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Showing posts with the label Sucks

Santa Claws (2014)

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While Santa Claws wasn't intended to be confused with the 1996 horror movie with the same name, it was almost certainly intended to be confused with the direct-to-DVD Santa Paws movies . This was produced by "The Asylum," the low-budget production company that produces cheap knock-offs of big-budget pictures and pushes them onto the market early and often. They're also responsible for the Sharknado franchise (which gets name-checked in Santa Claws). This is a difficult movie to approach. While it was one of the most boring, pointless productions we've ever had the misfortune of sitting through, it did include a sequence where someone had to shove an EpiPen into Santa's chest to save him from a peanut allergy. While this scene wasn't good, it was certainly a unique moment in Christmas entertainment. It wasn't entirely alone - the movie offered a couple more shots or jokes that implied a subversive streak in the producers. But saying these were few

Book Review: A Big Sky Christmas

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A Big Sky Christmas William W. Johnstone* and J.A. Johnstone, 2013 (Note: Many of the Christmas books I am reading this year have one notable thing in common -- they were all cheap or free on Kindle some time in the last few years. No other qualifications.) *As I discovered at the end of the book, this was one of many books written from notes/unfinished manuscripts by another after this author’s death. Premise: Famous frontiersman Jamie McCallister hadn’t intended to get involved, but someone had to get the pilgrims to Montana by Christmas. I told Erin I read a Western. I said it was boring. He said, “Yup, then it’s a Western.” This book wasn’t terribly written, I guess, but I found it quite dull. All the characters are either good or evil. All the evil characters end up dead, mostly after surprisingly short, not-very-tense action scenes. All the obvious plot hooks are followed up with almost no surprises. It must be odd, to write a Western today. If someone’s just writi

The Holiday (2006)

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The Holiday tells the heart-wrenching story of unrequited love, specifically that between the producers of this movie and the film, Love Actually . You see, the people who made The Holiday watched Love Actually, loving its success from afar for three long years. But The Holiday's producers were American, largely based in California, a world apart from the English production they so desired. The Holiday is an allegory for this passionate love, told with two crossing stories centered on women who trade homes - one in Los Angeles and the other in the English countryside. "Why only two?" you might ask. After all, Love Actually juggled nine tales of romance. Presumably the people behind The Holiday partially understood their limitations and decided to aim for something more manageable. Unfortunately, two-ninths still proved an overly-ambitious goal. The worst sections of Love Actually still manage to deliver escapist romance that's orders of magnitude better than wha

Jake and the Neverland Pirates: It’s a Winter Never Land/Hook on Ice, F-F-Frozen Never Land, Captain Scrooge (2011-2014)

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As an aficionado of both Disney and children’s television in general, I have to believe that there is something of quality in the Disney Junior lineup. But this made us want to scurry back to the complex plots and emotions of Sofia the First. It has some of the repetition and talk-to-the-camera of Blue’s Clues, without any of the charm. In between, it’s a series of thin premises and slapstick scenarios that aren’t in the least interesting or funny. It’s also, of course, a crime against a treasure of art and literature, although I’ve seen Disney’s Captain Hook in enough contexts that I can divorce it somewhat from Peter Pan in my brain. Even if he seems to have a little safety knob on his hook in this. The show stars three kids and a parrot who live on “Pirate Island” and go on simplistic adventures in Never Land. (Yes, it’s “Neverland” in Peter and Wendy, but the show’s title card clearly reads “Never Land.”) The kids are “pirates” where pirate has been redefined to mean be

Christmas in Connecticut (1992)

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Arnold Schwarzenegger has starred in dozens of movies, he's been the governor of California, and he is one of the most iconic actors who has ever lived. But, in his entire career, he's only directed one movie: the 1992 made-for-TV remake of Christmas in Connecticut . And how is this film? Well, it feels like it's a made-for-TV movie directed by Arnold Schwarzenegger. The story was updated to make Elizabeth a TV cook instead of a writer, and the titular Christmas in Connecticut a live televised event orchestrated by her manager. The other lead, played by Kris Kristofferson, is Jefferson, a Colorado Forrest Ranger whose log cabin burned down while he was rescuing a kid lost in a blizzard. For reasons that are never adequately explained, the manager - who's standing in as Elizabeth's nonexistent husband - invites Jefferson to come early, so they can get to know him prior to the special. This is particularly confusing, as the manager's primary motivation is to

