rabbit and Bonkers.) However, after seeing it I feel as though I dodged a bullet by avoiding this until now. The set-up is simple: House of Mouse is always a clip-show, consisting of short cartoons bridged by a flimsy frame story set in the nightclub that Mickey and company run. This special is structured the same way. The first half-hour has three shorts, one from 1952 and two from 1999. It's astonishing that anyone was stupid enough to put these disparate pieces of animation together, because the difference in quality was so pronounced. The minute the 1952 piece started (it's one we've touched on before,

At some point, Rankin-Bass must have had a committee pawing through lists of holiday songs: "Has anyone made a special out of this one? This one? Oh, how about Christmas in Killarney? What do you mean the song has no story? We'll write something. Ireland is all about leprechauns, right?" And so, we have this odd little half-hour of mediocre stop-motion. When a company famous for holiday specials has some you've never heard of, you know they’re going to be weirdly awesome or boring and dated. Guess which coin flip we lost today. The story starts with Dinty Doyle, a cabin boy on a ship bound home to Ireland, sent to a strange island to dig up a tree for the ship’s Christmas celebration. In doing so, he releases a trapped banshee, who causes a storm, stranding Dinty, and subjecting the rest of us to incoming backstory. Instead of having much of any plot in the present, much of the special is taken up with the patriarch of a leprechaun clan (Blarney Kilakilarney, ye

We went into this with a lot of trepidation, between the snooze fest that was the predecessor and the cruddy-looking CG. However, this special was actually much better than the first! It follows basically the same format - short pieces linked by pedantic narration - but the pieces themselves are far superior. It’s as though the people writing them actually liked their jobs, liked the characters and cared about the humor (again, completely unlike the first special). Furthermore, the special is the same length, but there are five pieces instead of three. The shorter format is much stronger. The first piece combines artistry and humor as Minnie and Daisy try to outdo each other as the stars of an amateur skating show. They each have backup skaters from the Fantasia Dance of the Hours sequence. It’s sweet and funny without getting too sappy, and we were surprised with how decent the animation was. (Complete side note: I don’t know if shipping Minnie and Daisy together is a thing,

This direct-to-video special comes from a particular time in the history of the Disney company. When it came to anything starring classic Disney characters, they hadn't yet embraced a modern sense of humor or story, but had rejected any edge or depth inherent in the early cartoons. This results in stories so bland they could be animated entirely in beige. Of course, the animation is actually bright and crisp. It's the writing that's so painfully inoffensive as to end up nothing but drivel. The special consists of three separate pieces linked by some dull, poorly written rhymes read by Kelsey Grammer. The first piece is a variation on the 'Christmas Every Day' story, which we've seen before in many forms. It features Huey, Dewey and Louie as the kids who wish for it to be Christmas everyday after they have a great holiday with Donald, Daisy, Scrooge and an over-emotional aunt character who I've never seen before. Unlike many times I've seen this

Somehow, in year six, there are still Rankin-Bass stop-motion Christmas specials that we hadn't seen. I don't know how this happened either. This one is just as boring as its predecessor , but it does have nicer animation. It picks up where the first left off, Baby Jesus suitably entertained by Aaron and his magic drum. Aaron wants to do something more (further undermining the message of the original song) and Melchior drags him off to town to help look for some bellmaker. Melchior looks a bit more Middle-Ages-Europe king than first-century-Damascus king to my eye. Just saying. The bellmaker, Simeon, has been telling people that Jesus is coming, and while they haven't believed him, he has cast a set of giant silver bells in preparation. At this point, Erin can attest that I gave the screen some incredible side-eye at the idea that they would co-opt, even just by reference, one of my favorite holiday songs for this dreck, but it never went further than that refer

Lindsay unearthed three Rankin/Bass stop-motion Christmas specials we'd never reviewed (or heard of, for that matter), all of which were available on a single DVD. Naturally, we ordered the damn thing. Not surprisingly, there's a reason we've never heard of it. Pinocchio's Christmas is a bizarrely warped mashup of several early scenes from the Adventures of Pinocchio and the usual Rankin/Bass Christmas tropes. The story starts out with Pinocchio learning about Christmas from Geppetto, who sells his boots to buy his son a math book. Pinocchio promptly sells the math book, planning to use the money partly on himself and partly to buy his dad a Christmas present. But first he comes across the Fox and the Cat, who convince him the coins will grow into a tree of gold if he buries them. Naturally, he falls for this, and they steal the money. With the exception of the Christmas elements, this section is actually pretty accurate to the original, at least accor

BoJack Horseman is a Netflix animated series about a washed-up actor with a horse's head who had a successful sitcom a few decades earlier. I have, to date, seen exactly one episode, and that's this one. After watching it, I have no plans to watch any more. To be fair, it was difficult to get a read on the series from just the Christmas special, which - based on episode descriptions on Wikipedia - seems to be extremely different from the rest of the show. This one almost entirely consisted of two characters watching a Christmas episode of BoJack's old show. Given the premise is that the sitcom in question was abysmal, you can probably guess how that went. The frame story just focused on BoJack and his roommate at Christmas. BoJack's depressed, his roommate eats giant candy canes, and... that's about all you get until the end, when BoJack suddenly realizes the importance of spending the holiday with someone. Heart warming, I know. The sitcom episode concern

