Mainlining Christmas

Get Smart was an espionage parody about counterintelligence agents battling an organization of international spies and criminals. Mel Brooks is credited as a co-creator, so it probably shouldn't be surprising to hear this show completely holds up. It's bizarre and quirky, and even more than fifty years later, the antics of Don Adams (who'd later voice Inspector Gadget) remain hilarious. "Our Man in Toyland" was only the fourth episode aired. It should be noted that its inclusion here is somewhat questionable. Logically, the episode must take place during the holiday season, but the show is intentionally illogical to the point, I'm not sure the justification was anything more than a joke. The premise of the episode is that KAOS, the aforementioned SPECTRE stand-in, is using a department store as a front to sneak state secrets out of the country. CONTROL (a.k.a.: the good guys) send in a handful of agents to determine how they're accomplishing this

Not to be confused with Earth's Mightiest Heroes, the Avengers was a British spy series from the 60s which cycled through a number of iterations and styles. We've looked at a later episode, " Take-Over ," that sort of fit our loose definition for Christmas in July (absurdly loose: Take-Over was set in February, and the holiday elements only appeared briefly). "Too Many Christmas Trees," on the other hand, was far more entrenched in holiday fare. It was also a more iconic example of the series, featuring Emma Peel, by far the best known of John Steed's partners. In this one, they're pitted against a team of psychics attempting to steal national secrets from Steed's mind by eroding his sanity through a series of yuletide nightmares. This should already be obvious, but I loved the hell out of this episode. All of this is set at an English mansion where Peel was invited for a Christmas party. She invites John after the idea to bring him jus

I'm a late convert to this show, which is more than a little odd considering my all-time favorite live-action series, Community, was made by one of Rick and Morty's showrunners. Despite that, I was reluctant to get involved with this show, mainly due to its grotesque visual style. But I eventually gave it a try, and... Yeah. Based on the first few episodes, it's pretty fantastic. Lindsay and I were surprised to discover the third episode, "Anatomy Park," was holiday themed. Based on the title, I'd assumed it was some sort of Jurassic Park/Innerspace mash-up. Which... it actually still is. But it's also set at Christmas. The holiday elements are more central to the B-plot, which centers around an awkward holiday gathering. Jerry's parents are visiting for the holidays, so he's obsessed with having his family interact in person, without any digital distractions. Only they arrive with an added guest, Jacob, who's in a polyamorous relations

Watching Christmas movies that you've never heard of is always an adventure. Sometimes you find something awful. Sometimes you find something astounding. Something wonderful. The Great Rupert (later repackaged as A Christmas Wish) is a family film starring the inimitable Jimmy Durante, a ton of other talented comedic actors, and several living and deceased squirrels. Don't worry, it's not macabre. The plot hinges on the actions of a trained squirrel named Rupert, who is variously represented by live animals and extremely skillful stop-motion animation. It's a hilarious movie, with a really sincere, charming quality to the humor. Erin even found the musical numbers compelling. There is very little wasted time - it's tightly plotted and beautifully made. We have no idea why this movie has been mostly forgotten. It's easily as good or better than many "classic" Christmas films. As a bonus, the plot concerns an apparent miracle with a very prosaic,

I found Better Watch Out on a list of well-reviewed Christmas movies posted by Rotten Tomatoes and added it to my Netflix queue. Turns out, it's well reviewed because it's a good (arguably great) horror flick. Unfortunately, the bulk of what makes it great are the movie's twists, which I really can't avoid discussing. So. If you're a fan of horror - particularly the psychological variety - you might want to stop reading until you've had a chance to track this one down. In particular, if you love Christmas movies AND horror, seriously: STOP READING NOW. Last warning, and this one's going at the end for a reason. If you're a fan of the Home Alone series who also enjoys horror movies, for the love of God, I hope you never made it to this sentence, because I just gave away way more than I wanted to. For the rest of you, here's a synopsis. Ashley is a seventeen-year-old babysitter looking after Luke, a twelve (almost thirteen) year-old boy. After

Malcolm in the Middle probably owes its existence to The Simpsons. While the characters and premise aren't the same, there's a notable similarity in the show's energy, humor, and tone. The characters on Malcolm in the Middle feel animated, in a similar way. That's not to say they're shallow - I don't think that's the case for either series - merely that their emotions are exaggerated to the same degree. This isn't the first live-action show I've seen try and capture this kind of tone. The recipe for success seems to be pretty straightforward - good writing and a commitment to the premise. Shows that try to wink at the audience while building a surreal world usually come off hokey; ones that explore their world and characters honestly have a chance to create something great. Malcolm in the Middle revolves around a family of four (eventually five) sons, their irresponsible father, and their very angry mother. The series started airing in 2000, wh