Cirque du Soleil: Fire Within: Christmas (2002)

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This was a Canadian reality television show about several Cirque du Soleil performers in Montreal. I expect the part of that sentence that leapt out at you was "Cirque du Soleil". Sadly, the part you should be focusing on is "Canadian reality television," which - judging by this - is roughly analogous to a PBS documentary about the production and distribution of toothpicks. Perhaps this series would be better seen from the beginning. Or perhaps the Christmas episode was unusually dull. But, whatever the reason, this was far more boring than you'd imagine anything about people performing in a Cirque could possibly be. By its nature, the plot was extremely thin. Several characters appeared, but I only recall two threads that could even generously be called "plots". To be fair, I could easily be forgetting something, as the episode has almost entirely faded from my mind in the five minutes that passed between watching it and writing this review. F

Marvel Super Hero Adventures: Frost Fight! (2015)

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I haven't seen enough recent animated programming from Marvel to know whether or not this 73 minute special is in continuity with Avengers Assembled and the like, but I have seen enough to know I don't care. The last generation of Marvel cartoons - Avengers: Earth's Mightiest Heroes, Spectacular Spider-man, and the short-lived Wolverine and the X-Men - was fantastic, but it all got cancelled when Disney took over. While Mickey has been a great overlord for Marvel's comics, movies, and live-action productions, their animated series have been far less impressive. This bizarre holiday special does not reverse that trend. To be fair, it has an intriguing premise - Santa Claus, re-imagined as a half-elf/half-ice giant who delivers gifts to all the nine realms, is being hunted by Loki, who's trying to steal his powers. In the right hands, this could have been a fun, zany adventure. But these are not the right hands. It's pretty clear the people making this wante

Samantha: An American Girl Holiday (2004)

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After much whining, I had an American Girl doll as a kid. I did not have Samantha. I had Kirsten, because yes, I read a lot of Little House on the Prairie , and my second choice would have been Molly, because I thought Samantha looked stuck-up. I believe young me’s choice is somewhat justified by this stultifying mess of a “film.” Apparently, long after my Kirsten had started collecting dust on my childhood bedroom bookshelves, the company decided to introduce companion dolls for some of their classic dolls, and what better way to sell new toys than with a made-for-TV movie? The best thing I can say about this is that some of the costuming and sets are decent. Not really Samantha’s, though; those dresses look silly on an actual girl. On to the story. Samantha is an orphan who lives with her rich grandmother in upstate New York in 1904. She’s feuding with the boy next door and eagerly awaiting the return of her rich uncle who dotes on her when a family joins the next-door hou

Rugrats: Angelica Orders Out/Let It Snow (1997)

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I know that kids in most cartoon shows never age, but that convention seems especially creepy when you’re talking about infants never growing old enough to try to speak, even though they have experienced (at least once) both Christmas and summer. This is technically a Christmas-in-August, but it counts for our purposes. Christmas in July tropes include an off-season photo opportunity and characters who believe it’s Christmas when it isn’t. Incidentally, the first half of the episode isn’t Christmas, just an example of unfunny children’s television in which Angelica gets in trouble for pretending to be an adult on the phone. In “Let It Snow,” the babies see Tommy’s Grandpa decorating a Christmas tree. Grandpa explains to the adults about taking a holiday photo in time to have cards done, and some obvious foreshadowing is laid around a bag of old toys intended for donation. The babies think the presence of the tree must mean it’s Christmas, but there aren’t any presents. Some e

Baby Looney Tunes: Christmas in July (2002)

