Mainlining Christmas

We've been watching Shane Black movies all month in preparation for this: the first Marvel Cinematic Universe film set at Christmas. I'm reviewing the movie itself over at The Middle Room , but I had some thoughts that felt more at home here. While I'm grateful it lets me talk about the movie here, the holiday backdrop actually seemed a little superfluous to me. The setting was peppered with yuletide references, and there was no shortage of jokes reminding us when the events were occurring. But ultimately, I'm not sure what these accomplished (besides being good for a laugh). I guess there's a case to be made for tone, but I didn't feel the disconnect I got from Die Hard or melodramatic juxtaposition from Lethal Weapon. The fact it was set in winter allowed them to shoot Tony dragging his broken armor through the snow (in Tennessee - in December: something's off here), but not much else. If anything, it almost felt like the movie was set at Christmas to

"Chapter Two: The Lady in the Lake." "Chapter Three: The Little Sister."  If you're already intrigued, then you'll probably like this movie the way I do. If you're here, you probably realize that Erin and I are rather fond of Christmas, or at least Christmassy things. You've probably picked up that we both enjoy fantasy and science fiction. You may not know that I'm also a huge fan of noir. So a noir-themed dark comedy set at Christmas? Yes, please! Kiss Kiss Bang Bang has a fairly amusing pedigree. It's known as the movie that restarted Robert Downey Jr's career. It's one of Shane Black's films, so like several others, it takes place at Christmas. The title comes from European slang description for James Bond movies. And as alluded to above, all the chapter titles within the movie come from Raymond Chandler. It’s either a noir-style mystery-thriller that is also really funny, or the kind of loving parody that fully embrac

I loved this movie when I was in high school, but - despite having a copy - I haven't actually sat down and watched it in years. I'd more or less forgotten it was set at Christmas until I saw it on a list of holiday movies. I figured it would be cheating to count this as a "Christmas movie" and decided it would be a good time to re-watch it. Turns out I was wrong about it being a stretch: the holiday elements permeate the setting, tone, and music of the film. This is definitely a Christmas movie, and a fantastic one at that. The Long Kiss Goodnight is directed by Renny Harlin, better known for Die Hard 2. The writing is credited to Shane Black (hence the Christmas setting, I suppose), though Wikipedia mentions there was some script-doctoring involved. The movie is, among other things, absurd and implausible: if you can't suspend your disbelief, don't bother putting it on. But it's clearly not intended to be realistic. This is unapologetically pul

Growing up, there were two action movies that defined the genre: Die Hard and Lethal Weapon. It's been at least a decade since I sat down and watched any version of Lethal Weapon. After doing so, I was immediately impressed with just how well Die Hard continues to hold up. It's not that Lethal Weapon is bad. Actually, for its sub-genre, it's really good. There aren't a lot of buddy-cop action flicks from the 80's or 90's that hold a candle, and the ones that do owe a lot to Lethal Weapon's success. But at the same time, the movie is incredibly cheesy without having as much fun with that cheese as many of its imitators. There's still fun to be had in Lethal Weapon; just not nearly as much as I remembered. Like Die Hard, the film is set at Christmas. But while Die Hard has fun with this juxtaposition, Lethal Weapon tries to use it to play up a sense of isolation and depression. A lot of Lethal Weapon is devoted to loss and suicide: for a while, the

Japan has an incredibly bizarre relationship with Christmas. Without getting too involved in the details, the holiday has been appropriated and transformed into something akin to Valentine's Day. That said, they do seem to understand what Christmas means to Europe and America and the concept of Santa Claus. They understand, but they clearly have no problem reinventing it as something completely different, as they did in the two-part OAV, Itsudatte My Santa! I suppose I should mention the first episode is based on a manga. Before we go on, I want to make it clear the episodes we saw were dubbed, not subtitled. Setting aside the fact dubbing is usually pretty bad, it injects an element of uncertainty around whether or not what we saw accurately reflects the original. There were plot points and ideas here that seemed absurdly random, which adds to my skepticism. I tried to find some indication online as to whether this was accurate or not, but I had very little luck one way or t

