Mainlining Christmas

Unless I'm forgetting something, this is the only episode of the revamped Doctor Who series set at Christmas that wasn't produced as a "Christmas special." It's only the third Christopher Eccleston episode, and marks the first time him and Rose went into the past. The past they wind up in is 1869. It's Christmas Eve and - despite trying for Naples - the TARDIS takes them to Cardiff. As is always the case, there's more going on than a celebration. An undertaker in the city can't seem to keep the dead to stay still: they've picked up a habit of rising up and making trouble. One, an old woman, kills a grieving family member, climbs out of her coffin, and proceeds with her plans for the evening: catching a live reading of A Christmas Carol performed by the author, who is quickly pulled into the story. Also of note is the undertaker's psychic assistant, a woman about Rose's age who's developed a connection with the beings responsible.

I saw this in Walgreen's and had to have it. I love the concept; it's such a ridiculous thing to make 'holiday'. The hilarity starts on the back of the package. It mentions "The snack brand America celebrates holidays with for over 120 years." Which a) is not a sentence, and b) I guess they mean Frito-Lay? Because Cracker Jack is not a holiday tradition. If it were they wouldn't be resorting to weird seasonal flavors! The popcorn inside doesn't look like much. Part of the appeal of traditional Cracker Jack is that caramel color, and this is just white and sort of melted-looking. The red and green nonpareils are there to make sure you know it's Christmas. The taste is pretty good, though! The candy-like coating tastes of sugar and butter, meaning it does actually taste as though someone liquified some frosted supermarket cookies like the ones in the picture and poured it over popcorn. Not high-class fare, but tasty enough. But

A Christmas Horror Story 's title might undersell the content: this is at least four distinct stories, not one, each with a different tone. The stories are told in tandem, cutting back and forth over the film's hour and forty minute run time. All occur simultaneously on Christmas Eve. They're technically connected, but not significantly. Some of the characters know each other or have some background tying them to another story, but none of what happens to them in their own tales is impacted by what's going on elsewhere. Despite being distributed direct to video on demand, this anthology was impressively well shot, written, directed, and acted. It balances the horror and comedy well, juggling between a genuinely unsettling horror/fantasy, a creature feature, a ghost story, and a campy horror tale. None of these - not even the camp - fall into the pitfalls that usually trip up this genre. The movie never forgets it's horror first, and it has no interest in settlin

Easily my favorite of the Doctor Who Christmas specials, this episode from 2010 kicks off the second season with Matt Smith, the eleventh Doctor. This starts in the future on a distant world that's essentially a steampunk version of Victorian London. Only in space with flying sharks. Oh, and of course it's Christmas. Well, more accurately it's the winter solstice, but the opening monologue states the obvious: they're the same thing, anyway. One of the things that makes this work as well as it does is that it really doesn't give you time to stop and question its logic. That's probably a good thing, because the premise is more than a little haphazard. For example, Amy and Rory are honeymooning on a space cruiser that's about to crash into the planet of street urchins and fish-clouds, and the Doctor is unable to save them with the TARDIS. It's not remotely clear why this is beyond his capabilities (I think there might have been some BS tech-babble exp

It’s that time once more. I can’t believe this will be the sixth year we’ve held our Christmas here online with all of you. (Please don’t send up six geese a-laying, there’s a no pets clause in our lease.) We hope you’re looking forward to this as much as we are. We’ve been collecting more music, more movies, specials and episodes, and more randomly holiday-branded baubles and doodads to share with you. As a refresher for any newcomers, here is our pledge to you: Between now and Christmas, this blog will update at least three times every day (approximately every eight hours). Erin and I will listen only to Christmas music whenever we are in control of our aural environments We promise to watch at least one Christmas-themed special, episode or movie every day As time allows we will experience other holiday activities, such as decorations or events, and report back In past years, we have also reported the slow and steady fracturing that our psyches take under the onsla

The sixth year of Mainlining Christmas is just hours away. Make sure you have your tickets ready.

Add one more to the list of movies you probably didn't know were set during the Christmas season - until rewatching it, I really didn't notice. It's easy to miss: I didn't notice it coming up even once in conversation, and the majority of the film is set in the wilderness, where it's irrelevant. I'll have some more thoughts about the holidays in a moment, but first I want to talk about something else I'd forgotten. This is a great movie. I remembered it was good, but that really doesn't do it justice. This is an incredible achievement - one of the best action movies out there, possibly on par with Die Hard. If you don't recognize the name of the movie, you'll recognize the name of its protagonist: John Rambo. Like Die Hard, it's easy to understand why there was a demand for sequels, though - also like Die Hard - the first installment is the only one that's required viewing. First Blood opens with Rambo in a rural Washington town t