WordGirl is my go-to example when I want to argue good superhero stories can be told at any level of maturity. The series is unequivocally targeted at young kids - it's edutaiment, through and through, complete with vocabulary lessons repeated multiple times to the viewer. It's the kind of show you'd expect to be tedious and pedantic. Instead, it's ridiculous fun. The reason WordGirl works is it understands its genres. The writers clearly understand the conventions of both kids television and superheroes, and they're eager to play with both. They're willing to mock PBS conventions in a good-natured way, and they're more than happy to embrace comic book tropes. The result is a series that plays like a pureed homage to Sesame Street, Powerpuff Girls, and Superman. The holiday episode is a fine example. After the narrator introduces the episode's special words (curmudgeon and festivity, in case you were interested), the episode shifts to a brief b

I've been meaning to get around to this for a few years now. All I really knew about it was that it was set around the holidays, and it's something of a cult classic. In hindsight, I had no idea what I was getting into. Where to begin? This was written and directed by the Coen Brothers, along with a little help from Sam Raimi. It's sort of a love letter to classic Hollywood love stories - I'm pretty sure I caught echoes of Christmas in July , Meet John Doe , and The Apartment  - delivered with a twisted sense of humor. The movie doesn't hold back on style - from the beginning, this is unapologetically grandiose and stylized. Everything from the music to the acting to the set design sets out to create a world that's a living, breathing caricature of its source material. For those of you who don't know me, all that means I absolutely loved this bizarre, quirky movie. I'm not going to delve into quite as much detail around the plot this time, both

I stumbled across Lindsay Ellis's YouTube channel somewhat randomly, and it almost immediately became one of my favorites for essays on movies and pop culture. Stylistically, I'd describe it as a blend of a great college lecture and an energized barroom discussion. Like most successful YouTube channels, it's broken into several ongoing series. One of these, Loose Canon, examines a character or concept as it reoccurs in media. Ellis has made installments on figures as diverse as Starscream and Hades - she's not constraining herself to any specific type of character. Of course, we're a tad more limited in our focus here, so we'll be looking at her episode on Santa Claus . It opens with some backstory on the character, summarizing three of the most significant figures who were compiled into the modern day incarnation. She condenses the history and origin of Santa Claus about as succinctly as I've ever seen. Then she moves onto The Night Before Christmas

As far as sub-genres go, "dysfunctional family at Christmas" may have one of the lowest hit rates out there. Most of the ones that work do so by incorporating alternative genre elements to make the concept fresh: The Lion in Winter , Arthur Christmas , and Fred Claus all spring to mind. Those are technically great Christmas movies about a dysfunctional family over the holidays, but the dysfunctional family isn't the part of the synopsis most people would focus on. Almost Christmas, on the other hand, embodies the more traditional trappings of the sub-genre through and through. If you were to sit down and make a list of tropes you'd expect to find, you'd wind up checking most of them off. There are the siblings who despise each other, the family member with a drug problem, food getting destroyed, a decoration mishap, a wedged in love story... you get the idea. The substance of this movie certainly isn't original. However, there is one fairly original ele

The past seven years have seen a renaissance in TV animation, largely thanks to the success of Adventure Time and its peers. Nostalgia for 60s, 70s, and 80s science-fiction and fantasy lies at the core of most of this wave. We Bare Bears differs in that respect. It's far closer to Yogi Bear, Winnie the Pooh, and perhaps even the Berenstain Bears. Sometimes, it even reminds me of old edutainment shows; as though the characters are about to teach us about geography or math. They don't, incidentally. When the show does communicate a point, it's usually about subtle cases of systemic racism, the difficulty of interacting with a society that views you as an outsider, or - in at least one case - the toxic nature of male entitlement in perceived romantic situations. If all of that sounds a little heavy, rest assured the show mixes in three or four parts comedy to one part moral. Throw in some surprisingly affecting drama, and you wind up with something that feels like a kid&

Santa's Husband is a children's book where the Plump Jolly Old Elf is portrayed as a black man who's so busy, his white husband fills in for him at the mall, leading to some confusion as to his identity. If that premise doesn't intrigue you, you're reading the wrong blog. I stumbled across a link to an interview with the writer , Daniel Kibblesmith, that included some shots of AP Quach's artwork. Between those and the description, I was sold. The book is thirty-two pages, and there's no real plot or story. It's more a series of kid-friendly pictures coupled with text introducing you to Mr. Claus, Santa's husband. Like a lot of children's books, it reads like a series of comic vignettes. It's a fantastic reimagining of Santa and his operation, and the relationship between Santa and Mr. Claus is sweet and touching. Towards the end, it offers a brief introduction to multicultural holiday traditions that's refreshingly diverse.