We held off on this one for a few years, because it kind of felt like cheating. But, when you look at it, Christmas permeates Die Hard a hell of lot more thoroughly than it does Holiday Inn. There's a lot of Christmas woven into Die Hard's soundtrack. Along with the background of the Christmas party and the (brilliant) elevator sequence, it gives the entire film a holiday feel. Beyond that, Die Hard is arguably the quintessential action movie. At the very least, it's the quintessential action movie of its generation, and it could easily be the best action ever made. It's been a few years since I last watched it, and it holds up marvelously. Bruce Willis and Alan Rickman are both amazing in their respective roles as the ultimate cop and robber, and they've got great material to work with, thanks to some fantastic writing and directing. Decades of knock-offs would follow this, but none would figure out what made Die Hard work as well as it did. There'

Batman: The Brave and the Bold isn’t just a mouthful to say, it was quite a fun show. I really liked the crazy balance they tried between darker plotlines and zany villains, with both real emotion and corny dialogue. It’s a take on Batman that I really like, casting him as stoic and determined, maybe a little too serious, the guy who all the young heroes look up to, and the older heroes are jealous of. This episode (after the cold opening with Blue Beetle helping take down Sportsmaster) focuses on Red Tornado’s desire to feel some Christmas spirit. Since I’ve gotten used to the version of Red Tornado in Young Justice, it was a bit surreal to watch this now, but I got into it pretty quickly. I really liked the subtle musical allusions to A Charlie Brown Christmas at the beginning of the episode. Batman’s flashbacks (now Christmas-related) are a bit on the melodramatic side, but not terrible. Red Tornado and Batman are up against Fun Haus, who seems to be a villain unique to BATB,

I knew that this show existed, although I don't recall ever seeing an episode before. It's odd, but kind of charming. From what I gathered of the premise, Holmes has been awoken/resurrected in the far future, Captain America style, except with even more super-science. Watson is rebuilt as some kind of robot, and the new Lestrade is a lady cop. I liked her, she seemed to be the muscle. Overall I enjoyed this. It had some awkward made-for-children 'humor' and some cut corners in production here and there, but as a rather unique version of Holmes, I'm actually really on board with this. The tone of the setting was really interesting, and the whole pastiche seemed to be right on the best line between taking the source material seriously while being delightfully tongue in cheek when appropriate. I was wholly amused with the adaptation of the Blue Carbuncle story, in this case a popular animatronic toy with a program hidden inside, rather than a goose with a gemst

About ten years ago I wrote a novel called For Love of Children  about Santa Claus, the Easter Bunny, and the Tooth Fairy teaming up to (among other things) fight the Bogeyman. I spent a lot of time trying to find an agent, but no was interested in something that out there. Three years ago I gave up and published it myself. At about the same time, Dreamworks started production on Rise of the Guardians, a movie about five characters (included the aforementioned 'big three') teaming up to fight the Bogeyman. I've been asked by several people if they stole the idea from me. The answer is no: they announced production had started a few weeks before  I released my book. So unless they had access to a time machine, they couldn't have heard about it beforehand (and, so far as I know, they still haven't). They based the movie on a series of books William Joyce was working on at the time (these started getting released last year). I keep meaning to check those out but ha

We watched these two specials back to back – they're actually packaged together on Amazon Instant Video – and I feel that I should talk about them together. They have a lot in common: both revolved around the main character unmasking a villain standing in/taking over from Santa Claus, and both were made as a sort of afterthought to their affiliated series. Both were really awful. It's hard to identify one as being worse, though, because in that respect they were different. The animation was far worse on Inspector Gadget, as well as its egregious use of badly recorded singing. The voice recordings were so poor that I really thought they'd gotten different voice actors. The plot was arguably stupider on Sonic, the misuse of supporting characters worse, plus it added “X-treme” winter sports for no good reason. I know I haven't seen any Inspector Gadget in a while, but in this one they basically said flat out that if Dr. Claw hadn't sent agents after G

