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Showing posts with the label Classic

How the Grinch Stole Christmas (1966)

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How the Grinch Stole Christmas is about as close to damn-near perfect as any Christmas special is going to get.  Which makes it all the more shame that I'm kind of getting jaded with the thing. Oh, I still enjoyed watching this, and I can't help but smile at the animation.  My issue - if the word even applies - on this viewing was actually with the music.  Now - before you start yelling - let me explain.  I love the music in this special. Actually, that's the problem.  I love the music so much, I've been listening to various interpretations of "You're a Mean One, Mr. Grinch" almost nonstop since I started this holiday experiment.  It's one of the few holiday songs I have that mitigates the relentless cheer of the countless carols and classical pieces I've been listening to. But, as an unfortunate side effect, it seems to have watered down the effect the song has on me when I heard it in context. Like I said, I still enjoyed every minute o

Will Vinton's Claymation Christmas Celebration (1987)

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I remembered liking this when I was younger, but I remembered very little about the special itself until it got going.  In this case, I could have trusted my memory: it's an amazing special. This was produced by Will Vinton, so the animation is just stunning throughout. The structure is a series of carols, linked by scenes starring a pair of dinosaurs who are “hosting” the special.  The T-Rex in the suit attempts to inject some education into the proceedings by giving the origin or history of some songs.  I appreciate the gesture, although I'm not certain all of the history they cite is correct. We start in earnest with a fun version of We Three Kings.  The use of light in this segment is lovely, and the jokes only enhance the song.  There's a humorous Carol of the Bells, and a Fantasia-esque Angels We Have Heard On High. There are jokes in this that I definitely missed as a kid, but what I most enjoy about this is the quality of the animation.  Oh Christmas Tree is a

The Christmas Toy (1986)

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The Christmas Toy , you may recall, was Toy Story before Toy Story . It's a Henson production, a television special about toys coming to life when you're not around. My vague recollections of The Christmas Toy actually gave me some conceptual trouble with the Toy Story movies. The toys of The Christmas Toy die if they are seen out of place by a human. They DIE. Well, their consciousness is sent to some sort of Limbo, but it's basically the same. Without the same stakes, I sometimes had trouble with why the Toy Story toys bother to hide their mobility from humans. It's kinda weird, if you think it through too hard. Well, the actual plot of The Christmas Toy is about Rugby the tiger, and how he doesn't understand that even though he was Jessie's favorite Christmas present last year, he'll be replaced this Christmas with a new favorite gift. (And it's about a space toy who initially doesn't understand that she's a toy.... but I digre

A Charlie Brown Christmas (1965)

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I don't think it's possible to deny this is one of the four pillars of animated Christmas Specials, along with the Grinch, Frosty, and Rudolph. Of those, I think this and the Grinch stand a little above the other two.  I like both Rudolph and Frosty, but I think they have some serious flaws.  Personally, I'm of the opinion that A Charlie Brown Christmas is more or less perfect. There are a few things that really impress me.  The first is that, by rights, I shouldn't be interested in this.  My love of Christmas is almost entirely founded in the fantasy aspects of the holiday: Santa Claus, magic, and all that.  The Christian elements have no inherent interest to me.  I'm not religious now, and I never have been.  In almost every case but this one, the "Christmas Story" bores the hell out of me. But not here.  When Linus gets up on stage and the music goes silent, my eyes and ears are glued to the screen while he delivers his monologue.  The line, &

Miracle on 34th Street (1947)

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I have really fond memories of this movie, and I was convinced I'd regret watching it again.  I'm happy to report that not only does the movie hold up, it's actually a bit better than I remembered.  This one really deserves its status as one the best Christmas movies out there. I appreciate that a spoiler warning is fairly absurd for a movie that came out in 1947 and that almost everyone's seen a dozen times on TV, but... I want to be sure for this one.  If, for whatever reason, you've never seen this, stop reading now and go see it.  Find it on TV, put it on your Netflix queue, or buy it on Amazon.  You can buy the digital download for four bucks .  Do what you have to, but make sure you see it. What really impresses me is that this is a fantasy without the supernatural.  There's ostensibly nothing magical that occurs in the movie, and yet it's magic to the core. The movie never confirms that Kris is the real deal.  Sure, he found a house for sale m

Mickey's Christmas Carol (1983)