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We all remember Muppet Babies. Even those of you who have never seen Muppet Babies seem to know it exists and remember it in some strange way. That's the magic of Muppet Babies. That's its power . But no one remembers Baby Looney Tunes. And, having just seen an episode, I can unequivocally assert that it's better that way. Because this show is awful . Not just awful; it's humorless, tedious, boring, and pointless. It drags on, offering no justification for existing nor even seeming to try. You feel as though every step of its creation was undertaken in a dimly lit room, that the people working on it had a scotch in one hand and a pencil in the other, and the words, "What have I done with my life?" must have been scribbled around the margins of every script, every character design. It could have better, is what I'm saying. The premise of the series is almost precisely the premise of Muppet Babies, to the degree that I can only assume they weren

Super Mario World: The Night Before Cave Christmas (1991)

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I remember the Super Mario Bros. Super Show, but I either forgot or never heard of its sequel, Super Mario World. Actually, The Adventures of Super Mario Bros. 3 was the first sequel, and I either forgot about or never knew about that one, either. But Super Mario World, the series intended to tie-in to the Super Nintendo, is the one with the Christmas-in-July (technically August, but let's not split hairs) episode, and by extension the one we need to talk about. This is a half-episode, and it aired alongside Captain N, which sucked for entirely different reasons than Super Mario World. Sadly, Captain N never gave the world a Christmas episode, so we'll have to set it aside and get back to the crappy series at hand. If you've never seen any of these series and are wondering how anyone would convert Super Mario Bros. into a television series, don't bother asking the writers of this episode, because clearly they never figured it out. The premise is ostensibly bas

Misadventures in Romance Reading (Christmas in July)

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When we decided to tackle more Christmas in July media, I did a search for books. The main one that came up when I searched was a romance: Christmas in July (A Christmas, Colorado, Novel: Book 2) by Debbie Mason. Romance isn’t a preferred genre for me, but sometimes I like it, and this book was available through my local library, so I decided to dive in. At the beginning, I was intrigued. The book (and, I imagine, the series) takes place in a town called Christmas. The main character, Grace, is a baker. Her signature dessert is a Sugar Plum Cake with a “wish” hidden in the decorations. Her husband, Jack, was in the army, but he’s been MIA for over a year, and she’s finally decided to move on. So far, a nice dash of holiday theme and an interesting premise. Of course, this is the moment when her husband and his crew are found alive. But he has amnesia, and doesn’t remember her, and he’s been attracted to this other woman in the meantime. And all of that could actually have

Camp Candy: Christmas in July (1989)

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Camp Candy was, apparently, an animated series where John Candy voices a character based on himself at a fictitious summer camp he runs. I don't recall ever having seen or heard of this series before in my life, though if I still remember this episode an hour from now, I'll be both surprised and disappointed. The Christmas in July episode opens the same way Wikipedia assures me every episode in this series starts, with Candy trying to teach the kids a sport, leading to a flashback of something that happened earlier in the summer. This is portrayed as a story being told by Candy, though it's unclear why he's telling the kids about an adventure they were present for. It's also unclear how he's able to provide descriptions and commentary for other characters' dream sequences. Actually, this episode features dreams within dreams within a story. But don't get excited: it was all crap. Once we're firmly entrenched within a flashback, the kids and C

A Miser Brothers' Christmas (2008)

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There's a lot of resentment in the air tonight. I resent the executives who decided to try to squeeze more money out of an existing property. I resent the people who spent months making this. I resent this cheap DVD for existing, and I resent this blog for making me sit through it when I absolutely have better things, even CHRISTMASSIER things, to do with my time. What I'm trying to be clear about is that there could have been a kinder, gentler version of me that would cut this special some slack. She is not here today. The worst thing, beyond the horrible plot and the terrible music (seriously, did they hire a committee of failed third-grade teachers to slap this together?), about sitting through this is that I like A Year Without a Santa Claus. Erin wasn't very nice to it in his review , but I'm fond of it. I like Mrs. Claus, I like the story, I love the music. This new special isn't fun, and it sucks most of the fun out of the world of the original.

