Mainlining Christmas

There's an article up on comingsoon.net offering a brief look at a handful of Christmas horror movies. It's a good read with some interesting insights into the sub-genre, but it doesn't really delve into the origins. Instead, it points out the more horrific aspects of modern Christmas, which are of course worth exploring. But it got me thinking about the depth of horror as it relates to Christmas, and I wanted to dig in a little deeper. Over the last century or so, pop-culture and entertainment has mainly embraced the funny and whimsical aspects of Christmas, leaving things like horror seeming subversive. It hasn't helped matters that the vast majority of Christmas horror has been extremely campy, giving the genre the sense it's trying to mock or parody the season from the outside. All but one of the movies the article I linked to above fits that mold (the exception being Black Christmas). But this is all pretty new. Pull off a layer or two of cheer, and you fi

I'm counting this as a Christmas movie, even though it means watering down the litmus test we've used in the past . The lead-up to Christmas itself only requires a third of the movie's 90 minute run-time, while New Years Eve falls at the halfway mark. Still, Christmas decorations are present until the end, so I'm giving it a pass. I should probably mention I've only seen the first Jaws and this one. In theory, that should mean I'm missing two movies from the story, but Wikipedia assures me the third installment was excised from continuity. The Revenge opens with a holiday celebration in Amity, where the original was set. At some point, Martin Brody, the protagonist of the original Jaws movie, died of a heart attack (i.e.: wasn't interested in making another of these damn movies). His wife and older son, Ellen and Michael, take over as the leads, while his younger son, Sean, is killed off in the first few minutes. There are two culprits resonsible: th

It's always awkward to jump into the middle of a plot-heavy series for a holiday installment. Supernatural is a long-running genre show with a pretty passionate fan base. This is the first time we've seen an episode. This one's from the third season, and it's packaged as a full special, despite really only being an episode. The producers arranged to start with the old CBS "A Special Presentation" title card as an homage to holiday fare from the 80's. And, naturally, they end with snow falling. There are a few story lines playing out simultaneously. A monster-of-the-week mystery forms the backbone, while a series of flashbacks to a Christmas Eve when Sam learned the truth about their family's legacy provides some heart. The episode opens with another flashback, this one just a year prior, showing a man being pulled up the chimney on Christmas Eve while his son watched. A year later, and the situation is repeated in another state, but this time m

Once again, our tolerance for what constitutes a "Christmas movie" has been put to the test. This time, it's for entirely different reasons. Strictly speaking, The Good Son should  meet our litmus test, as it seems to take place entirely around the holidays. However, that's really a technicality, as the producers don't seem to have realized that Christmas should be going on. See, there's a line early in the movie establishing that the events unfold over "winter break." I'm assuming this was done to explain why no one needs to go to school. Unless there's another "winter break" I'm unfamiliar with, that means this should be set at Christmas. But at no point is the holiday referenced, nor are there any decorations or lights shown. I'm going to go out on a limb and say that the winter break line was either an error or an artifact of an earlier draft, and that for all intents and purposes the movie was set over some myster

Let's get this out of the way - in the opinion of Mainlining Christmas, season one of Stranger Things does not technically qualify as an Christmas story, nor does any single episode feature the holidays to a significant extant to be accurately called "a Christmas episode." Which is why we're doing this now instead of in December. Excluding flashbacks and an epilogue (which does take place at Christmas), the series takes place over a few days in what's presumably late November. Christmas decorations have started going up, but they're certainly not ubiquitous, and stores are stocking holiday lights. It's those lights, incidentally, that I mostly want to address. The story of the series centers around -- STOP! Oh, yeah. Spoiler Alert, and all that. Where was I? Right. The story centers around a missing child who's pulled into a parallel universe by some sort of alien monstrosity. I say "parallel universe" in keeping with

Ostensibly based on The Colorado Kid, a mystery novel by Stephen King, Haven is probably better described as a homage to the genre writer's body of work. It centers around a police officer drawn to Haven, a fictitious Maine town beset by strange phenomenon. This is the only episode we've seen - naturally, we were drawn by its Christmas in July connections. And what connections those were: this episode offers not only a unique spin on that conceit, but a new Christmas/horror archetype as well. We've seen killer elves, killer reindeer, killer snowmen, killer Santa (so damn many killer Santas), killer Christmas trees, killer gifts, killer stockings, killer decorations, killer snow... honestly, I was pretty sure I'd seen it all. But this went and offered a new spin: killer Christmas. It opens with a woman hearing Silent Night while surfing off the coast, seconds before being cut in half. Soon after, we cut to the town, where our main characters are finishing breakfa