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I liked this quite a bit. It's been quite a while since I'd seen it, although a lot of it came back to me as I watched. In case you are very young and deprived, this special is a sweet retelling of Christmas Carol starring all Disney characters. The animation is beautiful and detailed, the one song is pleasant and uplifting. The adaptation has to sprint through the plot to get to the end in half an hour, but it hits all the pertinent bits. I appreciate that they "cast" established characters in the roles of the ghosts, as well as all the others. That was something I felt was a poor misstep in The Muppet Christmas Carol. Scrooge definitely makes the special work, and he doesn't need any extra narration to keep viewers interested.  This Scrooge is short-sighted and greedy, but never evil.  His completely manic glee upon his transformation is an absolute joy. Of course, Scrooge McDuck playing Ebenezer Scrooge is hardly a stretch for the character. All of th

The Nightmare Before Christmas (1993)

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You know, if it weren't for Halloween's pending lawsuit for custody, I think I could just proclaim this the best Christmas movie of the past fifty years and be done with it. As it is, I'm pretty sure this is the only full length movie in color I'll be seeing this season I like more than Elf.* I find it interesting that both this and Elf share the same inspiration: both movies are set in worlds extrapolated from Rankin/Bass Christmas specials, and both take those settings surprisingly seriously. While Nightmare Before Christmas and Elf couldn't really be described as being in continuity with each other, either could easily be imagined in continuity with Rudoph. At any rate, there's a long list of reasons for why Nightmare has become the classic it has. In addition to its ties to existing classics, it's brilliantly designed, beautifully animated, and the music is amazing. I'm always a little surprised by just how much of the movie is devoted to s

The Nightmare Before Christmas (1993)

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Hooray!  Now I'm in the Halloween spirit.  Uh, Christmas spirit, Christmas spirit, that's what I said, right? Seriously, the scene in which Jack discovers Christmas Town I find to be one of the most holiday-cheer inducing scenes on film.  I get a big stupid grin on my face just listening to the song. It's a modern classic.  The animation is outstanding, the writing brilliant, the music amazing, the story inspired.  I have basically no complaints. I really sympathize with Jack. He discovers this wonderful thing that makes him feel warm and happy, and he starts out by trying to share it with his friends.  Everything spirals out of control, but it starts with a both selfish and unselfish instinct: Jack wants to have Christmas for himself because it makes him feel good, and he wants to share it, so his friends can feel it too. It doesn't work out, because despite their best efforts, the residents of Halloween Town just don't understand the whole "spreadin

Rebuttal: Frosty The Snowman (1969)

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I did not like this special. I frankly don't find the over literal interpretation of the song charming, but rather, extremely grating. For example, the children say “We just know you came to life, we just know it...” and then the narrator sings: “He was made of snow but the children know how he came to life...”  It's almost too hokey for words. Wait, I have two. Bah, and Humbug, I say. The sound is uneven, the foley choices terrible, the animation cheaper than dirt. I was almost more surprised when the mouths matched the voices than when they didn't. It didn't look like they were even trying. I suppose it doesn't help that I'm only occasionally tolerant of a musical genre I call “crappy old novelty”.  Rudolph is okay, Frosty is on the margin. I Saw Mommy Kissing Santa Claus is stupid. Grandma Got Run Over by a Reindeer is a crime against music. I say skip the damn thing.

Frosty the Snowman (1969)

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When you filter out the sequels, knock-offs, and derivative works, I count four quintessential animated holiday specials: How the Grinch Stole Christmas, A Charlie Brown Christmas, Rudolph the Red Nose Reindeer, and Frosty the Snowman. That isn't to say that those are necessarily the best specials out there (though The Grinch and Charlie Brown are definitely in the running), but they're the most iconic, the most "classic." And, for years, I've been of the opinion that three out of four of them deserved that honor.  The exception being Frosty, which I considered poorly animated, cheesy, and just not particularly interesting. When we slid the DVD in, I was wringing my hands in anticipation of ripping it apart when I wrote this article. Then a funny thing happened.  I liked it. Maybe I just hadn't paid attention the last few times I watched.  The writing is actually quite clever, and the pace moves along at a fair clip.  The relationship between Karen

Santa Claus (1898)

I don't know how to classify this - technically, it's a movie.  In fact, it's one of the first movies ever made.  But it turns out that back in 1898, they didn't expect movies to have three-hour run times. This one, for instance, clocks in at a minute and change. There's no real story, per se.  The short film shows some kids getting tucked into bed, we see Santa show up (featuring some early special effects), he leaves some gifts, and he's on his way. It's interesting to see an early version of Santa, sporting an outfit - and waistline - more reminiscent of his origins as a bishop than his current incarnation as a Coke-drinking, cookie-scarfing, overweight elf. Some of the effects are also intriguing.  To simulate the lights being dimmed, they use a curtain that covers most of the set.  I find it fascinating to look at movies from when they were still incorporating stage techniques.  You get the sense that this was directed more like a puppet sh