The Christmas Candle (2013)

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Fuck this movie. I know, I know. I generally try to keep this site in PG-13 territory. Though it's generally agreed you can say the F-word once before something stops being PG-13, so I guess I'm still fine. You know what? Fuck it. This fucking movie distributed by Rick-Fucking-Santorum's fucking production company can go fuck itself. Because, for about half its run time - maybe more - we were on board. We were engaged, intrigued, and curious to see where it was going. Then, in the last act, a magical Christmas angel gathered up all the good-will the movie had pulled together and took a steaming Christmas shit on it. There. I just synopsized the whole movie for you without dragging you through the bullshit plot twists and reveals. Now go. Get out of here. Stop reading. Seriously. Get. Why are you still here? Why are you still reading? Is it because you heard Sylvester McCoy, the seventh Doctor and Radagast the Brown has a minor role in this thing? Or are you really

I'll Be Home For Christmas (1998)

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I'm having a very hard time resolving how lazy the construction of the individual scenes of this movie was with the fact that the premise was a relatively ingenious re-imagining of The Odyssey built around an eighteen year old trying to get home for the holidays. It's worth noting I'll Be Home For Christmas did this a few years before O Brother, Where Art Thou? got a lot of attention for a similar gimmick (though - needless to say - O Brother did it much, much better). Jonathan Taylor Thomas plays Jake, the Odysseus character. Like his archetype, he's a pathological liar and conman. At the start of the movie, Jake is at college in Los Angeles, along with his girlfriend, Allie, who comes from the same town on Long Island (it's a plot point later that her family only lives a few blocks from his). If this seems absurdly unlikely, it's worth noting that you'll also have to suspend your disbelief around the film's portrayal of college, a place where nerds

Bush Christmas (1947)

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Bush Christmas is an 1947 kid's adventure set in Australia. The movie's filmed on location, which is the most positive thing I have to say about the production. I understand where the movie's set, but I'm a little unclear on when. This opens with school wrapping for Christmas break, and the children immediately grab their horses for the ride home. I really can't say for certain that there weren't areas in rural Australia where kids used horses to commute to and from school in 1947, but it seems a little antiquated. My assumption is that this was supposed to be set in the past. Maybe early 1930's? The clothes look fairly modern, and there were a few cars, so it couldn't have been much earlier than that. Instead of going directly home like good children, a few of them go for a ride. On the way, they run into a pair of horse thieves. The kids, mistaking them for something else, accidentally mention their father owns a valuable mare. The robbers send

The Little Drummer Boy Book II (1976)

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Somehow, in year six, there are still Rankin-Bass stop-motion Christmas specials that we hadn't seen. I don't know how this happened either. This one is just as boring as its predecessor , but it does have nicer animation. It picks up where the first left off, Baby Jesus suitably entertained by Aaron and his magic drum. Aaron wants to do something more (further undermining the message of the original song) and Melchior drags him off to town to help look for some bellmaker. Melchior looks a bit more Middle-Ages-Europe king than first-century-Damascus king to my eye. Just saying. The bellmaker, Simeon, has been telling people that Jesus is coming, and while they haven't believed him, he has cast a set of giant silver bells in preparation. At this point, Erin can attest that I gave the screen some incredible side-eye at the idea that they would co-opt, even just by reference, one of my favorite holiday songs for this dreck, but it never went further than that refer

Four Christmases (2008)

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This is the tragic story of a couple, leading happy if unexamined lives, who get sucked back into the drama of their dysfunctional families and thereby are re-indoctrinated into old-fashioned scripts for what adults should want out of life. They make irrevocable choices based on the trauma of this experience that they will surely regret. Conveying the soul-crushing pain of acquiescing to their broken families' value systems is truly a masterful performance by both leads, and... Oh, someone is telling me this was supposed to be funny. Well, that's just sad. In seriousness, Four Christmases is a boring holiday rom-com that was dated when it came out. Now it's just painful, all the more so because it doesn't just suck. There could have been an interesting movie here, but it's full of missed opportunities: both narrative opportunities for the audience and health/self-care opportunities for the characters. In that spirit, I'm going to sneak a little internet th