Mainlining Christmas

Until I saw this special referenced in an article about the Grinch last year , I didn't realize there were other Grinch specials produced. Once I knew, though, I really had to track them down, even if their connection to Christmas begins and ends with The Grinch. But as far as I'm concerned, having the Grinch in something is pretty much the same as including Santa: de facto Christmas. I'm sure we'll get to the Halloween one eventually, but I wanted to take a look at the "The Grinch Grinches the Cat in the Hat" while it's seasonal. It was pretty easy to find on Youtube if you're interested in checking it out after reading my review. But, honestly, if you're still interested after my review, it probably means you have anterograde amnesia. Don't take chances: take a polaroid of the opening credits and write, "Don't waste your time" at the bottom. Shit. Who has a polaroid camera anymore? I guess you're screwed. While I

Growing up, there were two action movies that defined the genre: Die Hard and Lethal Weapon. It's been at least a decade since I sat down and watched any version of Lethal Weapon. After doing so, I was immediately impressed with just how well Die Hard continues to hold up. It's not that Lethal Weapon is bad. Actually, for its sub-genre, it's really good. There aren't a lot of buddy-cop action flicks from the 80's or 90's that hold a candle, and the ones that do owe a lot to Lethal Weapon's success. But at the same time, the movie is incredibly cheesy without having as much fun with that cheese as many of its imitators. There's still fun to be had in Lethal Weapon; just not nearly as much as I remembered. Like Die Hard, the film is set at Christmas. But while Die Hard has fun with this juxtaposition, Lethal Weapon tries to use it to play up a sense of isolation and depression. A lot of Lethal Weapon is devoted to loss and suicide: for a while, the

This is only the second episode of Tales From the Crypt produced, and it was directed by Robert Zemeckis (keep in mind this is Zemeckis in '89, back when he making the Back to the Future movies and still awesome; not the current Zemeckis who's been producing CG abominations). I saw a handful of episodes of Tales From the Crypt back in the day, but I certainly never watched religiously. Actually, I suspect I would have watched it religiously had I been able to, but I never had HBO growing up (this also means the episodes I did get to see were tragically edited for content). Lindsay tracked this down on Youtube, and we just finished watching it. I'm really, really glad we did: it was a lot of fun. The episode starts with a woman brutally murdering her husband for the insurance money while her daughter's asleep. When she tries to dispose of the body, an ax murderer dressed as Santa Claus shows up. As you can probably tell, there's not much in the way of plot here.

We held off on this one for a few years, because it kind of felt like cheating. But, when you look at it, Christmas permeates Die Hard a hell of lot more thoroughly than it does Holiday Inn. There's a lot of Christmas woven into Die Hard's soundtrack. Along with the background of the Christmas party and the (brilliant) elevator sequence, it gives the entire film a holiday feel. Beyond that, Die Hard is arguably the quintessential action movie. At the very least, it's the quintessential action movie of its generation, and it could easily be the best action ever made. It's been a few years since I last watched it, and it holds up marvelously. Bruce Willis and Alan Rickman are both amazing in their respective roles as the ultimate cop and robber, and they've got great material to work with, thanks to some fantastic writing and directing. Decades of knock-offs would follow this, but none would figure out what made Die Hard work as well as it did. There'

I have fond memories of Cheers, but, judging by this episode, the show doesn't hold up thirty years later. The plot of this episode is kind of a jumble. A man comes into the bar right before Christmas acting mysterious. He "accidentally" lets it slip that he's a spy to Carla, who becomes fascinated with him. She informs the rest of the bar, who crowd around the guy and start asking questions. The majority of the characters either accept his claims at face value or laugh them off, but Diane, being a know-it-all, needs to press. She catches him in his lies, which cause him to leave humiliated. The others berate Diane, because clearly she was wrong in calling someone out for lying to try and pick up a woman. The character returns and the twists start coming. First he's convincing Diane that he's a poet, which humiliates her. Then he tries to convince Sam he's rich, and he offers to buy the bar for two million dollars. Of course, he actually is rich, b