We've had this one sitting in our DVD stack for more than a year after picking it up for a buck or two at a dying video store. We meant to watch it last year, but decided at the last minute we didn't want to devote our limited time and energy to something that looked quite this unpleasant. We assumed too much. A Cadaver Christmas is far better than I'd seriously hoped for. It's not a great movie - 'good' might be pushing it - but it's a solid low-budget indie horror/comedy. In fact, as long as you preface it with 'low-budge' and 'indie,' you don't have to qualify the label 'good' any further. Within its limitations, it's a resourceful, fun movie. The back of the packaging describes it as "A cross between 'It's a Wonderful Life' and 'Night of the Living Dead'", which I think is more than a little misleading. I'd describe the zombie aspects as being more in the vein of Evil Dead 2 tha

We've never bothered writing up this movie, because - first and foremost - it's a New Year's movie, not a Christmas one. I don't want to get into the full debate here over whether or not New Year's is functionally just an extension of Christmas - I think that's worth more exploration another time - in part because it's ultimately irrelevant. Whether or not New Year's pieces belong here, the majority of Ghostbusters II is set right before the holidays, and thus deserving of discussion. The movie itself is somewhat controversial. Most die hard Ghostbusters fans despise it, and it's not hard to see why. The movie essentially retreads the premise and most of the story beats of part one. In fact, here's a synopsis for either film: Three paranormal scientists (and Winston) are down on their luck and can't catch a break until dark forces rise up and they're the only ones who can stop them. Meanwhile, Venkman, the team's clown, st

After some careful consideration, Lindsay and I agree that Krampus is our second favorite dark comedy/horror/fantasy movie released this year that features the famous Christmas demon. To be fair, there was some stiff competition . Honestly, Krampus is only nominally comedy or horror - I'd describe the film as a fairy tale before referring to either of those genres. And fairy tale is where Krampus's strength lies: it's a fantasy about Christmas magic and the darker implications of that concept. In realizing this side of the holidays, the movie employs some amazingly beautiful visuals. When we first set eyes on Krampus, we're too busy staring in awe to be afraid. Which doesn't mean there aren't some jump scares and the like. But there's less horror than wonder, even when the things on screen are anything but friendly. The movie opens somewhat gratuitously on dramatized imagery of shoppers battling each other for sales. It's here both to establish t

This DVD compilation includes Christmas or winter themed episodes from across the dozen or so incarnations of Scooby Doo over the years. Unfortunately, the majority are less Christmas than winter, and we already reviewed one episode, A Scooby-Doo Christmas , a few years ago. We're going to review the other two Christmas centered episodes, Haunted Holidays and The Nutcracker Scoob, on their own. That leaves ten of dubious holiday connection. We almost didn't write these up at all, but a few included some holiday allusions or references, plus the snowy visuals were certainly evocative of Christmas. Ultimately, we decided to cover them together, along with some discussion of how each ties to the holidays, if at all. First, though, let's talk about this "13 Spooky Tales" line. They released several of these DVD sets with different themes about the same time, each collecting ostensibly similar episodes throughout the years. In this case, even the math to get to 1

The Nutcracker Scoob is notable for being the final episode of The New Scooby-Doo Mysteries, which is primarily significant for being the last time the character of Scrappy-Doo was inflicted on audiences as a series regular. As such, it was a tad anti-climatic. At the very least, they could have re-enacted the resolution of Old Yeller than turned on the laugh track. Now that would had gotten some ratings. Instead, they told a relatively straight-forward Scooby-Doo tale centered around a Christmas pageant at a children's home. Of course, the place is in danger even before the faux ghost shows up: a cruel, oddly Victorian businessman named Winslow Nickelby is trying to force them to sell him the building on Christmas Eve. It would be easier to feel for the owners if there was some indication the home contained anything other than a theater. Pretty soon, the monster of the week shows up. This one is called the "Ghost of Christmas Never," and she's cloaked in whit