I am so glad that this was wonderful. So much of what DreamWorks puts out is awful, except for this one franchise. But this franchise is absolutely fantastic. This half-hour special, set between the two movies, deals with the same themes as the series as a whole: family, choices, self-knowledge, parents and mentors. Shifu assigns Po to host an important fancy holiday dinner for a group of Master martial artists. Po is excited and stressed with the responsibility, but also dealing with his father's disappointment that he's leaving behind their holiday traditions. It's sweet and touching, and also absolutely hilarious. There's a fantastic frenetic montage as the pace of preparations for the holiday picks up, and some completely silly sub-plots that I loved. The animation is wonderful, the voice acting delicate and lovely. The ending gives me the warm-and-fuzzies, which is really what you're looking for in a holiday special. This is a strong addition to the se

I saw several episodes of this series back in 2002/2003, but stopped watching before this episode aired. Kim Possible, for those of you who don't watch enough cartoons, was a Disney animated series about a super-spy in high school. Elements of both The Powerpuff Girls and Buffy: The Vampire Slayer can be felt, and its creators worked on the criminally underrated Sky High. This Christmas episode was almost entirely comedy, focused around Ron Stoppable (Kim's partner) and Drakken (her bumbling nemesis). Normally, that might grate on me, but here it seemed to work. The writing was snappy and clever, with the exception of a running gag about X-Treme sports that didn't age well. The episode did a good job juggling the absurdity of Kim's world, along with the trappings of holiday cheer, and while the result wasn't Earth-shattering, it was absolutely entertaining. If you're flipping through the channels and stumble across this, I definitely recommend giving it

At some point I reached an important realization about this movie. It wasn't that I was watching a bad movie - I knew that going in - but rather that the movie was the wrong movie. I don't mean that I wasn't watching the movie I'd set out to see - for whatever reason, I actually chose to put this on - but that the filmmakers had literally produced the wrong film. See, by all rights, this should have been a Tim Allen vehicle. The lead was clearly written like his character from Home Improvement. Casting Schwarzenegger made no sense. I don't mean to suggest this change would have made the movie better; just that it would made the movie's existence make sense. On the scale of bad Christmas movies, this isn't on the bottom. Before you read too much into that comment, keep in mind the scale we're considering descends into a very deep, very dark pit. And parts of this movie were actually funny. There's a scene in the middle involving an army of m

I came across this searching through Amazon's instant view options (having pretty much exhausted Netflix last Christmas), and selected it out of sheer curiosity. I feel like I've seen this referenced before, but had absolutely no clue what it was when I watched it. Honestly, I don't think I even bothered reading the description first. After, I hopped over to Wikipedia to grab some context. Apparantly, this was a web series about a village of ninja. The animation's highly stylized; I guess the characters are supposed to be cute. While I didn't really find them all that adorable, I really enjoyed the comedy, especially in the first of the three episodes. I should mention the episodes are extremely short - about eight minutes each - meaning three together come out to about the equivalent of a half hour show (minus comercials, of course). The first, "Tis The Season For Revenge" , is by far the best, re-imaging Santa as a repentant ninja. His ex-partn

Well, this is depressing. First the good news: this wasn't awful. In fact, taken on its own merits, it was even good. It was funny, cute, and kind of fun. But that's just not good enough this time. This isn't a new special existing in a vacuum: it's the sequel to the single best Christmas special made in more than a decade. And this one doesn't measure up. The original, while not being too dark for kids, was exciting. Yeah, half was devoted to heart, but when things turned, there was a real sense of danger. That was completely missing this time around: I never felt like the elves could actually die. There were still some cool scenes, particularly the opening, which expanded the series's mythology by showing the other half of the operation: the elves there to punish the bad kids. For a minute, there was a darkness to the tone, but they just couldn't hold it. Almost immediately, we shifted to the comic relief. And guess who played that role. If you