On the page for their new Christmas special, Netflix tags A Very Murray Christmas as "Witty, Quirky, Irreverent, Deadpan." This is probably as good a description as any I'm going to offer, but the internet isn't going to fill itself up with inane blather. If I weren't copying off of Netflix's test answers, the other way I'd describe it would be a traditional Christmas special from a post-modern perspective. It's almost a deconstruction of the classic formula that doesn't actually want to give up that formula. Sound weird? It is. I'm sorry. Not weird - quirky. The quirky  special opens with Bill Murray in his hotel room with Paul Shaffer, both playing themselves. After a quick blues tune, Amy Poehler and Julie White barge in, somewhat confusingly not playing themselves. They're producers, here to drag Bill downstairs to perform for a live TV special, despite the fact all their other guest stars canceled due to a storm. He's und

For better and for worse, I found a DVD at the library called Scooby-Doo: 13 Spooky Tales - Holiday Chills and Thrills. It’s interesting, at least, containing a mix of ‘winter’ episodes and actual Christmas content from several of the various Scooby-Doo series. (For example, it included this one .) Haunted Holidays is a special that was produced direct-to-DVD for this compilation, and I rather liked it. Or at least it wasn't awful. The premise is more than a bit sketchy: Fred, Daphne and Velma are helping with a Christmas parade for a big toy store, for some reason, when it’s attacked by a crazed evil snowman. The thing has freezing breath and shapeshifting; it’s actually almost scary when it turns into a snow-spider-beast or a snow-alien-mouth-tentacle-thing. See? Despite Shaggy and Scooby’s reluctance, as usual the gang tries to get to the bottom of the mystery, which involves a supposed ‘curse of the sinister snowman’ placed on the toy store by the guy who owned th

The first thing to know about this television special from New Zealand is that it is poorly punctuated. As there are multiple monsters whose Christmas is at stake, it should properly be The Monsters' Christmas. Well, perhaps that's really the second thing. Perhaps the first thing to know about it is that not a single member of the cast has enough of a resume to have a photo next to their name on IMDB. Or perhaps it is that, according to the production/distribution company, the film was "written and planned as a location film." Or that it features most of its actors in full body monster costumes that are... really not that bad for television in the 80's, I guess? But really, the main thing you need to know is that this might be, minute-for-minute, the weirdest thing I've ever seen. It opens with a scene that implies a level of horror and suspense that the movie never reaches again. A little girl is reading a picture book to her teddy bear while SO

Absolutely charming. Father Christmas is an animated special based on two more of Raymond Briggs’ children’s books. It features a very stereotypical-looking Santa Claus who acts very un-stereotypically. Father Christmas is exhausted, and decides to take a holiday in the off-season. He first tries France, only to be put off by the food (the resulting bathroom humor, while extremely tame by today’s standards, is not for everyone. Then goes to Scotland, only to be put off by the weather. He finally stays in Vegas for most of the summer months. This is a very grounded Father Christmas. He’s old and crotchety, and prone to using ‘blooming’ as an all purpose word in every sentence. He loves Vegas because he can swim and tan, gamble, drink and watch the showgirls. But eventually he has to fly his homemade camper (pulled by reindeer, naturally) home, retrieve his pets from boarding, and prepare for Christmas. The special follows him all the way through Christmas deliveries, with a sid

Mr. Magoo's Christmas Carol 's claim to fame is that it was the first animated Christmas special created for television. Its success paved the way for Rudolph, Frosty, the Peanuts' special, and all the rest. From a historical perspective, this is extremely important. But from a practical standpoint, it's pretty dull. This thing starts with a brief frame story, which serves no purpose other than establishing why Mr. Magoo is Scrooge. It's a fairly simple set-up revolving around a Broadway production of "A Christmas Carol" starring Mr. Magoo. Why is Mr. Magoo starring in a play? No clue. But there are a few quick gags involving his sight. He crashes his car, goes into the wrong building, goes into a woman's dressing room instead of his own, then causes the play's director to be horribly injured just as the play starts. All of this takes about three and a half minutes. The next forty-seven minutes are just "A Christmas Carol." Ostensibly

Lindsay and I reached dramatically different conclusions on this; probably as extreme as anything we've ever seen for this blog. That said, we can't actually point to many details we're in complete disagreement on: we simply weighed the positive and negative aspects of the special differently. Extremely differently. This is a sequel to The Snowman , a British Christmas special that's been around for three decades. The original is hands-down the best animated holiday special that I've ever seen, and I've seen damn near all of them. If you haven't seen The Snowman , just... no. Stop reading this, track it down, and watch it. I don't care if it's late, if you're tired, if you came across this write-up in the middle of April, or any other excuses. It is required viewing. It's also something that, by all rights, should never be touched again. Before we put this on, the very notion of a sequel didn't just feel unnecessary: it was blasp

So once upon a time there was a gorgeous piece of art, The Snowman . And some people saw T he Snowman , and thought, hey, we should do a sequel! We’ll get the creator on board, it’ll be great. Two years later, The Snowman and the Snowdog was born. And.. it’s not terrible. GOD F*CKING D*MN IT. Because if it were terrible, I could just tell you it was terrible and we could all move on. But no. I enjoyed it. However, as I told Erin after the movie: “I liked it the way I feel emotional at Pixar movies even if the scene isn’t actually any good.” The writers did an excellent job checking off all the boxes and twisting the emotional beats to create a perfect facsimile of The Snowman . It’s like the uncanny valley. It’s almost perfect, but there’s something unsettling. Something wrong. This version stars a new little boy, which I liked. And I liked a lot about the animation. The building of the snowman especially was very well done. This was clearly carefully created. I was