Christmas in Tattertown is a rather bizarre piece. Originally intended as a pilot for an animated series, it's basically a love letter from Ralph Bakshi to the largely forgotten animated works of the early 1900's. It's got a lot of issues, but it's a fascinating piece on its own. In my opinion, it's a shame it was never picked up. The special is intentionally light on plot, but what's present follows a human teleported into a world inhabited by thrown out toys and other discarded objects. She sets out to teach the denizens of this new world about Christmas and eventually to celebrate. Meanwhile, the primary villain (the main character's doll), quickly assembles a criminal empire and attempts to take over Tattertown. I like that, by and large, characters don't play to type: in other words, a Christmas wreath is as likely to be a conman as anything else. It leads to some entertaining interactions, while adding depth to what could easily have been a t

The Twenty-Four Days Before Christmas Madeline L’Engle, 1984 Premise: Vicky Austin is always excited in December, but there’s a lot more to be excited about this year, since she’s been cast as an angel in the Christmas Pageant, although her Mother is very pregnant, and who knows whether she’ll be home for Christmas! This little short story was.... fine. Cute, even. It’s all from little Vicky’s perspective, so the drama is very small and the solutions are very black-and-white. Oh, no! Mommy might be in the hospital over Christmas! Oh, now she’s being sensibly reassured. Oh no! Vicky is too clumsy to be an angel! Oh, Mom just taught her how to walk with a book on her head, so she’ll be fine. Well, good thing there wasn’t any tension. The title alludes to the Austin family’s habit of doing something “special” every day leading up to Christmas. However, since some of those “special” things are as simple as opening Christmas cards and there isn’t even a list of all the activities for ki

Huh. I wasn't expecting much from this, although I remember liking this show as a kid. However, this was surprisingly decent. (Note: the date is so late because it apparently took a while for these to play out in syndication. The show was made in the early 80’s.) This is a half-episode story that follows Heathcliff and his sometime nemesis Spike on a jaunt to the North Pole to find out why their letters to Santa came back return to sender. There were some funny lines and some intriguing plot twists along the way.  Everything gets resolved in maybe too pat a way, but Santa is well handled, the North Pole has a Seuss-like look that's pretty neat, and the disgruntled elf was a really fun and unexpected new character. While there might not be enough here to merit going out of your way to seek it out, it was enjoyable to watch, which is more than I can say for a lot of the holiday episodes we've seen. And it still has a really catchy theme song.

You probably know whether you like Garfield or not. It seems like the funniest idea ever when you’re a kid, or when I was a kid, anyway. This is one of a handful of specials that predate the Garfield and Friends tv show. In the final estimation, this is a fine special. The songs aren't annoying, there are some cute moments, and while it isn't terribly funny, it isn't bad or all that boring. The plot, such as it is, revolves around Jon taking Garfield and Odie to his parents’ house for Christmas, and a series of scenes that establish the characters’ relationships and quirks. Like It's Christmastime Again, Charlie Brown, this has the feel of a bunch of loosely connected vignettes rather than a single story. About the only plotline that is longer than two scenes is the one where Odie is making Garfield a present. Some of the scenes almost contradict each other, too, in things like whether Jon and his brother are poking fun at their parents’ traditions or not. Jon’s

A lot of people speak negatively about the spectacle of drying paint. I'm really not sure why that is. When I reflect on the gradual transition between its initial shimmering, almost glass-like surface to its final matte state - which is in itself brighter and more vibrant than it will ever appear again, before the dirt and grime settles, before years of greasy fingerprints and scuff marks - it hardly seems tedious at all: if anything, drying paint symbolizes the fleeting beauty of youth maturing into stability. In fact, given the choice between the two, there is no question in my mind that I would far rather watch paint dry than see Ernest Saves Christmas again, and would - without hesitation - recommend the same to anyone else faced with a similar set of options. The central problem with this movie is that, at its core, it is a pointless, boring sequence of events, a vapid and uninspired waste of time devoid of humor, meaning, or entertainment. I do want to stress that this

