Mainlining Christmas

Last year we were big fans of Netflix's entry into the family-friendly fray , but this new movie fell flat for us. The plot follows Jesper, the spoiled rich son of the Postmaster General. His behavior and attitude are cribbed so closely from The Emperor's New Groove that we thought the voice actor was David Spade (it's actually Jason Schwartzman). To shock him into acting like an adult, Jesper's father banishes him to a remote city on a far north island, tasked with re-establishing the post office there and stamping at least 6,000 letters over the next year. When he gets there, he discovers the town is home to two feuding clans, and everyone is only interested in making each other miserable. After trying and failing to encourage anyone in the town to send a single letter, he ends up at a solitary house on the far end of the island. Here he is terrified to meet Klaus, a huge woodsman with a house full of mysterious toys. He flees but drops a drawing he had been try

Noelle, one of a handful of made-for-streaming movies released with Disney+, feels like a derivative premise mulched by a committee that's still mostly redeemed by Anna Kendrick's presence and likability. Kendrick plays Noelle Kringle, daughter of Santa Claus and therefore (Disney) princess of the North Pole. They're not afraid of using the p-word, either. Her servant elf calls her "Princess" as a nickname, and Noelle uses it herself at least once. Also, she has a pet reindeer she calls using the generic Disney princess song. Honestly, it was kind of nice to see a Disney movie where they embrace the term again instead of treating it like a insult. Ever since she was a child, Noelle's wanted to do something important, but all the attention was placed on her brother, Nick (Bill Hader), heir apparent to the family legacy. Oh, I should probably have mentioned we're doing the whole Santa-bloodlines-thing they did in Arthur Christmas. In fact, there's

Netflix has been trying for a few years to encroach on Hallmark’s dominance of the disposable holiday rom-com. One of this year’s attempts is this adaptation of a set of YA short stories. The film starts and ends with narration by Joan Cusack. She is, of course, awesome, but the narration itself is so corny and obvious that I was literally laughing out loud, and not in a good way. Taking place over December 24, the movie follows four and a half separate stories and features an array of attractive young actors, many of whom have history working for Netflix or Nickelodeon. I have already forgotten all the characters' names. Many major plot moments take place at a restaurant called Waffle Town. The plots each fall into a basic romance trope or two: Pining for the girl next door Too-practical girl has meet-cute with celebrity in search of "something real" One-night stand (maybe one-night hangout, it's ambiguous) turns out to be true love Girl dumps cheating b

Before I get started, I just want to take a minute and acknowledge how surreal it is that you can go to the movie theater this weekend and watch both Captain Marvel and Shazam. Billy Batson and Carol Danvers are two characters I never thought we'd see on the big screen - Batson because he's silly and Danvers because I'd have sworn the one line Marvel would never cross would be putting out a movie with their company name embedded in the title - but here we are. And both of them are good. Really good, in really different ways. But not for different reasons: both Shazam! and Captain Marvel were made with respect and love for the characters being adapted, and it comes through in the finished products. I'll set Captain Marvel aside. Aside from sharing a convoluted history with Shazam! (if you have no idea what I'm referring to, pour yourself a Scotch when you've got an hour to kill and go read the Wikipedia histories on the characters calling themselves "