I wanted to hate this. I'm getting that out of the way first, so you have some idea of where I'm coming from. On principle, I dislike this series, not so much for its content but for what it represents. I liked the original Teen Titans, as well as Young Justice - the last thing I wanted was a hokey show that reduced the characters and premise to cheap jokes. So I set out to hate this. But then... then something went wrong. Horribly, horribly wrong. This episode elbowed me in the gut, kicked me in the shin, then reached in through my cold chest and violently wrenched my heart away from me. It made me love it, whether I wanted to or not. That's also a fairly good synopsis of the premise. As the title suggests, this episode focuses on Black Friday, presented here as the cultural juggernaut it truly is. The Titans are preparing to shop by gorging on turkey. With one exception, they're eagerly awaiting their favorite day of the year, when they'll charge into st

I've seen several episodes of the series, "Adam Ruins Everything" and I've enjoyed it quite a bit. That said, I think it has a tendency to fall into a similar trap that often snared Penn and Teller's Bullshit: it challenges a common, oversimplified narrative and replaces it with a less common, oversimplified narrative. In the process, you get a decent amount of trivia, but if you accept the episode's conclusions are completely true, you're really no better off. With that in mind, I'd like to try a slightly more meta approach to the Christmas episode, which contains clever humor and some interesting information, but doesn't really paint any more accurate a picture of the holidays than the one it deconstructs. The episode, as usual, is broken into segments examining different aspects of the holiday. The first takes on the subject of the non-Christmas roots of several Christmas traditions, including low-hanging fruit like the absence of evi

I want to take a moment and talk about this  Christmas album, which you can download for free on Soundcloud . But first let's get the "full disclosure" part out of the way: the "Burns" in "Kirwan, Greenwood & Burns" is one of my oldest friends. He lent me the first Batman graphic novel I ever read for Christmas's sake. Now that that's out of the way, this album contains some of the most unique, fascinating, gorgeous Christmas tunes I've come across. This stuff is amazing. The album contains music from an assortment of international musicians. It doesn't adhere to any particular genre, but is unified by the collaboration's philosophy of updating "old-time" music with modern elements without losing the spirit of what's being adapted. If you're a fan of modern folk music, you should check this out. Alternatively, if you like Celtic Punk or any of its offshoots, this is for you. Or, you know, if you're

You've got to admire the audacity of a show that's willing - eager, even - to undercut a dramatic moment where one character is trying to stop another from throwing their life away in a desperate robbery attempt by cutting to a bar-mitzvah-themed fundraiser where a couple of other characters lead the room in a chorus of Deck the Halls. This is the third Chrismukkah episode of The O.C., and even more than the second, it's crystal clear the show's dropped the pretense that it's anything other a comedy. And, once again, we're better off for that. The premise is built around a developing story-line. Some new character who lives to surf got hit by a car in an earlier episode (those "last time" openings really help here). If he ever wants to get better, he'll need an expensive surgery he can't afford. So his friends decide to put on a fundraiser/Chrismukkah Bar-Mitzvahkkah for the not-at-all-Jewish Ryan. This will also give Seth a chance to mak

Roseanne's one of those shows I watched sporadically growing up. I remember finding it funny and knowing intellectually it was supposed to be significant for some reason, but I didn't fully appreciate it back when it was airing (hey, I was only a teenager). Looking back, it's incredibly impressive. Casting a pair of leads more closely resembling the average American than Hollywood stars was courageous. Also, ingenious: they clearly got their pick of undervalued comedians, since they wound up with two of the best. The episodes are formulaic, but not in a bad way. There's an impressive balance here between slapstick comedy and serialized storytelling. Even jumping from year-to-year, I found myself getting caught up in the character and plot developments. Santa Claus (1991) This episode from season four seems to kick off the annual Christmas episodes, assuming there aren't earlier holiday installments hiding under unassuming titles. The cold opening establis