Yeah, I sort of suckered Erin into doing this one. But it is a Christmas episode! So it COUNTS. Despite an early misstep with an unintentionally silly montage running under the opening episode credits, this is a fantastic episode. A solid adaptation of the story, like most episodes of this series, it stays true to most of the original, while breaking up monologues into more entertaining dialogue and expanding the roles of the minor characters. A highlight here is that John Horner, the man accused of stealing the jewel, is given a wife and kids and a little emotional plot of his own, to give the episode a bit more holiday poignancy. The Blue Carbuncle (about a stolen jewel found in a Christmas goose, and how Holmes traces it back to the culprit) is not one of my very favorite Holmes stories, but it is a solidly entertaining one. I loved re-watching this episode; it really showcases why Jeremy Brett was, in my opinion, the ultimate Holmes. All his charm, his wit, his hypnotic pres

I just recently read the short story, so a lot of watching this special was spent comparing it to the source material. It compares pretty well, I think. So far as I know, this is the last of the Rankin-Bass holiday specials, so the production values by this point were pretty high. The animation is smooth and the character designs are pretty great. The special opens with the Council of Immortals meeting to decide Claus' fate; his life story is then told within that frame. I found the Immortals much more interesting and full of gravity here than in the book. It probably doesn't have anything to do with me being conditioned to like anything set to the same kind of 70's style faux medieval folk-rock that was also used in The Hobbit, Flight of Dragons, etc. Really. The special goes on to be a credible adaptation of Baum's story, although it skips a lot of amusing details for time and adds some side characters to explain plot points to. It also cuts a lot of annoyin

Remember Rainbow Brite? Sure you do, it was a short-lived but much remembered 80's cartoon for girls. But did you know that Rainbow Brite released two records of music? And that one of them is a Christmas album? That you might not have known. In the 80s  there wasn't a lot of concern for voice actor fidelity in children's media, so only a few of the voices on the disc are actually the voice actors from the series. That doesn't prevent this from being an exercise in blended nostalgia and a sort of bemused horror. Song List: A Gift of Love Jingle Bells The Twelve Days of Christmas Silent Night Joy to the World Christmas in the Pits The First Noel Deck the Halls Christmas Medley: God Rest Ye Merry Gentlemen, Hark! The Herald Angels Sing, O Christmas Tree We Wish You a Merry Christmas About the Songs: First off, let me tell you how surreal I find the song choices. Between Silent Night , Joy to the World , The First Noel , God Rest Ye Merry Gentlemen

I see this movie about once every five years, enjoy it quite a bit, then promptly forget every joke in the film. This isn't necessarily a bad thing - in a way, the fact that Scrooged is so forgettable gives it re-watch value it wouldn't otherwise have - but it also puts a limitation on the film's impact. Scrooged attempts to ride a line between tones and genres and pulls it off well enough to be entertaining, but not so well as to leave a lasting impression. The movie's concept is ambitious: a cold-hearted network executive in the middle of producing a live televised production of Scrooge is visited by the three legendary ghosts of the story. There was a lot of potential here to build a sense of vertigo by playing off the inherent surreality of the situation. Unfortunately, the movie didn't fully embrace this. At no point did the main character reflect on the similarities between his experiences and Scrooge's: he seems completely unaware he's living A Ch

I liked this more than Erin did, I think, but it eventually grated on me as well. This is also known as the Seattle Ballet Nutcracker, and that is a more appropriate name, as the largest problem with this was the tension between whether you were watching a dance piece or a movie. I found the beginning rather charming, but eventually it was just long and strange. The surreal narration doesn't add much. The dancing is decently done, most of the time, and I'm sure it was fun to see live. The energy of the dancers just doesn't translate to film. The camera is often filming the least interesting part of the dance, and occasionally it seemed to me that the visuals were out of sync with the music. Adding a few moments of awkward bluescreen does not change a piece intended for the stage to one suited for the screen. I had trouble staying interested through the Land of Sweets dances; some of the costumes and dancers were good, most just did not work on film. There were momen