Okay, this was kind of awesome. Well, it was weird and bemusing, cheesy and very surreal, but that can be a kind of awesome, right? I had never seen a full episode of this series, but I think I'm going to have to watch more after seeing this one. The cheese factor is right on the level that I really enjoy: the occasional wink and nudge in good fun, charming, affable characters, somewhat silly fight sequences and dated but well-meaning special effects. This episode isn't that impressive itself, though. Diana (in her civilian life as agent Diana Prince) is assigned to protect a trio of scientists. They each have knowledge of a piece of some doomsday weapon, and one of them has been kidnapped and... replaced with a lifelike android. If someone were to get all three scientists, then clearly, disaster! So Diana investigates, both in and out of costume, and eventually figures out the plot and rescues the scientists. No surprise there. In the process there are more androids (w

X-Men: Evolution is a strange show. It started out with one of the worst premises imaginable: having the X-Men and the Brotherhood of Evil Mutants as students with secret powers enrolled in the same public high school. And, frankly, it didn't even do that premise justice for more than a year. However, over the seasons, the show evolved into something else. Somehow, the characters and the setting evolved until it actually made sense calling them the X-Men. In a sense, most of the series wound up functioning as an extended and in-depth origin story, which is sort of cool. Unfortunately, there are a lot of bad episodes to sit through before the series picks up. This episode is after the worst of them, but it's still got a lot wrong with it. As the title implies, On Angel's Wings focuses on Angel, who inexplicably hides his powers in shame, despite the fact his mutation is more likely to get him laid then hunted (to be fair, this bizarre bit of illogic is lifted right f

It's funny – I've always hated this movie. I actually saw it when it first came out. I didn't know what the word 'campy' meant then, but the portrayal of the characters and setting was just a bit too cartoonish for me at the time. I remember thinking that the first one was serious, while the second one was just a joke. But I've recently re-watched both Tim Burton Batman movies, and it turns out they're both equally campy; in their own, dark way, they're actually no less campy than the Adam West version. It also turns out I've been wrong about Batman Returns for my entire life. This movie kicks ass. Granted, this isn't the Batman geeks like myself have come to embrace. This Batman lacks the comic version's flat out moral refusal to kill. In fact, he incinerates one goon and shoves dynamite down the pants of a second (and then has the audacity to lecture Catwoman about killing later: the hypocrite). But this does a fantastic job explo

This is another episode that we watch every year, and every year I forget how good it is until I watch it again. The only one-part episode in the first two seasons of Justice League (before it became JLU), this holiday episode is just fantastic. Batman got enough holiday cheer in his two previous holiday episodes, and Wonder Woman doesn't appear either, but everyone else has great moments. The episode consists of an intro about the last mission before the holidays, and then three inter-cut storylines. One revolves around Green Lantern and Hawkgirl. It continues the thread of their growing attraction; GL shows Shayera how much fun it is to play in the snow, and she shows him how they celebrate on Thanagar. Can I add here how much I adore this Hawkgirl? One follows the Flash as he attempts to find a popular toy for the kids at a Central City Orphanage, when his plans are derailed by a run-in with Ultra-Humanite. Humanite gets a lot of the best lines in Justice League, and thi

Damn. When this show is good, it is so amazingly good. I love this episode. We watch it every year, and every year I'm reminded anew how great it is. “Holiday Knights” consists of four little holiday vignettes, in which plenty of characters get a chance to shine. On Dec 22nd, Harley and Ivy drug Bruce Wayne so he'll pay for a holiday shopping spree. It's a fantastic showcase for the two villainesses, and a fun piece in general. A great use of an extended shopping montage, and there's an especially excellent score in this section. On Dec 24th, Batgirl is shopping at “Mayfield's” when she has to help Bullock and Montoya arrest some shoplifters who aren't what they seem. Barbara is smart and professional here, and the cops are undercover in an amusing disguise. On Dec 31st, the Joker plans to massacre the New Year's Eve crowds, and Batman and Robin (Tim) go after him. Nice planning by the Joker here, and his character is very well written: a good bal