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Showing posts with the label 2021

Nisser [Elves] (2021)

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Nisser is a Danish TV series, just six half-hour episodes long, released as "Elves" in the US. It looks and feels a lot like Stranger Things, both in terms of tone and content, which is both a recommendation and a warning not to watch this with young children (teenagers used to horror should be alright, though - this is scary, not terrifying). The premise is rooted in European folklore and tradition, and while the creatures here have been updated with a modern aesthetic, their portrayal isn't entirely subversive. Traditionally, nisser aren't typically this scary or monstrous, but the older stories about them tend to get dark. I'm going to have a lot - and I mean A LOT to say about this, as well as the US title, but I'll save that for the end, so readers bored by the nerdy stuff have the option of checking out. First, a spoiler warning. This isn't one of the cases where the impact depends on some kind of major twist, but I'll be going over the plot in a

8-Bit Christmas (2021)

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If you've seen the trailer, I won't need to explain what this is. The movie is very upfront about the premise: a homage to A Christmas Story that's virtually a remake set in the '80s, with the Nintendo Entertainment System talking the place of the infamous Red Ryder Carbine Action 200-shot Range Model Air Rifle. I want to be crystal clear about something before continuing: this is infinitely better than A Christmas Story. Most movies look good compared to that, though - the real question is how well this fares on its own merits. And the answer to that question is pretty well. This is a solid, funny Christmas flick, ready-made to be left on in the background while cleaning, cooking, or disposing of bodies: whatever your holiday traditions necessitate. I think it stops short of greatness, however, due to the ending. I want to acknowledge that I'm not entirely certain about this: the movie hinges on a twist that feels unearned after one viewing but might improve upon r

A Boy Called Christmas (2021)

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Despite its best efforts, A Boy Called Christmas is a fantastic movie. It tries exceedingly hard not to be - there are tonal issues, its themes are out of alignment, the structure is poorly conceived, some of the CG doesn't work - but for all its faults... it still works. Really well, in fact. This is one of the best Christmas fantasy offerings out there. Let's back up and discuss what this is. A Boy Called Christmas is a British movie based on a young adult novel that came out six years ago. I should note I haven't read the book it's based on. Lindsay has, and her review is already up. But this review will be looking at the movie in isolation: I don't care what's changed, nor will I overlook stuff they included just to placate fans. The movie comes off as sort of blend of Harry Potter, the Narnia movies, and Princess Bride, with maybe a touch of Paddington tossed into the mix (though I assume pretty much every British family film is going to feel at least a lit

Love Hard (2021)

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I want to start off by saying clearly and for the record: I hate this movie. I know what you're thinking. You're thinking, "But, Erin, you hate a lot of movies you watch here." Maybe. But this... this is different. I hate this deeply, completely, and profoundly. I hate that this movie employs uncomfortable circumstances constantly throughout its runtime. I hate that it utilizes the absolute most tired '80s tropes shamelessly (this thing features both an over-sexed grandma and a scene where the main character juggles multiple dates at the same time and venue). I hate that it integrates pop-culture debates about Die Hard, Love Actually, and Baby, It's Cold Outside so shallowly, it feels like the discussions were stolen verbatim from Twitter arguments. And I really hate that one of the romantic leads - and the story as a whole - are a hair's breadth away from being a manifesto for incels. But most of all I really, deeply, truly hate that this thing... is actu

Home Sweet Home Alone (2021)

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For those keeping track, Home Sweet Home Alone is the fourth  official reboot of the series, as every installment after two has hit the reset button. For those of you who are new here, I should mention we're not big fans of the franchise. That doesn't exactly mean we consider the original bad - it's technically impressive, well shot and edited, and the score is fantastic. There are reasons it's lasted, and I respect it. Respecting a movie, obviously, isn't the same as liking it - none of the earlier Home Alone movies work for me. I wasn't sure what to expect when I heard Disney was going to update the property. A simple remake would have been a hard sell, and they already tried most of the other permutations. Movies 3 and 5 attempted variations on the same premise with new characters, and movie 4 was a loose continuation with a recast Kevin. Home Sweet Home Alone is closer to 3 and 5 - we've got a new lead and new thieves in a familiar situation. This is tec

Welcome Back. Again.

My, time flies. It feels like just yesterday we were taping our eyelids open and forcing ourselves to watch low-budget CG holiday specials and musicals that would make an angel vomit. And yet here we are again, ready to experience Christmas in all its infinite horror. Indeed, the holidays are upon us again, and as ever we are here to meet them. When we first started Mainlining Christmas, we were at the mercy of mail-order DVDs, our limited collection, and what we could find languishing in the clearance section of used book stores. But the eleven years Mainlining Christmas has been running has seen the explosion of streaming services, making it easier than ever for the yuletide aficionado to transport their imagination to a winter wonderland. Well, more often than not I suppose it's more like a sewage processing center located in a winter wonderland, but the point still holds. If you'd told me eleven years ago that we'd not only still have enough material to keep running thi