Erin and I have a... disagreement about The Chipmunks. I find them mostly inoffensive to funny, and I have a bit of a soft spot for their animated selves that stems from a love of The Chipmunk Adventure movie. (I have no idea whether that movie is actually any good, but I loved it as a kid.) Erin hates The Chipmunks, and he can't even identify why. So for his commentary, you can just imagine him tearing his hair, muttering about stupidity and incoherently shouting in exasperation. A Chipmunk Christmas (1981) This TV Special was a loose sequel to the 1961-62 animated series The Alvin Show, and aspects of it make no sense without a basis in that, including a nonsensical dream sequence about the other segment from that series. So here's the set-up: cliché sick kid at Christmas. Alvin gives the kid his harmonica because he's a big fan. But oh, no! Now Carnegie Hall is calling, and Alvin needs money for a new harmonica! Plus stupid misunderstandings and lots and

The Care Bears Nutcracker Suite (or The Care Bears Nutcracker, depending on the release), was the last of the 1980's Care Bears television specials, and by most accounts the worst. Relatively speaking, I didn't find it that bad, but then I haven't seen the other two. Maybe they're masterworks of brilliance, for all I know. I kind of doubt it, though. Let's be clear - this isn't good in any meaningful definition of the word. It's bad. Kind of really bad. It doesn't make sense, and it feels like the unholy love child of a toy commercial and the drug-fueled ramblings of a coke-head. But then, isn't that what the 80's were truly about? Ostensibly, this was supposed to be based on The Nutcracker. That might be a bit of a stretch: this is mainly an excuse for the Care Bears to roam around Toyland, a concept that feels hopelessly redundant. I mean, the animated Care Bears have stitches on their backs: there's no way they're supposed to be

I enjoy all of Blackadder, but this Christmas special might just be my favorite part of the franchise. I adore it for the simple premise: it's a reverse Christmas Carol. Blackadder, if you've missed it, was comprised of four short seasons, several specials, and a movie, set through various times in British history.  (Actors often play similarly named characters in different time periods, ostensibly relations/descendants of previous characters.)  In most of the series (the first season was a bit different) the protagonist Blackadder is cunning, self-serving, and highly intelligent, and is always either trying to get ahead in society, or trying to evade responsibility and danger. At the beginning of Blackadder's Christmas Carol, Ebenezer Blackadder is the “kindest and loveliest  man” in London.  That doesn't exactly last. I have seen this over and over, and I still laugh out loud.  That's the mark of great comedy for me. The first half is great because it

This is a half-hour of gorgeous animation with brilliant use of music; it's just beautifully done, and one of my absolute favorites. It's wordless except for the short introduction and the one song. It's based on the picture book of the same name, and the style of the animation looks just like a living illustration. The animation looks like it was done with pastel and crayon, and the skill that is evident in the work is astounding. Particularly amazing is the flying sequence, which uses just perspective and careful planning to convey an amazing amount of movement and depth. The song from this haunted me a while back, when I hadn't seen the special in years. I remembered that it was good, but not much else about it. When I finally tracked it down and sat Erin down to watch it, the opening strains of “Walking in the Air” began to introduce it, and I burst into tears. It's a melancholy piece, but all the more beautiful for that. I love this special, but it stil

I find it baffling that this isn't better known.  Everyone seems to remember The Christmas Toy, Emmet Otter's Jug Band Christmas, and John Denver and the Muppets: A Christmas Together, but most seem to have blocked this one out. It's a shame, too, because this is phenomenal.  Incorporating characters from at least three Muppet productions (debatably more - the Muppet Babies get a nod at one point), this thing is made for longtime fans.  It's just buried in decades of references and continuity. It's a massive crossover event, sort of a Secret Wars for the Muppet-verse.  Seeing the Sesame Street characters engage in small talk with Doc from Fraggle Rock is awesome, as is seeing Rowlf have a discussion with Sprocket.  When characters come together to sing a medley, the amount of thought that went into determining who gets what verse is kind of astonishing. My favorite scene comes when the Swedish Chef gets a look at Big Bird and realizes there's a potential