For better and for worse, I found a DVD at the library called Scooby-Doo: 13 Spooky Tales - Holiday Chills and Thrills. It’s interesting, at least, containing a mix of ‘winter’ episodes and actual Christmas content from several of the various Scooby-Doo series. (For example, it included this one .) Haunted Holidays is a special that was produced direct-to-DVD for this compilation, and I rather liked it. Or at least it wasn't awful. The premise is more than a bit sketchy: Fred, Daphne and Velma are helping with a Christmas parade for a big toy store, for some reason, when it’s attacked by a crazed evil snowman. The thing has freezing breath and shapeshifting; it’s actually almost scary when it turns into a snow-spider-beast or a snow-alien-mouth-tentacle-thing. See? Despite Shaggy and Scooby’s reluctance, as usual the gang tries to get to the bottom of the mystery, which involves a supposed ‘curse of the sinister snowman’ placed on the toy store by the guy who owned th

It's a competitive race, but "Last Christmas" has at least got to be in the running as the least rational, most bizarre episode of Doctor Who produced since the show was restarted in 2005. It's essentially a mashup of Aliens, Inception, and The Thing. With Santa Claus. The Jolly Old Elf is played by Nick Frost, who might be the single best named actor to ever take on the role. He does a fantastic job with it, too, embracing the absurdity of a fantasy character showing up on a science fiction show. The opening focuses on Clara, still grieving, rushing to her roof to investigate a loud crash. She discovers Santa Claus and two elves trying to corral their flying reindeer. The TARDIS shows up in the middle of this, and The Doctor appears to trade barbs with Santa before taking Clara away. They soon arrive at the North Pole, where they discover a group of scientists dealing with an alien outbreak. The aliens, called Dream Crabs, are drawn to people who are thinking

Unless I'm forgetting something, this is the only episode of the revamped Doctor Who series set at Christmas that wasn't produced as a "Christmas special." It's only the third Christopher Eccleston episode, and marks the first time him and Rose went into the past. The past they wind up in is 1869. It's Christmas Eve and - despite trying for Naples - the TARDIS takes them to Cardiff. As is always the case, there's more going on than a celebration. An undertaker in the city can't seem to keep the dead to stay still: they've picked up a habit of rising up and making trouble. One, an old woman, kills a grieving family member, climbs out of her coffin, and proceeds with her plans for the evening: catching a live reading of A Christmas Carol performed by the author, who is quickly pulled into the story. Also of note is the undertaker's psychic assistant, a woman about Rose's age who's developed a connection with the beings responsible.

A Christmas Horror Story 's title might undersell the content: this is at least four distinct stories, not one, each with a different tone. The stories are told in tandem, cutting back and forth over the film's hour and forty minute run time. All occur simultaneously on Christmas Eve. They're technically connected, but not significantly. Some of the characters know each other or have some background tying them to another story, but none of what happens to them in their own tales is impacted by what's going on elsewhere. Despite being distributed direct to video on demand, this anthology was impressively well shot, written, directed, and acted. It balances the horror and comedy well, juggling between a genuinely unsettling horror/fantasy, a creature feature, a ghost story, and a campy horror tale. None of these - not even the camp - fall into the pitfalls that usually trip up this genre. The movie never forgets it's horror first, and it has no interest in settlin

In this world, there are bad horror movies. There are crappy horror movies. Then there are horror movies so unbelievably awful you honestly can't tell whether they were intended to be comedic or not. Since those categories aren't mutually exclusive, it shouldn't come as any surprise that Elves is all three. I first heard about this on Red Letter Media's Christmas Special . I immediately rushed to Netflix to add it to the yuletide queue, only to discover that Netflix has never heard of the movie. It turns out this isn't too surprising, since - as far as I can tell - it has never been released on DVD. Unfortunately, someone had converted an old VHS copy and uploaded it to Youtube. The movie is about a girl named Kirsten, whose grandfather is a Nazi scientist who impregnated his daughter to create a pure woman, so that one day she could be mated with an elf and give birth the master race and/or the Anti-Christ (the movie is slightly unclear on this point). Th

Mr. Magoo's Christmas Carol 's claim to fame is that it was the first animated Christmas special created for television. Its success paved the way for Rudolph, Frosty, the Peanuts' special, and all the rest. From a historical perspective, this is extremely important. But from a practical standpoint, it's pretty dull. This thing starts with a brief frame story, which serves no purpose other than establishing why Mr. Magoo is Scrooge. It's a fairly simple set-up revolving around a Broadway production of "A Christmas Carol" starring Mr. Magoo. Why is Mr. Magoo starring in a play? No clue. But there are a few quick gags involving his sight. He crashes his car, goes into the wrong building, goes into a woman's dressing room instead of his own, then causes the play's director to be horribly injured just as the play starts. All of this takes about three and a half minutes. The next forty-seven minutes are just "A Christmas Carol." Ostensibly