Mainlining Christmas

There’s a lot to enjoy about this old-school romantic comedy, but enough dated bits that I can’t recommend it without reservation. Discharged soldier (and ‘hero’ for some unspecified reason) Jefferson Jones is recovering in hospital and dreaming about solid food. He flirts with a nurse to get better treatment, but she takes him seriously and proposes they get married. He claims to not have any context for a real home, and she decides to call in a favor to send him to the cozy farm home of matronly author and famous cook, Elizabeth Lane, for Christmas. Cue the twist that sets up the plot. Elizabeth Lane is not a woman with a family on a Connecticut farm. She’s a single writer living in a tiny New York apartment. She gets her ‘brilliant’ recipes through an arrangement with a friend, the chef at the restaurant downstairs, because she can’t so much as boil water. She and her manager try to get her out of the host-a-soldier-for-Christmas deal, but her publisher doesn’t know that her

Neither Erin nor I can recall which of us added this to the Netflix queue, so we were going in a bit blind, and were delightfully surprised. The Bishop’s Wife opens by introducing Cary Grant, who proceeds to step in front of speeding cars while helping old men across the street and rescuing babies and more or less being possibly-magical. He takes a casual eavesdropper’s interest in the woes of a beautiful young woman, Julia, who happens to be the bishop’s wife. Then we meet the bishop, Henry, at home. Henry is trying raise money to get a new cathedral built, and due to the process and stress of doing so, he’s screwing up his relationship with his family and his faith. He prays for guidance. He gets Cary Grant. Grant says that his name is Dudley, and that he’s an angel sent to help the bishop. The bishop is naturally skeptical of this. Dudley proceeds to act as the bishop’s ‘assistant’, even though mainly what he does is charm every woman on screen, including Julia. Once Hen

I stumbled across this the other day, and it’s AMAZING. http://jack_benny.podomatic.com/entry/2012-11-17T18_11_43-08_00 It’s a compilation, in podcast form, of a bunch of classic radio recordings of Christmas songs which originally aired between 1944 and 1952. They aren’t all winners, but they’re really interesting recordings. At least listen and marvel at the very beginning: Bing Crosby reciting the “GI Night Before Christmas.” Talk about your gallows humor... The “Jingle Jive” is a great version of Jingle Bells. Whenever the Sportsmen quartet comes on, you know they’re going to shill Lucky Strikes cigarettes. You get a bit of Bing Crosby and Jimmy Stewart singing Baby, It’s Cold Outside together. The “Rudolph Jive” is amazing. Rudolph the Red-Nosed Reindeer would have just become popular in 1950, and Bing Crosby and Judy Garland see nothing odd about making adult jokes and adding a totally great ending to the song. These are all live radio recordings, I think, so sometimes

You could make a case that Holiday Inn isn't actually a Christmas movie, since it actually takes place over an entire year and devotes a substantial amount of time to several different holidays. The movie does begin and end at Christmas (actually, it encompasses three Christmases, thanks to a sort of preface starting a year before the real action starts), but the film's real credentials are a tad more specific. Holiday Inn's real claim to fame comes from one of its songs, a short piece called "I'm Dreaming of a White Christmas." Maybe you've heard of it. The movie's plot centers around a pair of entertainers competing for the affections of a woman. The movie's title (and gimmick) revolves around an inn opened by one of the two competitors which is only open during holidays. The movie has some decent twists and turns, and some good song and dance numbers. It cleverly pushes against the boundary of the fourth wall when movie producers creat

Note the year of release - this isn't the famous Rankin/Bass stop-motion special, but rather a short directed by Max Fleischer. It's only about 8 minutes long, and it's an earlier adaptation of the song. I've known for a while that there were multiple versions of Rudolph out there, but somehow I missed that this was directed by Fleischer. If you're not a big fan of animation, he's the guy responsible for the Popeye cartoons, as well as the extremely influential Superman animated shorts. His take on Rudolph is, if nothing else, extremely bizarre. The story starts with Rudolph shunned for his nose by his peers, as you'd expect. What I didn't expect was the level of anthropomorphism used. These Reindeer walk upright, live in houses, and speak. The coach's whistle in the Rankin/Bass special seems realistic in comparison. In fact, Santa's the only human in the short. He comes across Rudolph when he's dropping off gifts in his town then enl

I haven't been feeling too Grinchy yet this year, but bashing It's a Wonderful Life feels like a good place to start. I have such oddly mixed feelings about this movie. I sympathize . I appreciate the overt message: each of us touches others' lives in ways we can never imagine, and you don't have to have a perfect life for life to be worth living. I'm just not as fond of the packaging. Spoilers follow. First off, of course I find all the beginning narration with the talking nebulas completely idiotic. I actually considered for a while whether the movie might be better without the supernatural elements, which is an odd idea for me. But Erin gave me a horrified look when I floated the idea by him, so I guess I can't say that. It's well done. Well filmed, mostly well acted, parts were funny, but I just didn't enjoy watching the film. I found the pace slow, and the characters felt always on the edge of slapstick, never like real people. Like the

This was probably the biggest omission in last year's lineup of Christmas classics. Easily one of the top three most famous Christmas movies of all time (along with A Miracle on 34th Street and the grossly overrated A Christmas Story ), It's A Wonderful Life is a quirky, stylish flick. Ironically, I think this movie is probably best the way it's least viewed: beginning to end. As one of the mainstays of holiday television, I suspect most people have seen this in bits and pieces. But the movie's most effective when you see how the pieces snap together, and to do that, you've actually got to sit through the whole thing. At two hours and change, you'll want to avoid the extra padding added by commercials. This movie has a reputation for being slow - I suspect most of that comes from the fact so many people grew up watching it with commercial interruption. Most of it: to be fair, there are plenty of slow parts left over. It's A Wonderful Life is fundam

I have really fond memories of this movie, and I was convinced I'd regret watching it again.  I'm happy to report that not only does the movie hold up, it's actually a bit better than I remembered.  This one really deserves its status as one the best Christmas movies out there. I appreciate that a spoiler warning is fairly absurd for a movie that came out in 1947 and that almost everyone's seen a dozen times on TV, but... I want to be sure for this one.  If, for whatever reason, you've never seen this, stop reading now and go see it.  Find it on TV, put it on your Netflix queue, or buy it on Amazon.  You can buy the digital download for four bucks .  Do what you have to, but make sure you see it. What really impresses me is that this is a fantasy without the supernatural.  There's ostensibly nothing magical that occurs in the movie, and yet it's magic to the core. The movie never confirms that Kris is the real deal.  Sure, he found a house for sale m